A New Chapter in Film: FilmCentral Magazine’s Editor-in-Chief Launches Insightful Book on Industry Challenges

For the past few years, FilmCentral Magazine’s editor-in-chief has been on an immersive journey, delving deep into the complexities and challenges faced by the screen industry. Through extensive research, data collection, and personal experiences, she has uncovered the unique struggles professionals across the industry encounter. She’s had countless meaningful conversations with colleagues, peers, and industry veterans, who have shared their stories, highlighting the daily difficulties they face in an ever-evolving and competitive environment.

Her passion for understanding these challenges didn’t just stop at collecting data and listening to others. She took a proactive approach by developing and testing strategies tailored to her own life and career. These strategies, designed to navigate the demanding nature of the screen industry, have been rigorously implemented and refined over time. She’s proud to say that her efforts have paid off, as these approaches make a significant difference in her life and work.

Recognising that these challenges are not unique to her, she sought to extend her insights and solutions beyond her own experiences. She worked closely with a diverse range of individuals and organisations to further explore and develop strategies that could be applicable to a wider audience. Her collaborations extended to companies, organisations, and institutions that play a pivotal role in shaping the screen industry, allowing her to identify solutions that could have a broader impact.

Her journey and findings have now been compiled into a comprehensive book that gathers all the knowledge, insights, and practical tools she has acquired. The book is designed to be a resource for industry professionals, offering not only valuable insights but also tangible strategies that can create a meaningful impact. Whether it’s addressing work-life balance, navigating the pressure of deadlines, or finding a voice in a crowded space, the book aims to provide practical guidance that can resonate with her friends, colleagues, and peers across the screen industry.

Sneak Peek: The Cover Reveal!

In anticipation of the book’s release, the editor-in-chief has shared an exclusive sneak peek of the cover—a striking design that reflects the essence of her work and dedication. The book, which promises to be a must-read for those navigating the screen industry, will officially be available on Amazon from the 5th of November.

This project has been a labour of love, and she credits the collective support of her community in bringing it to life. From the people who shared their stories, to the companies and organisations that partnered with her, to the editors and proofreaders who refined the manuscript, every step of this journey has been a collaborative effort.

A special shout-out goes to all those who have contributed to this milestone, and she looks forward to sharing her work with the world, hoping that it will offer both inspiration and practical tools to help others thrive in the screen industry.

Transformers One Rolls Out in Style: Hemsworth and Hollywood Cast Hit Sydney Red Carpet

Chris Hemsworth and Brian Tyree Henry attend the Australian Premiere of “Transformers One” at IMAX Sydney on September 11, 2024, in Sydney, Australia. (Photo by Mark Metcalfe/Getty Images for Paramount Pictures)

 

Hollywood star Chris Hemsworth and his wife, Elsa Pataky, made a dazzling appearance at the star-studded premiere of Transformers One alongside their twin sons, Sasha and Tristan. The family turned heads as they walked the red carpet, exuding effortless style.

Hemsworth, known globally for his portrayal of Thor in the Marvel Cinematic Universe, wore a striking blue suit, which he paired with a simple grey T-shirt, giving him a relaxed yet stylish look. Adding a touch of flair, he accessorised with a silver necklace, a matching watch, and several rings, elevating his ensemble to modern chic.

Pataky, a model and actress, radiated elegance in a silk set by Zimmermann, one of Australia’s most iconic fashion houses. The flowing outfit accentuated her natural beauty, and her presence on the red carpet perfectly complemented Hemsworth’s effortless style. Sasha and Tristan, the couple’s twin sons, also captured the attention of the cameras, walking confidently alongside their parents, completing the family’s picture-perfect red carpet moment.

Henry made a bold fashion statement on the red carpet, dressed in a grey suit that was topped off with a long coat. The coat featured a dramatic and eye-catching print of Megatron on the back, paying homage to the character he voices in the film. This striking outfit was a fan-favourite, blending fashion and character in a unique and memorable way.

SYDNEY, AUSTRALIA – SEPTEMBER 11: Chris Hemsworth and Brian Tyree Henry attend the Australian Premiere of “Transformers One” at IMAX Sydney on September 11, 2024 in Sydney, Australia. (Photo by Mark Metcalfe/Getty Images for Paramount Pictures)

A Star-Studded Affair in Sydney

For the Sydney premiere of Transformers One, it was just Chris Hemsworth, alongside co-star Bryan Tyree Henry and the film’s director Josh Cooley, who took centre stage. Hemsworth voices the iconic character Orion Pax, the young Autobot who would eventually evolve into Optimus Prime, the supreme commander of the Autobots. Meanwhile, Henry lends his voice to the powerful Megatron, the feared leader of the Decepticons.

The premiere was a significant event, marking another chapter in the globally beloved Transformers franchise. Bryan Tyree Henry made a bold statement with his outfit, donning a grey suit paired with a long coat. The highlight of his look was the dramatic print of Megatron featured on the back of the coat, a nod to his villainous character in the film.

SYDNEY, AUSTRALIA – SEPTEMBER 11: Chris Hemsworth, Elsa Pataky, Tristan Hemsworth and Sasha Hemsworth attend the Australian Premiere of “Transformers One” at IMAX Sydney on September 11, 2024 in Sydney, Australia. (Photo by Mark Metcalfe/Getty Images for Paramount Pictures)

An Epic Origin Story: Transformers One

Transformers One takes audiences back to the origins of two of the most iconic characters in the Transformers universe—Optimus Prime and Megatron. Long before they were enemies locked in an eternal battle for supremacy, they were brothers-in-arms, bound by friendship and a shared vision for Cybertron. The film explores how their bond was shattered, leading to a civil war that would alter the course of their planet forever.

In this first-ever fully CG-animated Transformers movie, viewers will witness the rise of these legendary characters in a visually stunning and action-packed narrative. The untold story of Optimus Prime, once known as Orion Pax, and Megatron is finally brought to life in an engaging and emotionally charged adventure.

Directed by Josh Cooley, the film boasts an all-star voice cast, featuring some of Hollywood’s biggest names. Chris Hemsworth leads the pack as the young Orion Pax, while Bryan Tyree Henry gives a gripping performance as Megatron. Joining them are Scarlett Johansson, who voices Elita, Keegan-Michael Key as Bumblebee, Steve Buscemi as Strika, and Jon Hamm as Sentinel Prime. Laurence Fishburne also stars in the film as Alpha Trion, adding to the impressive roster of talent.

SYDNEY, AUSTRALIA – SEPTEMBER 11: Chris Hemsworth and Brian Tyree Henry attend the Australian Premiere of “Transformers One” at IMAX Sydney on September 11, 2024 in Sydney, Australia. (Photo by Mark Metcalfe/Getty Images for Paramount Pictures)

A Film with Strong Creative Foundations

Transformers One is written by Andrew Barrer and Gabriel Ferrari, and Eric Pearson also penned the screenplay. Barrer and Ferrari previously worked on Ant-Man and the Wasp, showcasing their expertise in action-packed storytelling that seamlessly blends humour, emotion, and larger-than-life battles. Director Josh Cooley, best known for his work on Toy Story 4, brings his unique vision to the project, ensuring the movie appeals to both long-time Transformers fans and newcomers alike.

With its star-studded cast, emotionally charged story, and breathtaking animation, Transformers One promises to be a cinematic spectacle. The film not only delves into the origins of two of the most iconic characters in the Transformers universe but also provides a fresh perspective on the friendship that ultimately ignited the war that tore their world apart.

SYDNEY, AUSTRALIA – SEPTEMBER 11: Zev Foreman, Lorenzo di Bonaventura, Chris Hemsworth, Brian Tyree Henry and Josh Cooley attend the Australian Premiere of “Transformers One” at IMAX Sydney on September 11, 2024 in Sydney, Australia. (Photo by James Gourley/Getty Images for Paramount Pictures)

The Anticipation Builds

Fans of the franchise and general moviegoers alike eagerly anticipate the release of Transformers One. With the combination of stunning CG animation, an emotional narrative, and the voice talents of some of Hollywood’s finest, the film is expected to be a hit. The dynamic between Optimus Prime and Megatron, once allies and now enemies, will be explored like never before, offering audiences a deeper understanding of their motivations and struggles.

With the film set for release soon, the buzz surrounding Transformers One is only expected to grow. Fans can look forward to an epic, action-packed adventure filled with heart, history, and the high-octane battles that have made the Transformers franchise a global phenomenon.

As Chris Hemsworth and Elsa Pataky made their exit from the premiere, hand in hand with their children, it was clear that Transformers One is set to be a standout film not only in Hemsworth’s impressive career but in the Transformers universe as a whole.

Casting Guild of Australia Awards Set to Return to Sydney in November 2024

The annual Casting Guild of Australia (CGA) Awards Ceremony is returning to Sydney this year. The prestigious invite-only event will be held at the Establishment Hotel on Friday, November 15, 2024. Nominees for the awards will be announced in late October.

Launched in 2015, the CGA Awards is the only casting awards ceremony in the southern hemisphere that celebrates and recognises casting across all mediums, including film, television, television commercials, theatre, new media, and reality. The annual Awards Ceremony seeks to acknowledge and support the critical role casting directors play in bringing together great casting opportunities on a national and international stage.

CGA President Thea McLeod said, “We are thrilled to announce the Casting Guild Award nominations for 2024! Our role is like piecing together a brilliant puzzle—understanding each character’s unique needs and finding the perfect actor to fit each piece. By working closely with directors and producers, we bring their vision to life and make the script truly shine. It’s where the magic happens.

This year has been nothing short of amazing, with a fantastic array of talent showcased in the awards submissions. It’s a testament to the hard work and dedication of casting directors, who are often the unsung heroes making those brilliant performances possible. We’re incredibly excited to come together at this year’s CGA Awards to celebrate the outstanding work of Australian casting directors and the fantastic contributions they’ve made over the past year.”

2024 CGA AWARD CATEGORIES:

  • Best Casting in a Feature Film
  • Best Casting in a Short Film
  • Best Casting in a TV Comedy
  • Best Casting in a TV Drama 
  • Best Casting in a Telemovie & Miniseries
  • Achievement in Casting
  • Best Casting in a Theatre Production
  • Best Casting in a TVC – Community
  • Best Casting in a TVC

The CGA will also name ten extraordinary actors with the potential to break out on the world stage as the 2024 CGA Rising Stars. The Rising Stars will be announced in early November, and recipients will be interviewed by some of Australia’s top casting directors on CGA’s social pages before the official presentation on November 15.

For further information about CGA visit www.castingguild.com.au and be sure to follow their official socials channels for the latest news and updates.

Dan Ewing Cast as Aussie Lead in Exciting New US-Australia Film Collaboration

Dan Ewing, known for his roles in Home and Away, SAS Australia, and Love and Monsters, is set to take on the Australian lead role in the upcoming film Rembrandt Mansion. This thrilling project is a collaboration between Australian and American filmmakers, with US A-list stars to be announced later. Joining Dan Ewing in the cast are fellow Australian actors Daniel James and Brodie Henson. Daniel James will portray Mike, a shock jock radio announcer in the upcoming film Patched, directed by Steve Mann. Brodie Henson recently appeared as Tito in Deep Red Water, filmed on the Gold Coast and directed by Danial Donai.

With Hollywood increasingly turning to Australia as a prime filming location, and new studios popping up across the country, Rembrandt Mansion aims to strengthen film industry ties between Australia and the US. The film is a novel-to-screen adaptation spearheaded by American film producer and novelist Alexandria Altman. The project is a joint venture between Altman’s Rembrandt Mansion LLC and SWG Entertainment, based in Queensland’s Scenic Rim and Inverell in New South Wales.

Alexandria Altman, often likened to authors Stephanie Meyer and Anne Rice for her unique and captivating writing style, is leading the US production team. The team also includes legendary composer and music director Alan Howarth, known for his work on the Star Trek and Halloween franchises, as well as Escape From New York. With over 160 films to his name, Howarth’s involvement promises an epic score. Screenwriter Melody Rowland, whose credits include Hill Street Blues, Full House, and Growing Pains, has also joined the team, adding her expertise to what is expected to be a Hollywood blockbuster.

On the Australian side, the production team includes Mike Donnelly, Ross Wohlsen, and Pamela Wohlsen of SWG Entertainment. More announcements about the project and the Australian team are expected soon, with updates to be available on the SWG Entertainment website.

Dan Ewing’s casting in Rembrandt Mansion marks another significant milestone in his career, as well as an exciting step forward in the growing collaboration between the Australian and American film industries. Keep an eye out for more details on this highly anticipated film!

This article was sourced from a media release supplied by Pam Wohlsen of SWG Entertainment (image supplied)

Meet The Young Australian Filmmakers Turning Their Love Of Celluloid Into A Calling

How do we stay human in a world ruled by content and consumption? It’s a question that seems to circle everything these days, including the now ever-evolving and existential questions about the potential for AI to permanently disrupt the purity of human creativity. And nowhere else are these questions more focused or receiving more public scrutiny than in the film industry, who are becoming, it seems, the yardstick for how far studios are willing to go to take advantage of new technologies for increased profits. The film industry is thrumming with activity, keen to satisfy the bottomless appetite of its audiences. With the rise of AI looming large over the industry and an implosion of content saturating the market, the question for the modern filmmaker is this: how do you stand out in the age of information?

A small group of Sydney-based filmmakers are pushing back against these trends and returning to what they believe is the human heart of filmmaking: the art of celluloid and the printed image. Writer-Director Mark Wills, and his producers, actors Rahel Romahn and Mojean Aria (recipients of the prestigious Heath Ledger Scholarship award) have turned a love affair with celluloid into a calling.

Together, they have teamed up with producer and Head of WIFT (Women in Film & Television), Yolandi Franken, to deliver The Horn, a short film shot of 16mm film stock about the deteriorating relationship between a mother and a daughter, and the former’s obsession with a horn sound she hears bellowing from the sky. It’s been accepted into this year’s Melbourne Film Festival (MIFF), and its Wills’ second short shoot on film, following 2019’s Blood Orange – a surreal tale of revenge captured on 35mm. It’s a commitment to film the trio has attempted to stick to throughout their creative collaboration.

“For us,” says Wills “it’s about going back to the purity of caring about our images. With the rise of content at almost a ‘junk-food’ level of availability, it’s more important now than ever to put out films that are considered in all aspects of a film’s design. A big part of that for me are the visuals.”

For the director, shooting on film is a crucial reminder of our humanity. “The beauty of film is its imperfection. For me, film is the colour of memory. When I see a film, I want to be taken out of reality. I want to be transported away. That’s what I think celluloid does on an unconscious level.”

“The workflow of shooting on film is something that I think forces filmmakers to care about their image in every single way,” adds Aria. “It forces them to care about the image in terms of light, in terms of framing, in terms of how much they can shoot, in terms of practicality. The nature of shooting on film requires so much more discipline. And I think having that discipline and having that care of the image and not just, what we call, spraying and praying, is a workflow that I think is more conducive to creating better stories. Not that you can’t have that discipline shooting digital, but in film you’re forced to.”

“There is a risk and satisfaction in shooting on film stock,” notes Romahn. “It’s very exciting when a filmmaker wants to shoot on film and is requiring their story to be shot on film, because they’re giving themselves that challenge.”

Wills and Romahn grew up together in Sydney and bonded as teenagers over their love of cinema. Later, in early adulthood, they joined forces with Aria and discovered a mutual desire to explore what it means to be an Australian filmmaker today and navigate the industry as outsiders. “We’re all immigrant, first-generation kids who grew up in Australia,” says Aria. “We have a shared experience of feeling on the outside, of trying to define our Australian-ness, of finding our voice.” Their Thai, Kurdish and Iranian heritage is something that’s shaped their commitment to telling diverse narratives, of elevating those stories by consecrating them to celluloid, and in doing so, helping to find acceptance within themselves and their work.

“I think as someone who is half-Thai, half-Australian, who never quite knew which side of the fence I sat on, something about film resonated with me,” explains Wills. “Shooting on film allowed me to stand out from others. Which is something I did by default when I was young due to who I was, but this makes me feel like I can stand out in a way that is good, that isn’t at a disadvantage to me.”

“We have known each other since we were young teenagers and have always gravitated towards each other artistically,” tells Romahn. “We love to go head-to-head with discussions around filmmaking and this leads to exciting deliberations about the creation of future projects. I think all of us are inspired by collectives like Blue Tongue,” (a production company founded by Australians, Joel & Nash Edgerton, among others) “seeing the success they’ve had in building a collective is something that I think has deeply inspired us.”

The team hope to spend the rest of their careers shooting on film, however, there are some barriers to realising this dream due the absence of a processing lab in Australia willing to develop feature-length films. This means sending the dailies to a lab overseas – a white-knuckle experience for any filmmaker. However, the trio believes the demand is there for an Australian lab, who have been in contact with Kodak’s Vice President and Head of Motion Pictures, Vanessa Bendetti.

“Kodak has made it clear that we’re not the first group of Australians who have reached out to them, who has wanted to make a feature film, in Australia, on film,” says Aria. “At the moment, Kodak is in a position where it really wants to support a lab in Australia, and they are actively looking for Australians to partner with, to make that lab a possibility.”

“It’s sad to think that Australian stories can’t partake in that medium, but also can’t be a part of that legacy of shooting on celluloid,” says the group. “If you read this and feel like you’re the right partner or know the right partner to support Kodak in making a lab in Australia, please reach out. It’s happening right now. This is a call to action.”

Wills hopes to shoot his debut film, Women of Mist on 35mm film. It’s a Thai-Australian horror based on Hungry Ghost spirits and paranormal Buddhist folklore that he has been developing with Georgia White and Timothy White of Southern Lights films. It’s a narrative that is close to his heart and one that embodies the spirit of their collective. “Women of Mist is a film that honours our parents and the hardships they went through but told through the lens of a genre-horror. At its core, it’s about all the invisible stories of immigrant families that can sometimes stay hidden behind the mist.”

Although the future of a film lab in Australia is uncertain, Wills is optimistic. “Of course, there are still hurdles to cross with shooting Women of Mist on film in Australia, but there are always challenges to face. We’ll just take this challenge as another one we’ll overcome.”

Watch The Horn at the 2024 Melbourne Film Festival, running 8th-25th August. Tickets here: The Horn.

Award-Winning Duo Savanna Crasto and Pierce Gordon Set to Take Audiences on an Emotional Journey with ‘Love and Lemon Trees’

Savanna Crasto and Pierce Gordon, the dynamic writer/director duo behind ‘Love and Lemon Trees,’ are gearing up to captivate audiences with their latest film. Produced by The Colour Series and Savanna Crasto, this poignant production promises to tug at heartstrings and provoke profound reflections on the nature of love and grief.

Savanna has already garnered critical acclaim, with her previous work ‘Chasing Lemons’ clinching the prestigious Best Director award at the Cannes World Film Festival. Building on this success, ‘Love and Lemon Trees’ is poised to leave an indelible mark on the international film landscape.

Savanna Crasto, an Australian actress, director, and writer, has established herself as a multifaceted talent with a string of accolades to her name. Her diverse heritage of Danish, Indian, and Portuguese roots infuses her storytelling with a rich tapestry of cultural influences. Notable achievements include multiple awards at the Cannes Indie Cinema Awards and the Cannes World Film Festival, solidifying her reputation as a visionary filmmaker. Crasto’s passion for storytelling led her to found her own production company, The Colour Series, where she has written, produced, and directed an impressive portfolio of films. She recently returned from Los Angeles, where she stayed as a resident at Charlie’s, a program facilitated by Australians in Film. This initiative serves as a vital support system for Australians transitioning to the Los Angeles entertainment industry scene.

Joining forces with Crasto is Pierce Gordon, an actor, writer, and director hailing from Detroit, Michigan. He boasts an impressive repertoire as an actor, writer, and director. Since early 2018, he has graced screens and stages alike, leaving an indelible mark on the entertainment industry. His career highlights include a notable performance in the 2019 production of ‘Who’s Afraid of Virginia Woolf,’ where he portrayed the character ‘Nick’ for the Ad Astra theatre company in Brisbane, QLD. His talent was further recognized when he clinched the Best Actor award in the EMERGE! short film section of the Gold Coast Film Festival for his role in ‘The Longing,’ directed by budding filmmaker Maali Albert. Additionally, Gordon’s outstanding performance in the short film ‘Best Man,’ directed by Craig Cauchi, earned him the title of ‘Best Upcoming Actor’ at the Sanctuary Cove Film Festival. In 2021, Gordon marked his feature film debut with a memorable speaking role in the Elvis Biopic, ‘Elvis’, helmed by renowned director Baz Luhrmann. He also showcased his acting prowess on stage in the Anywhere Theatre Festival’s world premiere production of ‘Against the Wall’, where he portrayed the character ‘Leo’. His stellar performance earned him nominations in two different categories at the Queensland Theatre Awards, ultimately culminating in the prestigious Billie Brown Best Emerging Artist award. The beginning of 2022 saw Gordon land a recurring role on the highly anticipated Disney+ series, ‘Nautilus’, slated for release in 2024. He rounded off the year by making his mark as a writer and director with his debut theatre piece, ‘Why Young Men Run at 2 am’, which received widespread acclaim from audiences and critics alike.

‘Love and Lemon Trees’ is a deeply personal project for Crasto and Gordon, exploring the intricate complexities of grief and love. With its compelling narrative and talented creative team, ‘Love and Lemon Trees’ promises to be a thought-provoking exploration of the human experience. Audiences can expect to be moved, challenged, and ultimately inspired by this powerful cinematic journey.

FilmCentral Magazine recently caught up with Savanna to discuss her journey in the industry, and here’s what went down:

Could you please provide our readers with a brief background about yourself and how you started in the industry?

I got started in the industry in 2020 when I approached a friend to film a feature, Tender Napalm, an adaptation of Philip Ridley’s play. However, prior to that, I was part of a directorial team that directed US/THEM for the Gold Coast Drama Festival, which ended up winning Best Play in 2018.

 What is the most difficult part of your artistic process?

Knowing when to stop. I think writing, producing, directing, and acting are all very addictive, and at least personally, I get into the habit of going from production to production. As wonderful and fulfilling as it is, a part of yourself goes into making a film, whether you’re the writer, director, producer, or actor, and seeing as though I do all four; I find that I end up giving so much of myself that when I stop, I don’t have much more to give anything else.

My artistic process is very much all in, obsessive in some nature. I get very drawn into what I’m doing, and I have found that because of the way that I work, it can be difficult to be patient with others who don’t work that way. I don’t ever view a film as just a film; it’s an expression of so many thoughts, moments, and feelings that instead of it being of service to me and my love for art, I become of service to it. While I don’t want that ever to change, it does make the process slightly more difficult.

 Do you try to be more original or deliver to viewers what they want?

I don’t think I have ever felt at peace with making a film that gives viewers what they want; I’m more interested in exploring things. Sometimes, it’s what viewers want, and most times, it’s not, but in both stances, it’s always what is truthful to the world that the film aims to capture; it’s always truthful to what I resonate with.

I’m very interested in cross-cultural elements when it comes to film. Taking aspects of Italian neorealism, the French new wave, Danish cinema, a little sprinkle of Hollywood here and there, and theatre, I definitely try more to fuse these rather than stick to one form.

If you could tell your younger self anything, what would it be?

If I could tell my younger self anything, it would be that “people don’t need to say you have a right to your voice for you to have a right to your voice.”

What is your directing Kryptonite?

I love a little ‘fun it takes.’ (But I’d use a different F word.) It usually ends well, but I can also get distracted by how much I love seeing actors play in a scene and go in a completely different direction.

What was the best money you ever spent as a director?

My films. Every cent that I’ve ever spent on any film is the best money I’ve ever spent.

What was an early experience where you learned that films had power?

The first experience where I learned that films could change the world is a seemingly innocent and simple one. I remember watching Harry Potter and the Prisoner of Azkaban in grade four (I didn’t watch them sequentially, which was actually kinda cool), and I wanted to be a witch with a cat that went to Hogwarts. It became my dream of who I wanted to be. While that was also the moment I tribute to my wanting to be an actor, looking back, it showed me that a singular film that was made across the world at a different time had the potential to form my beliefs and wants.  There was nothing I could draw focus on that formed that want; all I know is that after watching that film, my idea of myself, what I valued, and who I wanted to be shifted. I also dedicate it to my value of knowledge, friendship, loyalty, and intelligence as the most attractive qualities people can have.

How many finished and half-finished books do you have?

Well… I don’t think I can give a number to how many books I’ve half finished, and definitely not to how many books I have finished. I’m a big reader and like to read plays, fiction, non-fiction, articles, newspapers, and recipes. I intend to have a library in my house, not just because I want one, but because I’ll need one to fit all my books.

Can you tell us more about your latest film?

My latest film, Love and Lemon Trees is one of the great loves of my life. That film holds so much of me and brings me so much pain and joy that I would create a world just for it, a world protected by a glass egg with waterfalls, horses, and maybe some macarons. I’m interested in grief and its connection to love, and because the film dives so deeply into the mind of grief, I find it painfully releasing in so many ways.

What is the best advice you have ever been given?

Don’t be stupid, just make a film, then do another one and do better.

What advice would you give to a newbie director who wants to make it in the industry?

Don’t be stupid, just make a film, then do another one and do better.

What are your future plans?

I’m moving to Paris for a bit at the end of 2024 after we finish filming Contingent (my next feature). Then, I’ll be heading back to Los Angeles to live. My plan is to go between L. A and the Gold Coast because I’d like to continue making films here.

StudioCanal Unveils Official Trailer for Highly Anticipated Sequel “200% Wolf”

Photo provided by StudioCanal

StudioCanal is thrilled to announce the release of the official trailer for “200% Wolf,” the much-anticipated sequel to the 2020 hit animated film “100% Wolf.” Set to open Down Under on August 8th, this exciting installment promises to take audiences on a wild and whimsical adventure.

In “200% Wolf,” viewers will reunite with Freddy Lupin, the lovable protagonist who discovered he was destined to be a tiny pink poodle rather than a mighty werewolf like his family. Now, Freddy is back and ready to prove himself as a leader to his werewolf pack. However, earning their respect proves to be no easy feat, leaving Freddy longing for a more wolfish identity.

But when a wayward wish transforms Freddy into a werewolf and introduces a mischievous moon spirit into the mix, he finds himself on a quest to restore cosmic order before it’s too late. Joined by his trusty dog pals and faced with a formidable sorceress with a grudge against the wolf pack, Freddy must navigate a world of danger and magic to save his new friend and prevent catastrophe.

Featuring a talented cast including Ilai Swindells, Samara Weaving, Akmal Saleh, Jennifer Saunders, Elizabeth Nabben, and Peter Mcallum, “200% Wolf” is directed by Alexs Stadermann and written by Fin Edquist. Produced by Barbara Stephen, Alexia Gates-Foale, and Nano Arrieta, this film promises to deliver thrills, laughter, and heartwarming moments for audiences of all ages.

Prepare to embark on an unforgettable journey where friendship, courage, and the true meaning of identity take center stage. “200% Wolf” is a must-see cinematic experience that will leave viewers howling for more.

Don’t miss the adventure of a lifetime when “200% Wolf” hits cinemas on August 8th.

Introducing Rina Mousavi: The Rising Star of ‘Shayda’ Shines Bright at Sundance and Beyond

FilmCentral Magazine is proud to present an exclusive feature on the amazing journey of actress Rina Mousavi, whose unwavering dedication to her craft has propelled her to the forefront of the entertainment industry.

Rina Mousavi’s passion for acting burned brightly from a young age, igniting a lifelong commitment to the art form. In 2018, she embarked on a transformative journey, undergoing an intensive 10-month mixed martial arts (MMA) training regimen for her lead role in the short film The Society. This immersive experience not only honed her physical abilities but also opened doors to new opportunities.

Mousavi showcased her newfound MMA skills in the ABC/BBC TV series “Itch” Season 2, captivating audiences with her dynamic performance. Her seamless integration of martial arts prowess into her acting repertoire showcased her versatility and marked her as a talent to watch.

The following year marked a significant milestone in Mousavi’s career with the completion of her first feature film, “Alexander.” The film’s acceptance into nine festivals, including Fringe World Perth, served as a testament to Mousavi’s talent.

In early 2021, Mousavi once again proved her mettle with her lead role in the short film “The Gunslinger,” directed by Rachel Fitzgerald. Her captivating portrayal earned her a nomination for the prestigious Best Actress Award at the Atlanta Comedy Film Festival and secured acceptance into 28 festivals worldwide, further solidifying her reputation as a rising star on the global stage.

Continuing her upward trajectory, Mousavi’s journey reached new heights with her involvement in the critically acclaimed film “Shayda,” directed by Noora Niasari and executive produced by the legendary Cate Blanchett. Premiering at the 2023 Sundance Film Festival, “Shayda” captured the hearts of audiences, earning the coveted Audience Choice Award and emerging as Australia’s entry at the 96th Academy Awards. The film’s exceptional quality was recognized with nine nominations at the 2024 Australian Academy of Cinema and Television Arts (AACTA) Awards, including a win for the Best Casting In Film. In an exclusive interview with FilmCentral Magazine, we caught up with Rina to gain insight into her extraordinary journey. Here’s what went down:

Can you tell us more about yourself?

I’m an actor with a dancing background, and I love pretty much every outdoor activity. I also have a Fashion Design background, and after doing 10 months of mixed martial arts training for a TV series, I find myself back in the dojo every now and then. I’m a huge animal lover! I can also do a pretty good impression of Britney Spears.

How did you get started in the entertainment industry?

I’ve wanted to be a performer for as long as I can remember and was involved in drama classes throughout school. However, I was worried about disappointing my parents and felt like there wasn’t room for me in the industry. After working full-time as a garment technician in the fashion industry for five years, I decided to take an acting class and pursue my passion. It’s been the best decision.

What do you like most about acting?

I love so many things about my job, so it’s hard to pick just one… I get to be someone else. I create this new character and give them life. Actors have the ability to empower and move the viewer. As a kid, characters inspired me, and I used their strengths to do better. I don’t even want to talk about the magic of being on set and in costume with your scene partner.

How different is acting in a movie from acting in a TV series? Which one do you prefer?

They are both very special to me, and I don’t really have a preference. You have more time on a film set vs a faster pace approach on a TV series, but both processes are rewarding.

What are your weak points when it comes to acting? How do you try to improve them?

I also need to remember to pursue other interests and hobbies and to allow myself just to be. I’ve recently started learning to speak Spanish, which I’ve wanted to do for so long! I’ve purchased my first set of roller skates and hope not to break any bones while learning roller skating. It’s hard to find the time to fit everything in, but it’s important to take care of myself in order to be a better actor.

What have you learned from the directors that you have worked with throughout your career?

I’ve been fortunate to work with incredibly talented directors who are passionate about the production’s vision. They’ve taught me to let go and stay present. With every redirection, I’ve explored different emotions, allowing me to remain free and focused on my given circumstance. To me, having a good relationship with my director is crucial. If our visions align, then we create something beautiful that reads so loud and clear on screen.

What are some of the difficulties of the acting business?

I have a fashion background, so I’ve been through the rejections and long hours since I was 16, but if you are not used to that, then it can be a little hard to navigate. I’ve learned to remember why I love what I do every time it gets hard. There are also not enough roles out there for the number of actors, so it can get very challenging when you’re trying to make a career out of just acting. It’s important to remember that nothing good comes easy.

Photo Credit. Sezgin Aygun

What’s challenging about bringing a script to life?

This part isn’t so hard when you have the role because you are given the opportunity to ask all the questions you need to bring the script to life. You have rehearsals with the writer and director, so you have lots of opportunities to figure out how to approach the character. The real challenge is when you are auditioning and you are given very little information. I do as much research as possible on the subject, script, and period, and I focus on giving it my own take on what I think it should be. I think of the “challenge” as investigating – I feel like a detective sometimes!

What do you do when you’re not filming?

I mainly work on honing my craft and watch as many films and TV shows as I can. I have Spanish to learn, and hopefully, I will become fluent soon! I also train with my acting coach as much as I can. My first acting coach once told me, “Athletes don’t stop training when they have made it. They train even harder to become even better.”

What has been the most memorable experience of your career so far?

Attending The Sundance Film Festival 2023 with the film I was in was such a surreal experience. It all sunk in after I got home, though, and I couldn’t believe how incredible it was. I met some amazing filmmakers and learned so much about the industry while I was there.

Who have been the most interesting people you’ve met so far?

Honestly, I find everyone I meet interesting, and I know this is a cliché answer. We all have such incredible stories and backgrounds that I find myself drawn to meeting new people. I also like to analyse and utilise the characteristics and behaviours of people for my next role so that my character is more relatable and authentic. Pretty much every role I’ve booked has had a portion of its personality drawn from someone I’ve met.

Photo Credit. Sezgin Aygun

What are your future plans? Inside your career or out of it.

I want to be involved in productions that inspire and empower and that tell a compelling story that resonates with the audience for years to come. I want others who have doubts about having a place in the industry to take a chance and believe in themselves. However, it will also be so much fun to be in an action movie where my tomboy side can really come out and play!

If there is anything else interesting, you can tell us?

Once I overcome my fear of being eaten by a shark, I’ll take another surf lesson. I did a lesson last year, and I walked away with the most euphoric feeling! I speak fluent Farsi, but I can’t read or write, so that’s on my bucket list – learning a new alphabet is so hard though!

Introducing The AACTA Awards: The Industry Awards Ceremony Behind The Latest Issue Of FilmCentral Magazine

The latest issue of FilmCentral Magazine shines a spotlight on the glamour and prestige of the 2024 AACTA Awards, held at HOTA, Home of the Arts, on Queensland’s breathtaking Gold Coast. The event, which took place on Saturday, February 10, was preceded by the AACTA Industry Awards on Thursday, February 8, marking an extraordinary celebration of the Australian film industry.

Among the esteemed attendees was FilmCentral Magazine’s editor-in-chief, who, along with the Streets of Colour team, captured the essence of this prestigious event in vivid detail.

FilmCentral Magazine proudly reports that several members of their Streets of Colour team graced the AACTA Awards ceremony, commemorating the collective effort that earned them a nomination for Best Film – Independent. Despite not securing the win in their category, the editor-in-chief expressed immense pride for the cast, crew, and supporters, acknowledging the dedication and hard work that led to this significant recognition.

“While we didn’t secure the win in our category, being nominated was a monumental achievement in itself. Our Streets of Colour team had a one in six chance, and the acknowledgment of their work on such a platform is a testament to their talent and dedication,” said Yolandi Franken, Editor-in-Chief of FilmCentral Magazine.

The nomination for Best Film – Independent was a remarkable acknowledgment of the Streets of Colour team’s commitment to storytelling that pushes boundaries. The editor-in-chief emphasized the importance of overcoming systemic challenges and addressing the fear associated with telling stories that resonate with marginalized communities.

“In their pursuit of creative excellence, the Streets of Colour team faced systemic mountains and navigated the fear entrenched in those hesitant to share narratives like theirs. Their journey symbolizes a commitment to breaking barriers, taking risks, and amplifying voices that often go unheard,” added Franken.

While the win eluded them, the presence of the Streets of Colour team at the AACTA Awards was a triumph in itself, shining a spotlight on their resilience and dedication to bringing meaningful stories to the forefront of the Australian film landscape.

Introducing Mena Guy: A Filipina-American Filmmaker Redefining Horror Cinema

Mena Guy, a Filipina-American horror filmmaker, emerges as a prominent voice in the realm of independent cinema, captivating audiences with her dark and intricate storytelling inspired by literary icons like Edgar Allan Poe. From her humble beginnings to her current stature as a respected figure in the indie film community, Mena’s cinematic journey is a testament to resilience, vision, and the relentless pursuit of storytelling.

Rooted in a deep appreciation for fantasy and horror, Mena’s cinematic journey began with a profound love for the dark and intricate worlds depicted in literature. A graduate of CUNY Hunter, Mena possesses a profound understanding of the business and creative facets of the film industry, laying the foundation for her multifaceted career.

Mena’s expertise in editing, honed through years of dedication and hard work, serves as the cornerstone of her filmmaking endeavors. Fueled by a pragmatic approach and devoid of financial privilege, she mastered both editing and shooting techniques, enabling her to bring her unique visions to life independently.

A passion for music has always been a driving force in Mena’s creative endeavors. Drawing inspiration from her love of music, she has seamlessly integrated dynamic music videos into her repertoire, infusing her film projects with vibrant energy and emotion.

Currently, Mena is exploring the intersection of music and film, aspiring to cast musicians in unconventional roles to create groundbreaking cinematic experiences. Her innovative approach and dedication to pushing boundaries have earned her recognition and respect within the industry.

As Mena Guy continues to carve her path in the world of cinema, her journey serves as an inspiration to aspiring filmmakers everywhere. With her unwavering commitment to storytelling and a relentless pursuit of excellence, she is poised to leave an indelible mark on the landscape of horror cinema.

FilmCentral Magazine recently caught up with Mena to discuss her journey in the industry, and here’s what went down:

Could you please provide our readers with a brief background about yourself and how you started in the industry?

I began my filmmaking journey as a writer. I was very much drawn to fantasy and horror. Horror could easily blend the two, and on a much cheaper budget, so I started trying to produce horror scripts. Actual dark history, crime, and literature geniuses like Edgar Allen Poe heavily inspired me. I even have a raven tattoo because of how much I love his works. I went to college at CUNY Hunter to study film. There, I realized how crazy expensive filmmaking is, and to
be good in the field, you have to understand the business aspect of it. I just needed to get on set, so I learned editing. Everyone needs an editor, so in my mind, it was the easiest and most secure way to get a job. I didn’t come from money, so I needed to work, and editing seemed the easiest way to get my foot in the door. It was something that I could also strengthen my skills on my own without having to make as much of an investment into gear. I started editing
projects for people to build up a reel and eventually did it for profit. I saved up, bought a camera, and learned how to shoot. I figured if I could shoot and edit, I could make my own movies without having to rely on people. Of course, you need a crew, but I wanted to make sure that if in case someone bails I would be able to make my own projects and keep practicing. I’m a big music fan and would work with a lot of artists. I’d offer people free music videos just to keep creating and building my portfolio. Huge metal and rap fan – I love high-energy music. I eventually got a job as an in-studio video producer with XXL magazine and Loudwire magazine. I honed my video skills there, but my main love is storytelling, so I’d write during my breaks at work. I’d write and save up to make a legitimate short film so I could hire actors, hunt locations, the whole thing. I did it from the ground up and produced “MONSTER,” which is on my YouTube channel “Church of Mena.” From there, I would connect with people in the indie film world and make projects. Eventually, people liked my work and would hire me to help them produce and direct their projects. I’m absolutely influenced by music as well as literature and human nature. One of my goals is to use musicians in films as actors.

What is the most difficult part of your artistic process?

The artistic process is the fun part, but the planning is challenging for me. Nothing ever goes perfectly to plan. But making sure you have a solid crew is what helps.

Do you try to be more original or deliver to viewers what they want?

Yes, of course! If you’re not original, what’s the point? There’s an audience for everything, so just be yourself and stick to it; the audience will come in time.

If you could tell your younger self anything, what would it be?

It’s okay to let people go. Teamwork is good, but cut ties if people are not looking out for your best interest. Don’t let them take you down.

What is your directing Kryptonite?

Working with people who don’t have your back is also a sign of poor communication. You need communication—heavy communication —to have successful projects. Make sure people understand you and your vision.

What was the best money you ever spent as a director?

I invest in my own projects, even if they’re short films, so people can see what I want to direct, write, and produce so I can get my stories out there. If I won the lotto, I’d make a movie.

What was an early experience where you learned that films had power?

There wasn’t a particular experience that stood out. Films have always had power. They immortalize stories, create life, and birth stories, worlds, people, etc., according to the creator’s best vision.

How many finished and half-finished books do you have?

Not sure. I do try to read often, though. One day, maybe I’ll write one.

Can you tell us more about your latest film?

My last short was an animation, which you can find on my YouTube channel, “Church of Mena.” I post my free to the public films there. It’s about two sisters who go away to their disabled aunt’s house for the summer and stumble upon a cursed mirror. It deals with facing your insecurities and trauma and battling yourself. I plan to turn it into a feature and use the concept short as part of the pitch. Currently working on polishing the feature script. My brother Brandon Guy actually animated the short, so it’s pretty cool to have done something with my sibling.

What is the best advice you have ever been given?

Stop caring what people think.

What advice would you give to a newbie director who wants to make it in the industry?

Make projects. If you’re not a writer, connect with one and make some projects that bring their stories to life. Practice on set is so valuable, even if it’s your own set and you’re not getting hired yet.

What are your future plans?

Make more movies! Bigger sets! Bigger budgets! ENJOY LIFE. I’d love to make films that are tied to Filipino culture.