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Meet Bud Rebel: The Indie Filmmaker and Podcast Host Shaping the Future of Entertainment

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Bud Rebel is not your typical filmmaker. With a career that spans nearly two decades, he has forged a distinctive path through the entertainment industry as an actor, director, writer, producer, podcast host, and entrepreneur. His multifaceted talents and bold approach to storytelling have earned him a reputation as one of independent cinema’s most intriguing voices.

Rebel’s cinematic journey includes two notable feature films: All Screwed Up (2009) and The Undead (2023). All Screwed Up, a gritty look at life’s unpredictable twists, found success in the indie film community and resonated with audiences on streaming platforms worldwide. His more recent film, The Undead, has drawn attention for its powerful and authentic portrayal of mental illness, woven seamlessly into the storyline. The film’s unflinching look at complex mental health themes has sparked important conversations and earned praise for its emotional depth and realism.

Always exploring new ways to tell stories, Rebel recently completed production on Seduction, an original podcast drama set to launch in 2025. Featuring a stellar cast, the project promises to push the boundaries of audio storytelling with its compelling narrative and cinematic scope. Though full details are still under wraps, early word suggests Seduction will be another bold and captivating addition to Rebel’s growing body of work.

In addition to his feature-length projects, Rebel has written and produced over a dozen short films, including Serial Killer (2023), Restaurant Return (2023), and Uncle Sid (2024). These shorts, many of which are listed on IMDbPro, showcase his range and ability to distil big ideas into compact, emotionally resonant stories that linger long after the credits roll.

Rebel also brings his sharp intellect and curious mind to The Bud Rebel Show, a bi-weekly podcast where he sits down with a diverse range of guests, including actors, musicians, entrepreneurs, and bestselling authors. The show is available on major platforms including iHeartRadio, Spotify, Apple Podcasts, and YouTube. Notable guests have included Jeremy Richardson (Yellowstone), Vincent M. Ward (The Walking Dead), Jeffrey Allen (Beast Games $10M winner), Bourke Floyd (Dawson’s Creek), Jack Cook (The Private Eye), Ashley Auguillard (Curb Your Enthusiasm), and bestselling author Dr Samantha Harte, among others. Each episode is a deep dive into the lives and minds of people making waves in their respective industries.

In 2024, Rebel’s unique contributions to film, media, and entrepreneurship were recognised when he was named one of the Top Twenty Entrepreneurs by Deluxe Version magazine. The honour reflects not only his creative achievements but also his relentless drive to innovate and inspire across multiple platforms.

Recently, Rebel sat down for an in-depth interview with FilmCentral magazine, where he shared insights into his creative process, the challenges of independent filmmaking, and what’s next for him as he continues to push boundaries and champion original storytelling. Here’s what went down:

1. Can you tell us about your latest project, Seduction?

Seduction is a powerful and original audio drama that brings the listener into a world full of the excitement of addiction, as well as the consequences that can occur during this dark and twisted journey. It’s a gripping tale of morality tested by passion, following the highs and lows of Tony meeting Maria.

2. What was it like working with your producers, crew, and incredible cast on this production?

We had an incredible team, such as Mikeala Phillips and Mert Ozcan (The Record House), who could see exactly how the story needed to be told and translate it perfectly into sound. They worked with me and the cast to bring the script to life, and I couldn’t be more thrilled for audiences to hear it soon!

3. What did you find difficult and/or enjoyable about creating for a podcast, an audio-only medium?

Sound was an interesting challenge, as we had to create and depict a visual representation of the story for the audience, but one that they could only hear… without the use of elaborate sets, lighting, makeup, or set design. It was a different experience creating for this platform, and we got down to business right away, moving quickly.

4. What’s challenging about bringing a script to life?

Bringing a script to life is challenging because it’s not just about filming what’s written, it’s about turning words and one’s writing into real emotions and cinematic moments. You must guide a team, make tough decisions, and solve problems every day, all while ensuring the heart of the story remains at the forefront.

5. Where do you draw your inspiration from for your stories?

My inspiration for writing my stories comes from my own life experiences and the interesting characters I meet along the way.

6. What rules or conventions in filmmaking do you personally choose to ignore – and why?

Great question, convention is the rule I try to ignore in my filmmaking! I want the viewer to be entertained through a whole different lens – one that features unique characters who embark on unconventional journeys and are more relatable.

7. Examining your body of work, a noticeable thread of deeper meanings, conversations, or morals is evident within your stories, often presented in an entertaining or thought-provoking manner. Is this an intentional approach, and what draws you to weaving these kinds of themes into your work?

Yes, I believe a story should draw a viewer into thinking about things they may not have looked at without becoming preachy. In some way, I hope my films make the world a better place for those who view them and their loved ones. If something I create can spark conversation, relatability, or even give a voice to diverse situations that others feel seen by, that’s rewarding.

8. Which of your past films was the most fun to make, and why?

It would probably be “All Screwed Up” because it was my first journey into this world which was only a dream before!

9. Do you have plans for another film? What’s next?

I believe “A Hell Can Wait” is an audio drama. It’s big, bold, and will take the listener to a whole new universe. God willing, they will never forget.

10. If someone were going to make your life into a movie, who would play you?

A younger version of Tom Cruise. Seriously, though, I’d leave that to the Director though.

11. Tell us about anything else interesting!

Creating art is so rewarding because one’s blueprint is left out there, and even if it’s covered up, a bit of your deeper self is still revealed for all the world to see forever.

Actress. Director. Mother. Advocate. Brooke Nevin Redefines Success in Hollywood’s Evolving Landscape

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Acclaimed actress Brooke Nevin is once again making waves in the film industry with her latest performance in F* Marry Kill*, the latest genre-bending release from Lionsgate and Buzzfeed Studios. This comedy-thriller hybrid is as smart as it is suspenseful, but it’s Nevin’s dynamic portrayal of Valerie—the overprotective older sister of Lucy Hale’s lead character—that anchors the film’s emotionally charged wit. Equal parts intense, hilarious, and heartbreakingly human, Valerie is a character only an actress of Nevin’s calibre could bring to life with such charisma and nuance.

Nevin’s role in F* Marry Kill* is more than a performance—it’s a masterclass in genre navigation. “Valerie’s intensity just jumped off the page,” Nevin said in a recent exclusive interview with StarCentral Magazine. “She’s messy, paranoid, and totally convinced she’s the lead in her own crime drama. That contradiction was so fun to explore.” The film deftly blends psychological tension with biting humour, and Nevin delivers both with precision, portraying a woman driven by love and fear in equal measure.

A Career Built on Complexity and Creative Range

Brooke Nevin has long been known for her eclectic body of work. From sci-fi staples like The 4400 to crime procedurals like CSI, and award-winning dark comedies like Call Me Fitz, her career has been defined by a refusal to be typecast. With F* Marry Kill*, she continues that legacy—this time pushing deeper into the realms of psychological thriller and dark comedy.

“The diversity of genres I’ve worked in has always kept me creatively fulfilled,” Nevin reflects. “I tend to gravitate towards characters who are the chaos, who are funny because of how intensely they care.” That ethos is visible in Valerie, who barrels through the film with a blend of obsession, sincerity, and deep emotional vulnerability.

The Artist Behind the Actress

But Nevin is far more than just an actress. Her creative expression transcends the screen—she’s also a skilled photographer and budding director. While filming F* Marry Kill*, she found herself drawn to the behind-the-scenes energy, often watching playback and observing lens choices. “Once you’ve peeked behind the curtain, you can’t really go back,” she said. “Even when I’m not directing, I’m learning.”

These experiences enrich her performances, offering a cinematic awareness that adds depth to every scene she inhabits. It’s this multi-dimensional artistry that sets Nevin apart in a competitive industry.

Motherhood, Motivation, and a Message of Authenticity

Adding another layer to her dynamic life, Nevin recently became a mother—an experience she says has profoundly reshaped her outlook on storytelling. “Being a new parent teaches you that no one has it all figured out,” she explains. “It’s made me even more interested in playing flawed, deeply real characters.”

Motherhood has also shifted the types of projects that resonate with her. Nevin is now drawn to stories that embody resilience, vulnerability, and emotional complexity—qualities she sees reflected in both her professional life and personal growth. “I want to tell stories my son will be proud of—ones that say something real about who we are and how we live.”

Philanthropy Rooted in Purpose

Nevin’s commitment to impact extends well beyond Hollywood. She is a passionate advocate for A Sense of Home, a nonprofit that helps former foster youth establish stable living environments. She also contributes to The Heart Gallery, using her photography to help foster children find adoptive families.

For Nevin, giving back is about aligning talent with need. “Start with something you’re already good at,” she advises. “Your creativity can be a powerful tool for good.”

Foundations in Poise and Passion

Nevin’s journey began with ballet and a one-time foray into pageantry—experiences that taught her the value of discipline and poise, even in the face of uncertainty. “Being on stage young helped build a ‘performance muscle,’” she recalls. “It taught me to focus on the process, not the pressure.”

This foundational mindset has served her well in an ever-changing industry. Whether she’s diving into a new genre or juggling motherhood with a busy creative schedule, Nevin embodies resilience, adaptability, and joy in her pursuit of craft.

A Life in Creative Seasons

Nevin offers a refreshingly honest take on balance: “The idea of a perfectly balanced life is a myth. Life moves in seasons—some are for planting, others for nurturing or harvesting. The key is to embrace each one fully.”

It’s this blend of realism and optimism that makes Brooke Nevin not only a standout talent in Hollywood but a powerful voice for authenticity, creativity, and compassion in an increasingly complex world.

As F* Marry Kill* continues to win over audiences with its smart storytelling and unique tone, one thing is clear—Brooke Nevin is at the peak of her artistic power, and she’s only just getting started.

Introducing Kate Godfrey: From Nickelodeon to Hollywood – The Rise of a Multi-Talented Actress

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Photo Credit: Jonny Marlow

Award-winning actress Kate Godfrey is solidifying her place as one of Hollywood’s brightest rising stars. With her comedic beginnings on Nickelodeon and her recent foray into dramatic roles, Kate has proven her versatility and talent, captivating audiences and industry insiders alike.

Born and raised in Scottsdale, Arizona, Kate’s journey into the spotlight began at the age of nine. Performing in local productions and the Broadway community in New York City, she quickly showcased her natural flair for acting. Her big break came when she joined the revival of All That on Nickelodeon as a regular cast member, starring in 36 episodes. With sharp comedic timing and infectious energy, Kate received rave reviews for her performances and earned the admiration of none other than Saturday Night Live legend Kenan Thompson, who hailed her as a next-generation comedic talent.

Kate’s comedic prowess continued to shine when she took on the lead role of Ruby in Nickelodeon’s Warped!, a series that allowed her to delve deeper into the world of humour and wit. She also made her late-night debut in a sketch comedy segment on The Tonight Show Starring Jimmy Fallon, solidifying her presence as a force in the entertainment world.

But Kate’s career has not been limited to comedy. Her role in the short film Leading Man marked a significant turning point, earning her the prestigious 2024 Tribeca Most Moving Narrative Award. The film was also an official selection at the Out On Film Festival, qualifying for both the Oscars and BAFTA—an extraordinary feat for a young actress. Kate’s performance in Leading Man demonstrated her emotional depth and versatility, proving she is equally adept at dramatic roles.

Looking ahead, Kate’s trajectory continues to soar. In 2025, she will appear as a recurring guest star in Hulu’s highly anticipated series Paradise. She plays Hadley, the daughter of Julianne Nicholson, in a cast that includes James Marsden and Sterling K. Brown. The series is already generating buzz as one of Hulu’s most anticipated releases. Additionally, Kate has secured a role in the upcoming feature film Red Ants, further expanding her repertoire.

Beyond her acting career, Kate is also a dedicated student at UCLA, where she balances her education with her professional commitments. Her academic pursuits are driven by her desire to understand the entertainment industry from multiple perspectives, including the business and filmmaking aspects.

Kate’s philanthropic efforts are equally inspiring. She volunteers with St. Jude Children’s Research Hospital, a cause close to her heart. “A kid should never be sick; St. Jude’s makes those families feel a little safer,” she shares, reflecting her compassionate outlook on life.

FilmCentral Magazine recently had the privilege of interviewing Kate, delving deeper into her journey, influences, and aspirations.

On her most transformative experiences as an actress

Kate credits her short film Leading Man as a pivotal moment in her career. “Seeing our short at Tribeca inspired me not only as an actor but as a filmmaker,” she says. However, she acknowledges that her personal experiences outside the entertainment industry have also played a significant role in shaping her craft. “Being able to live life and go to both high school and college has taught me things about acting that I couldn’t learn on set.”

Photo Credit: Jonny Marlow

On Kenan Thompson’s mentorship

Kate speaks highly of Kenan Thompson’s influence, stating, “Kenan’s mentorship has helped me be confident and work hard. It is really challenging to be a working actor, so it is helpful to have words of encouragement from people whose work you admire. He works like crazy and is still a good influence. I hope to be that friendly and humble if I am ever as successful as him.”

Balancing comedy and drama

For Kate, transitioning between comedy and drama is like “playing sports.” She explains, “They can be completely different, but many of the same skills carry over. I will always have a special love for comedy because that is where I learned about the entertainment industry.”

Photo Credit: Jonny Marlow

On taking on mature roles

Kate is excited to tackle more layered and dimensional characters as she grows. “You are very limited when you are young as to what you can say or do, but as an adult, I find that my characters are much more dimensional. What excites me most is telling stories that resonate with more people.”

On her role in Hulu’s Paradise

Reflecting on her role in Paradise, Kate reveals, “I play Hadley. I have a small role, but I learned a lot while filming it. Julianne Nicholson showed me that acting is something you can master. She not only knew how to do her job perfectly but also made everyone else’s jobs easier.”

Photo Credit: Jonny Marlow

Balancing UCLA studies with acting

Kate’s commitment to education is unwavering. “It has always been one of my life goals to get a degree,” she shares. While juggling acting and academics is challenging, Kate finds value in understanding the business side of the industry. “Learning about the entertainment industry as a film student has made me an easier actor to work with because I know why productions make the business choices they do.”

Looking to the future

Kate’s aspirations include roles that challenge her and allow her to grow. “In the next few years, I would like to play roles that require me to learn new skills and tell unique stories,” she says.

With her undeniable talent, humility, and drive, Kate Godfrey is undoubtedly on the cusp of becoming one of Hollywood’s next big stars. Whether it’s her comedic charm or her dramatic prowess, one thing is clear—Kate’s star is only just beginning to rise.

Photo Credit: Jonny Marlow

A New Chapter in Film: FilmCentral Magazine’s Editor-in-Chief Launches Insightful Book on Industry Challenges

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For the past few years, FilmCentral Magazine’s editor-in-chief has been on an immersive journey, delving deep into the complexities and challenges faced by the screen industry. Through extensive research, data collection, and personal experiences, she has uncovered the unique struggles professionals across the industry encounter. She’s had countless meaningful conversations with colleagues, peers, and industry veterans, who have shared their stories, highlighting the daily difficulties they face in an ever-evolving and competitive environment.

Her passion for understanding these challenges didn’t just stop at collecting data and listening to others. She took a proactive approach by developing and testing strategies tailored to her own life and career. These strategies, designed to navigate the demanding nature of the screen industry, have been rigorously implemented and refined over time. She’s proud to say that her efforts have paid off, as these approaches make a significant difference in her life and work.

Recognising that these challenges are not unique to her, she sought to extend her insights and solutions beyond her own experiences. She worked closely with a diverse range of individuals and organisations to further explore and develop strategies that could be applicable to a wider audience. Her collaborations extended to companies, organisations, and institutions that play a pivotal role in shaping the screen industry, allowing her to identify solutions that could have a broader impact.

Her journey and findings have now been compiled into a comprehensive book that gathers all the knowledge, insights, and practical tools she has acquired. The book is designed to be a resource for industry professionals, offering not only valuable insights but also tangible strategies that can create a meaningful impact. Whether it’s addressing work-life balance, navigating the pressure of deadlines, or finding a voice in a crowded space, the book aims to provide practical guidance that can resonate with her friends, colleagues, and peers across the screen industry.

Sneak Peek: The Cover Reveal!

In anticipation of the book’s release, the editor-in-chief has shared an exclusive sneak peek of the cover—a striking design that reflects the essence of her work and dedication. The book, which promises to be a must-read for those navigating the screen industry, will officially be available on Amazon from the 5th of November.

This project has been a labour of love, and she credits the collective support of her community in bringing it to life. From the people who shared their stories, to the companies and organisations that partnered with her, to the editors and proofreaders who refined the manuscript, every step of this journey has been a collaborative effort.

A special shout-out goes to all those who have contributed to this milestone, and she looks forward to sharing her work with the world, hoping that it will offer both inspiration and practical tools to help others thrive in the screen industry.

Transformers One Rolls Out in Style: Hemsworth and Hollywood Cast Hit Sydney Red Carpet

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Chris Hemsworth and Brian Tyree Henry attend the Australian Premiere of “Transformers One” at IMAX Sydney on September 11, 2024, in Sydney, Australia. (Photo by Mark Metcalfe/Getty Images for Paramount Pictures)

Hollywood star Chris Hemsworth and his wife, Elsa Pataky, made a dazzling appearance at the star-studded premiere of Transformers One alongside their twin sons, Sasha and Tristan. The family turned heads as they walked the red carpet, exuding effortless style.

Hemsworth, known globally for his portrayal of Thor in the Marvel Cinematic Universe, wore a striking blue suit, which he paired with a simple grey T-shirt, giving him a relaxed yet stylish look. Adding a touch of flair, he accessorised with a silver necklace, a matching watch, and several rings, elevating his ensemble to modern chic.

Pataky, a model and actress, radiated elegance in a silk set by Zimmermann, one of Australia’s most iconic fashion houses. The flowing outfit accentuated her natural beauty, and her presence on the red carpet perfectly complemented Hemsworth’s effortless style. Sasha and Tristan, the couple’s twin sons, also captured the attention of the cameras, walking confidently alongside their parents, completing the family’s picture-perfect red carpet moment.

Henry made a bold fashion statement on the red carpet, dressed in a grey suit that was topped off with a long coat. The coat featured a dramatic and eye-catching print of Megatron on the back, paying homage to the character he voices in the film. This striking outfit was a fan-favourite, blending fashion and character in a unique and memorable way.

SYDNEY, AUSTRALIA – SEPTEMBER 11: Chris Hemsworth and Brian Tyree Henry attend the Australian Premiere of “Transformers One” at IMAX Sydney on September 11, 2024 in Sydney, Australia. (Photo by Mark Metcalfe/Getty Images for Paramount Pictures)

A Star-Studded Affair in Sydney

For the Sydney premiere of Transformers One, it was just Chris Hemsworth, alongside co-star Bryan Tyree Henry and the film’s director Josh Cooley, who took centre stage. Hemsworth voices the iconic character Orion Pax, the young Autobot who would eventually evolve into Optimus Prime, the supreme commander of the Autobots. Meanwhile, Henry lends his voice to the powerful Megatron, the feared leader of the Decepticons.

The premiere was a significant event, marking another chapter in the globally beloved Transformers franchise. Bryan Tyree Henry made a bold statement with his outfit, donning a grey suit paired with a long coat. The highlight of his look was the dramatic print of Megatron featured on the back of the coat, a nod to his villainous character in the film.

SYDNEY, AUSTRALIA – SEPTEMBER 11: Chris Hemsworth, Elsa Pataky, Tristan Hemsworth and Sasha Hemsworth attend the Australian Premiere of “Transformers One” at IMAX Sydney on September 11, 2024 in Sydney, Australia. (Photo by Mark Metcalfe/Getty Images for Paramount Pictures)

An Epic Origin Story: Transformers One

Transformers One takes audiences back to the origins of two of the most iconic characters in the Transformers universe—Optimus Prime and Megatron. Long before they were enemies locked in an eternal battle for supremacy, they were brothers-in-arms, bound by friendship and a shared vision for Cybertron. The film explores how their bond was shattered, leading to a civil war that would alter the course of their planet forever.

In this first-ever fully CG-animated Transformers movie, viewers will witness the rise of these legendary characters in a visually stunning and action-packed narrative. The untold story of Optimus Prime, once known as Orion Pax, and Megatron is finally brought to life in an engaging and emotionally charged adventure.

Directed by Josh Cooley, the film boasts an all-star voice cast, featuring some of Hollywood’s biggest names. Chris Hemsworth leads the pack as the young Orion Pax, while Bryan Tyree Henry gives a gripping performance as Megatron. Joining them are Scarlett Johansson, who voices Elita, Keegan-Michael Key as Bumblebee, Steve Buscemi as Strika, and Jon Hamm as Sentinel Prime. Laurence Fishburne also stars in the film as Alpha Trion, adding to the impressive roster of talent.

A Film with Strong Creative Foundations

Transformers One is written by Andrew Barrer and Gabriel Ferrari, and Eric Pearson also penned the screenplay. Barrer and Ferrari previously worked on Ant-Man and the Wasp, showcasing their expertise in action-packed storytelling that seamlessly blends humour, emotion, and larger-than-life battles. Director Josh Cooley, best known for his work on Toy Story 4, brings his unique vision to the project, ensuring the movie appeals to both long-time Transformers fans and newcomers alike.

With its star-studded cast, emotionally charged story, and breathtaking animation, Transformers One promises to be a cinematic spectacle. The film not only delves into the origins of two of the most iconic characters in the Transformers universe but also provides a fresh perspective on the friendship that ultimately ignited the war that tore their world apart.

SYDNEY, AUSTRALIA – SEPTEMBER 11: Zev Foreman, Lorenzo di Bonaventura, Chris Hemsworth, Brian Tyree Henry and Josh Cooley attend the Australian Premiere of “Transformers One” at IMAX Sydney on September 11, 2024 in Sydney, Australia. (Photo by James Gourley/Getty Images for Paramount Pictures)

The Anticipation Builds

Fans of the franchise and general moviegoers alike eagerly anticipate the release of Transformers One. With the combination of stunning CG animation, an emotional narrative, and the voice talents of some of Hollywood’s finest, the film is expected to be a hit. The dynamic between Optimus Prime and Megatron, once allies and now enemies, will be explored like never before, offering audiences a deeper understanding of their motivations and struggles.

With the film set for release soon, the buzz surrounding Transformers One is only expected to grow. Fans can look forward to an epic, action-packed adventure filled with heart, history, and the high-octane battles that have made the Transformers franchise a global phenomenon.

As Chris Hemsworth and Elsa Pataky made their exit from the premiere, hand in hand with their children, it was clear that Transformers One is set to be a standout film not only in Hemsworth’s impressive career but in the Transformers universe as a whole.

This article was sourced from a media release sent by Disney+ / Images supplied by Disney+

Casting Guild of Australia Awards Set to Return to Sydney in November 2024

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The annual Casting Guild of Australia (CGA) Awards Ceremony is returning to Sydney this year. The prestigious invite-only event will be held at the Establishment Hotel on Friday, November 15, 2024. Nominees for the awards will be announced in late October.

Launched in 2015, the CGA Awards is the only casting awards ceremony in the southern hemisphere that celebrates and recognises casting across all mediums, including film, television, television commercials, theatre, new media, and reality. The annual Awards Ceremony seeks to acknowledge and support the critical role casting directors play in bringing together great casting opportunities on a national and international stage.

CGA President Thea McLeod said, “We are thrilled to announce the Casting Guild Award nominations for 2024! Our role is like piecing together a brilliant puzzle—understanding each character’s unique needs and finding the perfect actor to fit each piece. By working closely with directors and producers, we bring their vision to life and make the script truly shine. It’s where the magic happens.

This year has been nothing short of amazing, with a fantastic array of talent showcased in the awards submissions. It’s a testament to the hard work and dedication of casting directors, who are often the unsung heroes making those brilliant performances possible. We’re incredibly excited to come together at this year’s CGA Awards to celebrate the outstanding work of Australian casting directors and the fantastic contributions they’ve made over the past year.”

2024 CGA AWARD CATEGORIES:

Best Casting in a Feature Film
Best Casting in a Short Film
Best Casting in a TV Comedy
Best Casting in a TV Drama
Best Casting in a Telemovie & Miniseries
Achievement in Casting
Best Casting in a Theatre Production
Best Casting in a TVC – Community
Best Casting in a TVC

The CGA will also name ten extraordinary actors with the potential to break out on the world stage as the 2024 CGA Rising Stars. The Rising Stars will be announced in early November, and recipients will be interviewed by some of Australia’s top casting directors on CGA’s social pages before the official presentation on November 15.

For further information about CGA visit www.castingguild.com.au and be sure to follow their official socials channels for the latest news and updates.

Dan Ewing Cast as Aussie Lead in Exciting New US-Australia Film Collaboration

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Dan Ewing, known for his roles in Home and Away, SAS Australia, and Love and Monsters, is set to take on the Australian lead role in the upcoming film Rembrandt Mansion. This thrilling project is a collaboration between Australian and American filmmakers, with US A-list stars to be announced later. Joining Dan Ewing in the cast are fellow Australian actors Daniel James and Brodie Henson. Daniel James will portray Mike, a shock jock radio announcer in the upcoming film Patched, directed by Steve Mann. Brodie Henson recently appeared as Tito in Deep Red Water, filmed on the Gold Coast and directed by Danial Donai.

With Hollywood increasingly turning to Australia as a prime filming location, and new studios popping up across the country, Rembrandt Mansion aims to strengthen film industry ties between Australia and the US. The film is a novel-to-screen adaptation spearheaded by American film producer and novelist Alexandria Altman. The project is a joint venture between Altman’s Rembrandt Mansion LLC and SWG Entertainment, based in Queensland’s Scenic Rim and Inverell in New South Wales.

Alexandria Altman, often likened to authors Stephanie Meyer and Anne Rice for her unique and captivating writing style, is leading the US production team. The team also includes legendary composer and music director Alan Howarth, known for his work on the Star Trek and Halloween franchises, as well as Escape From New York. With over 160 films to his name, Howarth’s involvement promises an epic score. Screenwriter Melody Rowland, whose credits include Hill Street Blues, Full House, and Growing Pains, has also joined the team, adding her expertise to what is expected to be a Hollywood blockbuster.

On the Australian side, the production team includes Mike Donnelly, Ross Wohlsen, and Pamela Wohlsen of SWG Entertainment. More announcements about the project and the Australian team are expected soon, with updates to be available on the SWG Entertainment website.

Dan Ewing’s casting in Rembrandt Mansion marks another significant milestone in his career, as well as an exciting step forward in the growing collaboration between the Australian and American film industries. Keep an eye out for more details on this highly anticipated film!

This article was sourced from a media release supplied by Pam Wohlsen of SWG Entertainment (image supplied)

Meet The Young Australian Filmmakers Turning Their Love Of Celluloid Into A Calling

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How do we stay human in a world ruled by content and consumption? It’s a question that seems to circle everything these days, including the now ever-evolving and existential questions about the potential for AI to permanently disrupt the purity of human creativity. And nowhere else are these questions more focused or receiving more public scrutiny than in the film industry, who are becoming, it seems, the yardstick for how far studios are willing to go to take advantage of new technologies for increased profits. The film industry is thrumming with activity, keen to satisfy the bottomless appetite of its audiences. With the rise of AI looming large over the industry and an implosion of content saturating the market, the question for the modern filmmaker is this: how do you stand out in the age of information?

A small group of Sydney-based filmmakers are pushing back against these trends and returning to what they believe is the human heart of filmmaking: the art of celluloid and the printed image. Writer-Director Mark Wills, and his producers, actors Rahel Romahn and Mojean Aria (recipients of the prestigious Heath Ledger Scholarship award) have turned a love affair with celluloid into a calling.

Together, they have teamed up with producer and Head of WIFT (Women in Film & Television), Yolandi Franken, to deliver The Horn, a short film shot of 16mm film stock about the deteriorating relationship between a mother and a daughter, and the former’s obsession with a horn sound she hears bellowing from the sky. It’s been accepted into this year’s Melbourne Film Festival (MIFF), and its Wills’ second short shoot on film, following 2019’s Blood Orange – a surreal tale of revenge captured on 35mm. It’s a commitment to film the trio has attempted to stick to throughout their creative collaboration.

“For us,” says Wills “it’s about going back to the purity of caring about our images. With the rise of content at almost a ‘junk-food’ level of availability, it’s more important now than ever to put out films that are considered in all aspects of a film’s design. A big part of that for me are the visuals.”

For the director, shooting on film is a crucial reminder of our humanity. “The beauty of film is its imperfection. For me, film is the colour of memory. When I see a film, I want to be taken out of reality. I want to be transported away. That’s what I think celluloid does on an unconscious level.”

“The workflow of shooting on film is something that I think forces filmmakers to care about their image in every single way,” adds Aria. “It forces them to care about the image in terms of light, in terms of framing, in terms of how much they can shoot, in terms of practicality. The nature of shooting on film requires so much more discipline. And I think having that discipline and having that care of the image and not just, what we call, spraying and praying, is a workflow that I think is more conducive to creating better stories. Not that you can’t have that discipline shooting digital, but in film you’re forced to.”

“There is a risk and satisfaction in shooting on film stock,” notes Romahn. “It’s very exciting when a filmmaker wants to shoot on film and is requiring their story to be shot on film, because they’re giving themselves that challenge.”

Wills and Romahn grew up together in Sydney and bonded as teenagers over their love of cinema. Later, in early adulthood, they joined forces with Aria and discovered a mutual desire to explore what it means to be an Australian filmmaker today and navigate the industry as outsiders. “We’re all immigrant, first-generation kids who grew up in Australia,” says Aria. “We have a shared experience of feeling on the outside, of trying to define our Australian-ness, of finding our voice.” Their Thai, Kurdish and Iranian heritage is something that’s shaped their commitment to telling diverse narratives, of elevating those stories by consecrating them to celluloid, and in doing so, helping to find acceptance within themselves and their work.

“I think as someone who is half-Thai, half-Australian, who never quite knew which side of the fence I sat on, something about film resonated with me,” explains Wills. “Shooting on film allowed me to stand out from others. Which is something I did by default when I was young due to who I was, but this makes me feel like I can stand out in a way that is good, that isn’t at a disadvantage to me.”

“We have known each other since we were young teenagers and have always gravitated towards each other artistically,” tells Romahn. “We love to go head-to-head with discussions around filmmaking and this leads to exciting deliberations about the creation of future projects. I think all of us are inspired by collectives like Blue Tongue,” (a production company founded by Australians, Joel & Nash Edgerton, among others) “seeing the success they’ve had in building a collective is something that I think has deeply inspired us.”

The team hope to spend the rest of their careers shooting on film, however, there are some barriers to realising this dream due the absence of a processing lab in Australia willing to develop feature-length films. This means sending the dailies to a lab overseas – a white-knuckle experience for any filmmaker. However, the trio believes the demand is there for an Australian lab, who have been in contact with Kodak’s Vice President and Head of Motion Pictures, Vanessa Bendetti.

“Kodak has made it clear that we’re not the first group of Australians who have reached out to them, who has wanted to make a feature film, in Australia, on film,” says Aria. “At the moment, Kodak is in a position where it really wants to support a lab in Australia, and they are actively looking for Australians to partner with, to make that lab a possibility.”

“It’s sad to think that Australian stories can’t partake in that medium, but also can’t be a part of that legacy of shooting on celluloid,” says the group. “If you read this and feel like you’re the right partner or know the right partner to support Kodak in making a lab in Australia, please reach out. It’s happening right now. This is a call to action.”

Wills hopes to shoot his debut film, Women of Mist on 35mm film. It’s a Thai-Australian horror based on Hungry Ghost spirits and paranormal Buddhist folklore that he has been developing with Georgia White and Timothy White of Southern Lights films. It’s a narrative that is close to his heart and one that embodies the spirit of their collective. “Women of Mist is a film that honours our parents and the hardships they went through but told through the lens of a genre-horror. At its core, it’s about all the invisible stories of immigrant families that can sometimes stay hidden behind the mist.”

Although the future of a film lab in Australia is uncertain, Wills is optimistic. “Of course, there are still hurdles to cross with shooting Women of Mist on film in Australia, but there are always challenges to face. We’ll just take this challenge as another one we’ll overcome.”

Watch The Horn at the 2024 Melbourne Film Festival, running 8th-25th August. Tickets here: The Horn.

Award-Winning Duo Savanna Crasto and Pierce Gordon Set to Take Audiences on an Emotional Journey with ‘Love and Lemon Trees’

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Savanna Crasto and Pierce Gordon, the dynamic writer/director duo behind ‘Love and Lemon Trees,’ are gearing up to captivate audiences with their latest film. Produced by The Colour Series and Savanna Crasto, this poignant production promises to tug at heartstrings and provoke profound reflections on the nature of love and grief.

Savanna has already garnered critical acclaim, with her previous work ‘Chasing Lemons’ clinching the prestigious Best Director award at the Cannes World Film Festival. Building on this success, ‘Love and Lemon Trees’ is poised to leave an indelible mark on the international film landscape.

Savanna Crasto, an Australian actress, director, and writer, has established herself as a multifaceted talent with a string of accolades to her name. Her diverse heritage of Danish, Indian, and Portuguese roots infuses her storytelling with a rich tapestry of cultural influences. Notable achievements include multiple awards at the Cannes Indie Cinema Awards and the Cannes World Film Festival, solidifying her reputation as a visionary filmmaker. Crasto’s passion for storytelling led her to found her own production company, The Colour Series, where she has written, produced, and directed an impressive portfolio of films. She recently returned from Los Angeles, where she stayed as a resident at Charlie’s, a program facilitated by Australians in Film. This initiative serves as a vital support system for Australians transitioning to the Los Angeles entertainment industry scene.

Joining forces with Crasto is Pierce Gordon, an actor, writer, and director hailing from Detroit, Michigan. He boasts an impressive repertoire as an actor, writer, and director. Since early 2018, he has graced screens and stages alike, leaving an indelible mark on the entertainment industry. His career highlights include a notable performance in the 2019 production of ‘Who’s Afraid of Virginia Woolf,’ where he portrayed the character ‘Nick’ for the Ad Astra theatre company in Brisbane, QLD. His talent was further recognized when he clinched the Best Actor award in the EMERGE! short film section of the Gold Coast Film Festival for his role in ‘The Longing,’ directed by budding filmmaker Maali Albert. Additionally, Gordon’s outstanding performance in the short film ‘Best Man,’ directed by Craig Cauchi, earned him the title of ‘Best Upcoming Actor’ at the Sanctuary Cove Film Festival. In 2021, Gordon marked his feature film debut with a memorable speaking role in the Elvis Biopic, ‘Elvis’, helmed by renowned director Baz Luhrmann. He also showcased his acting prowess on stage in the Anywhere Theatre Festival’s world premiere production of ‘Against the Wall’, where he portrayed the character ‘Leo’. His stellar performance earned him nominations in two different categories at the Queensland Theatre Awards, ultimately culminating in the prestigious Billie Brown Best Emerging Artist award. The beginning of 2022 saw Gordon land a recurring role on the highly anticipated Disney+ series, ‘Nautilus’, slated for release in 2024. He rounded off the year by making his mark as a writer and director with his debut theatre piece, ‘Why Young Men Run at 2 am’, which received widespread acclaim from audiences and critics alike.

‘Love and Lemon Trees’ is a deeply personal project for Crasto and Gordon, exploring the intricate complexities of grief and love. With its compelling narrative and talented creative team, ‘Love and Lemon Trees’ promises to be a thought-provoking exploration of the human experience. Audiences can expect to be moved, challenged, and ultimately inspired by this powerful cinematic journey.

FilmCentral Magazine recently caught up with Savanna to discuss her journey in the industry, and here’s what went down:

Could you please provide our readers with a brief background about yourself and how you started in the industry?

I got started in the industry in 2020 when I approached a friend to film a feature, Tender Napalm, an adaptation of Philip Ridley’s play. However, prior to that, I was part of a directorial team that directed US/THEM for the Gold Coast Drama Festival, which ended up winning Best Play in 2018.

What is the most difficult part of your artistic process?

Knowing when to stop. I think writing, producing, directing, and acting are all very addictive, and at least personally, I get into the habit of going from production to production. As wonderful and fulfilling as it is, a part of yourself goes into making a film, whether you’re the writer, director, producer, or actor, and seeing as though I do all four; I find that I end up giving so much of myself that when I stop, I don’t have much more to give anything else.

My artistic process is very much all in, obsessive in some nature. I get very drawn into what I’m doing, and I have found that because of the way that I work, it can be difficult to be patient with others who don’t work that way. I don’t ever view a film as just a film; it’s an expression of so many thoughts, moments, and feelings that instead of it being of service to me and my love for art, I become of service to it. While I don’t want that ever to change, it does make the process slightly more difficult.

Do you try to be more original or deliver to viewers what they want?

I don’t think I have ever felt at peace with making a film that gives viewers what they want; I’m more interested in exploring things. Sometimes, it’s what viewers want, and most times, it’s not, but in both stances, it’s always what is truthful to the world that the film aims to capture; it’s always truthful to what I resonate with.

I’m very interested in cross-cultural elements when it comes to film. Taking aspects of Italian neorealism, the French new wave, Danish cinema, a little sprinkle of Hollywood here and there, and theatre, I definitely try more to fuse these rather than stick to one form.

If you could tell your younger self anything, what would it be?

If I could tell my younger self anything, it would be that “people don’t need to say you have a right to your voice for you to have a right to your voice.”

What is your directing Kryptonite?

I love a little ‘fun it takes.’ (But I’d use a different F word.) It usually ends well, but I can also get distracted by how much I love seeing actors play in a scene and go in a completely different direction.

What was the best money you ever spent as a director?

My films. Every cent that I’ve ever spent on any film is the best money I’ve ever spent.

What was an early experience where you learned that films had power?

The first experience where I learned that films could change the world is a seemingly innocent and simple one. I remember watching Harry Potter and the Prisoner of Azkaban in grade four (I didn’t watch them sequentially, which was actually kinda cool), and I wanted to be a witch with a cat that went to Hogwarts. It became my dream of who I wanted to be. While that was also the moment I tribute to my wanting to be an actor, looking back, it showed me that a singular film that was made across the world at a different time had the potential to form my beliefs and wants. There was nothing I could draw focus on that formed that want; all I know is that after watching that film, my idea of myself, what I valued, and who I wanted to be shifted. I also dedicate it to my value of knowledge, friendship, loyalty, and intelligence as the most attractive qualities people can have.

How many finished and half-finished books do you have?

Well… I don’t think I can give a number to how many books I’ve half finished, and definitely not to how many books I have finished. I’m a big reader and like to read plays, fiction, non-fiction, articles, newspapers, and recipes. I intend to have a library in my house, not just because I want one, but because I’ll need one to fit all my books.

Can you tell us more about your latest film?

My latest film, Love and Lemon Trees is one of the great loves of my life. That film holds so much of me and brings me so much pain and joy that I would create a world just for it, a world protected by a glass egg with waterfalls, horses, and maybe some macarons. I’m interested in grief and its connection to love, and because the film dives so deeply into the mind of grief, I find it painfully releasing in so many ways.

What is the best advice you have ever been given?

Don’t be stupid, just make a film, then do another one and do better.

What advice would you give to a newbie director who wants to make it in the industry?

Don’t be stupid, just make a film, then do another one and do better.

What are your future plans?

I’m moving to Paris for a bit at the end of 2024 after we finish filming Contingent (my next feature). Then, I’ll be heading back to Los Angeles to live. My plan is to go between L. A and the Gold Coast because I’d like to continue making films here.

StudioCanal Unveils Official Trailer for Highly Anticipated Sequel “200% Wolf”

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Photo provided by StudioCanal

StudioCanal is thrilled to announce the release of the official trailer for “200% Wolf,” the much-anticipated sequel to the 2020 hit animated film “100% Wolf.” Set to open Down Under on August 8th, this exciting installment promises to take audiences on a wild and whimsical adventure.

In “200% Wolf,” viewers will reunite with Freddy Lupin, the lovable protagonist who discovered he was destined to be a tiny pink poodle rather than a mighty werewolf like his family. Now, Freddy is back and ready to prove himself as a leader to his werewolf pack. However, earning their respect proves to be no easy feat, leaving Freddy longing for a more wolfish identity.

But when a wayward wish transforms Freddy into a werewolf and introduces a mischievous moon spirit into the mix, he finds himself on a quest to restore cosmic order before it’s too late. Joined by his trusty dog pals and faced with a formidable sorceress with a grudge against the wolf pack, Freddy must navigate a world of danger and magic to save his new friend and prevent catastrophe.

Featuring a talented cast including Ilai Swindells, Samara Weaving, Akmal Saleh, Jennifer Saunders, Elizabeth Nabben, and Peter Mcallum, “200% Wolf” is directed by Alexs Stadermann and written by Fin Edquist. Produced by Barbara Stephen, Alexia Gates-Foale, and Nano Arrieta, this film promises to deliver thrills, laughter, and heartwarming moments for audiences of all ages.

Prepare to embark on an unforgettable journey where friendship, courage, and the true meaning of identity take center stage. “200% Wolf” is a must-see cinematic experience that will leave viewers howling for more.

Don’t miss the adventure of a lifetime when “200% Wolf” hits cinemas on August 8th.