From Gold Coast to Tinseltown: Marissa Kaye’s Journey as an Aussie Producer Takes a Quantum Leap with Upcoming Hollywood Blockbuster

Australian actor and film producer Marissa Kaye is poised to make a groundbreaking entry into the U.S. film industry with her latest venture, spearheading the creation of the next big Hollywood Franchise, “Anti-Social.” Collaborating once again with award-winning writer Brendan Byrne, the duo aims to captivate global audiences with their creative prowess.

Having accumulated a series of accolades throughout her career, Marissa Kaye expresses her excitement about the project, stating, “I’ve always been inspired by the history of stories that Hollywood has produced over the years. It’s a dream come true to be part of the industry and contribute my perspective to the global tapestry of cinema. I believe that by immersing myself, I can push my creative boundaries and create something truly extraordinary.”

Brendan Byrne, known for his award-winning work, joins forces with Marissa once again after their successful collaboration on multiple projects under Shadow Wolves Productions, spanning Sydney, Gold Coast, and now the United States. Their shared commitment to storytelling is further emphasized by the success of their previous film, “I’m Here Too,” which became a viral sensation, raising awareness for teen suicide.

With over 13 million views on YouTube and significant success on Tubi, the duo’s impactful film sparked widespread conversation with over 100,000 comments, paving the way for their upcoming Hollywood project. Currently shrouded in secrecy, the project is already generating buzz among industry insiders, who eagerly speculate on the genre and potential star-studded cast.

Marissa and Brendan, who have two more productions lined up to shoot on the Gold Coast, continue to push boundaries with their unique storytelling approach. Their dedication to creating meaningful content that resonates with audiences reflects in the success of their previous works and sets the stage for another remarkable Hollywood venture.

As the industry anticipates the unveiling of their latest project, Hollywood is on notice – Marissa Kaye is bringing her creative vision and Australian charm to the forefront. Get ready for the next big Hollywood franchise as another Aussie powerhouse takes center stage.

FilmCentral Magazine Spotlights AACTA Awards 2024: A Night of Celebration, Diversity, and Unforgettable Moments

Photo Credit: Matt Bonnici

The glamour of the 2024 AACTA Awards illuminated HOTA, Home of the Arts on Queensland’s breathtaking Gold Coast, on Saturday, February 10. The preceding AACTA Industry Awards took place on Thursday, February 8, marking an extraordinary celebration of the Australian film industry. Among the attendees was FilmCentral Magazine’s editor-in-chief, who, along with the Streets of Colour team, captured the essence of this prestigious event.

FilmCentral Magazine proudly reports that several members of their Streets of Colour team graced the AACTA Awards ceremony, commemorating the collective effort that earned them a nomination for Best Film – Independent. The editor-in-chief expressed immense pride for the cast, crew, and supporters, acknowledging the dedication and hard work that led to this significant recognition.

“While we didn’t secure the win in our category, being nominated was a monumental achievement in itself. Our Streets of Colour team had a one in six chance, and the acknowledgment of their work on such a platform is a testament to their talent and dedication,” said Yolandi Franken, Editor-in-Chief of FilmCentral Magazine.

The Streets of Colour team’s nomination for Best Film – Independent was a remarkable acknowledgment of their commitment to storytelling that pushes boundaries. The editor-in-chief emphasized the importance of overcoming systemic challenges and addressing the fear associated with telling stories that resonate with marginalized communities.

“In their pursuit of creative excellence, the Streets of Colour team faced systemic mountains and navigated the fear entrenched in those hesitant to share narratives like theirs. Their journey symbolizes a commitment to breaking barriers, taking risks, and amplifying voices that often go unheard,” added Franken.

While the win eluded them, the Streets of Colour team’s presence at the AACTA Awards was a triumph in itself, shining a spotlight on their resilience and dedication to bringing meaningful stories to the forefront of the Australian film landscape.

Meet The Rising Star Behind The December 2023 Issue Of FilmCentral Magazine: Kian Kavousi

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In the realm of the entertainment industry, Kian Kavousi emerges as a luminary, showcasing profound skill and versatility that has etched an illustrious path. His enduring impact on the small screen, silver screen, and theatre stages has left an indelible mark, garnering recognition and acclaim.

Foremost among Kavousi’s achievements is his standout portrayal in the renowned TV series “The Chosen,” a global hit distributed by Lionsgate and accessible on platforms such as Netflix, Amazon Prime Video, NBC’s Peacock, and the CW Network. Critics and viewers alike have lauded his compelling performance in this celebrated series.

Venturing beyond television, Kian Kavousi has graced feature films, earning acclaim at prestigious film festivals globally. Notable projects, including “1st Born,” “The Big Apple,” “Sarah Is Not Her Name,” “Miles,” and “The Last Chance,” showcase his diverse range and talent, infusing depth and authenticity into every character.

Kian Kavousi’s journey in the acting realm was shaped by dedicated training and mentorship from industry luminaries such as Larry Moss, Kristof Konrad, Jean-Louis Rodrigue, and Vincent D’Onofrio. This guidance refined his craft, endowing him with wisdom and technique that paved the way for success.

Beyond the screen, Kavousi’s artistry has graced Off-Broadway stages in productions like “The Defendant Maurice Chevalier” and “Professionals.” His captivating stage presence and unwavering commitment to characters showcase his adaptability and depth as an actor.

With an impressive body of work and an unwavering commitment to continual growth, Kian Kavousi’s future in the entertainment industry appears promising and vibrant. His dedication to his craft, coupled with powerful performances, solidifies his position as a distinguished actor both on screen and on stage.

A recent conversation with FilmCentral magazine delved into Kian’s industry journey, providing insights into his artistry and the path that lies ahead.

Your role in “The Chosen” has received widespread acclaim. Can you share some insights into your experience working on such a globally recognized TV series and the impact it has had on your career?

Working on “The Chosen” has been an incredible honor and one of the highlights of my career so far. As an actor, you always dream of being part of a production that reaches viewers globally on a massive scale. You are not aware of that fact at the beginning until you start seeing people recognizing you or reaching out to you. Many use you as an inspiration in their artworks or edit your scenes together in video clips while industry people contact you for upcoming projects. That’s when I first realized the impact of it all, and I knew things wouldn’t be the same anymore. Seeing so many supporters and fans around the globe fuels my motivation to deliver my best work. Over the years, I’ve been fortunate to work with many talented directors, but Dallas Jenkins stands out for his visionary approach and ability to get the best from his actors. Being on set with Dallas, the experience is electric. He encourages us and gives us the freedom to take risks and explore the depths of each scene, asking thoughtful questions that reveal new dimensions. But what really stunned me was that through his vivid descriptions, he instantly transports you into the emotional space needed for the performance. All doubts were eliminated, and you end up organically creating a character on the spot that feels grounded and authentic but safe enough to go beyond and try different approaches. Dallas has this gift for articulating his creative vision so clearly that you intrinsically understand what needs to be done. He draws out nuanced performances from all of us. Combining his guidance with our own preparation, we, as the cast, have been able to create magical moments on camera. The actors and directors with whom you share a significant amount of time become unforgettable moments. You receive support, and you give support. You become a family, and you grow together. The series has been professionally and personally gratifying, and I’m very thankful for this opportunity that pushes me to be my best. It has profoundly shaped my career trajectory, and I will carry these invaluable experiences forward.

Photo Credit – The Chosen

You’ve been part of both TV series and feature films. How do you approach your acting differently in these two mediums?

Acting for film and television share many similarities and core techniques, yet the mediums have distinct differences and approaches that you have to adapt to. In film, I often join the production with a fully envisioned character already crafted by the director and writers. This requires intense preparation beforehand to internalize their vision while still leaving space for changes. Once I receive the schedule, I map out the character’s arc and storyline over the course of the shooting days. Filming is usually concentrated into weeks or months. In TV, your character has the opportunity to develop and grow over the course of multiple seasons. I still come in absolutely prepared, but the process is more dynamic since I have inhabited this persona for months or years. You get the chance to return and revisit a character, experience something new, and peel back layers as their journey evolves from episode to episode. While film provides a concentrated storyline, television allows for subplots and development. I find the key is staying open to both, whether playing a character for months on a series or weeks on a film. Both mediums produce outstanding content. There is a lot of great material out there. I feel fortunate to work in both formats and appreciate what each uniquely brings out in me as an actor. The differences keep me sharp and creative. I enjoy both as I love the challenge of bridging a character from script to screen.

Your training includes working with renowned coaches like Larry Moss and Vincent D’Onofrio. How have these experiences shaped your approach to acting, and what lessons have you carried from these mentors into your roles?

I’ve had the incredible privilege to study under some of the best acting coaches in the industry. Their wisdom and techniques have stuck with me and profoundly impacted my work, and I apply their fundamental teachings to every role I play whenever possible. Working with Vincent was extraordinary. I witnessed firsthand his brilliant character transformations and camera technique. He taught me the art of finding those subtle nuances for camera work and constantly adjusting the performance through layers and subtext. Making it seem effortless actually required meticulous craft and a lot of practice, analysis, and sleepless nights. Every time we wrapped filming and reviewed footage, it was as if night turned into day – it was acting at the highest level. Larry Moss expanded my mind with his vast knowledge. I could listen to him for hours and still only absorb a fraction of what he imparted. He taught me how to fully inhabit the mindset of a character and keep the audience invested. We spent intensive sessions breaking down scripts, tweaking performances, and learning to avoid traps. He went with you to the furthest reaches, where things suddenly dawned on you. His insights brought my acting to entirely new and creative heights. I have to hand it to the coaches Kristof Konrad and Jean-Louis Rodrigue – they really drilled character work and technical skills into me that are so crucial. We worked extensively on using the body, voice, and breath as instruments. Breaking old habits while adopting new and specific ones. Never showing up unprepared, yet remaining flexible. I learned how to build a character properly from the ground up and hone the techniques to bring a role to life. I’m sincerely grateful because I owe so much to these masters. Each intensive workshop demanded my complete dedication and best work. Thanks to them, I am where I am in my career, trying to deliver the most genuine performances I can every time.

In addition to “The Chosen,” you’ve been involved in various film projects like “The Last Chance” and “The Big Apple.” What drew you to these projects, and do you actively seek out diverse roles in your career?

When I was starting out, I jumped at every role that came my way. I tried to be cast in a theater play, a commercial, or a film and TV because I needed the experience and exposure. But as I grew, I became more strategic. I didn’t want to be pigeonholed, but instead, I constantly developed my skills and took on increasingly complex roles. When cast in projects, I think about how to bring my full range of training and life experience to the table. I like to explore new roles that will push me creatively into unfamiliar territory. The more uncomfortable, the better – those roles force me to tackle new challenges. What drew me to all the projects were the multidimensional characters. The uniqueness of the characters and their psychology and physiology interest me. I’m not picky about roles and try to find parts that will stretch my acting chops. This pursuit keeps me engaged and motivated to deliver authentic performances on screen. My goal is to avoid stagnation. I want to carry audiences along as I continue growing as an actor. I remind myself why I started this journey in the first place and try to find ways to play in the league of those actors I admire.

Photo Credit – Halima H

Your performances have been featured in film festivals globally. How does it feel to have your work recognized on such a broad scale, and what do you believe sets your performance apart from others in the industry?

Being featured in film festivals around the world is incredibly humbling. It’s heartening to know my work resonates on such a broad scale. But the truth is, those moments always catch me by surprise. You try to fulfill the director’s vision and story needs when developing a character. Even when a performance feels strong, as actors, we are often self-critical, doubt our choices, and are never completely sure. So nominations or awards are always an unexpected honor that tells me I must be doing something right and motivates me to keep growing. I don’t think it sets me apart, as there are so many remarkably gifted performers in this industry that I learn from all the time. Watching their work pushes me to refine and expand my creative toolbox continuously. Awards aren’t the main reason actors perform, but it is tremendously moving to celebrate your work as it provides new opportunities. The true reward that emerges is the privilege of collaborating with incredible filmmakers to tell universal stories that impact viewers and resonate across borders, cultures, and experiences. If I can bring honesty to a character and move audiences emotionally or in any other way, that is already a profoundly fulfilling creative accomplishment. Though it’s certainly wonderful when a performance you poured your soul into gets recognized far and wide.

Tell us about your experience performing in Off-Broadway productions such as “The Defendant Maurice Chevalier” and “Professionals.” How does live theater compare to working on film or TV sets, and do you have a preference between stage and screen acting?

Performing in Off-Broadway productions like “The Defendant Maurice Chevalier” and “Professionals,” among many others, provided invaluable stage experience. The weeks of intense rehearsals leading up to opening night and the live performances show after show in front of hundreds of audience members were exhilarating. Once the curtains are up, it is only you and your preparation on stage. Compared to film and TV, you have weeks of rehearsals to experiment and refine details. There are no second takes in theatre – it’s live for all to see. There are no cuts and no post-production for any edits. In “The Defendant Maurice Chevalier,” I portrayed two opposite characters – it was a challenge not to play any stereotypes or cliches to show how different they were. I had to embody each character’s distinct psychology and physicalities fully. Precise blocking then ensured seamless transitions between roles. I required vocal training to find ways of projecting to the back rows without straining my voice for the following performances and stage combat training to avoid injuries on one side and deliver the emotional impact it needed to convey. With “Professionals,” I learned to handle technical stage elements – hitting light cues, quickly changing costumes, and sustaining focus and energy during set changes and throughout the entire production. It demanded specific flexibility and preparation to handle anything that came my way. It is interesting to observe how performances can evolve or change over the run, and you never know how a show will turn out – feeling great could mean it wasn’t great at all, and thinking that it was the worst night could turn out to have been one of the most brilliant and refreshing performances. Both mediums stretch me in different ways. While I would rather lean more toward film and television, it is inevitable and absolutely vital to participate in theater productions as often as possible. You create the stamina and acting chops necessary to build proper character work, and the thrill of live performing and constantly improving a role is tough to beat.

Given the diverse range of projects you’ve been involved in, how do you approach selecting roles? What criteria do you consider when deciding to take on a new acting opportunity?

When considering roles, authenticity is key. I always try to do something new and seek compelling characters or interesting collaborations with other filmmakers. I am very open to different opportunities, and I enjoy exploring people and their psychology to understand what motivates them to behave the way they do. How they feel, talk, walk, and express themselves, and then find ways to bring them to life through myself. Researching characters and discovering what you have in common with them and what makes them different is absolutely exciting. You gain perspective and realize the complexities of the human mind and behavior. People share a lot of psychological traits, desires, and tendencies, such as the need for social connection, the pursuit of happiness, or the capacity to feel any emotions at all. However, there are also significant other differences among people. These differences usually come from a combination of unique genetic factors, personal experiences, cultural backgrounds, and environmental influences, among many other factors. While humans are alike in some ways, they are also quite diverse in other aspects. I can feel much more comfortable portraying characters when I come from a place of understanding them and showing empathy. Sometimes, it’s easier and more relatable, but in other instances, you may have to delve deep and never truly relate. Nevertheless, playing these roles and tackling the challenges is always exciting.

Photo Credit – Angie Kremer Photography

”The Chosen” is available on various streaming platforms. How do you think the accessibility of content on platforms like Netflix and Amazon Prime has influenced the entertainment industry, especially for actors and creators?

The rise of streaming platforms has transformed the entertainment industry. They provide many new and fantastic opportunities but also some challenges for actors and creators. Compared to the 80s, 90s, and early 2000s pre-streaming era, the current landscape offers actors access to vastly more projects and roles. More original series and films are being produced. This allows actors to showcase their talents in different genres and potentially gain worldwide exposure by having their work seen globally. Netflix, Amazon Prime Video, Apple TV+, and others are prestigious platforms where their original shows earn critical acclaim and award recognition. Starring in a Netflix series, Apple TV+, or Amazon Production can elevate an actor’s reputation and chances for future work. This is also true for creators, who now have outlets willing to take risks on new or unconventional ideas and stories that may not have been greenlit before. You can say that there is much more creative freedom. However, a possible downside could be that the content quality might suffer slightly, with many new titles being added regularly because of the quantity. The volume of projects could also mean that actors may get typecast because of the tight scheduling and casting time available. And while streaming provides a global stage, the focus on digital distribution has minimized theatrical releases for some films. But overall, these are exciting times full of new and wonderful opportunities and possibilities that open new doors.

Are there any upcoming projects or roles that you are particularly excited about or that you think will challenge you as an actor in new ways?

I’m thrilled to have very exciting projects on the horizon that will provide new acting challenges. While I can’t discuss details just yet, a few roles are coming up that will stretch my abilities in new directions. I cannot wait to unpack, explore them, and break out of my comfort zone again.

Aspiring actors often look up to successful individuals like yourself. What advice would you give to those who are just starting their journey in the entertainment industry, especially in terms of training and navigating the audition process?

When starting out, the focus should be on a lot of training and practice. One challenge is the extensive preparation required beforehand. This includes a thorough script analysis and gathering all necessary information about a character, including the emotional state, motivations, intentions, needs, fears, flaws, and many more, all without passing judgment. Then, integrate these elements into the character, avoid playing cliches or stereotypes, and instead find unique traits. The next level would be listening and reacting to your acting partners and incorporating their performances in a scene while staying true to your character and being able to adjust. Finding coaches, mentors, and suitable classes and workshops would be very helpful for polishing these skills. You want to try to avoid acting only when auditions are coming in because then you are never really ready and end up winging it somehow. What I used to do was, when there weren’t any auditions, I would find audition sides of projects that had already been cast and filmed. I would then prepare those sides for a mock audition and sometimes even compare my performance to the actual casting. This became like a muscle memory exercise, and I was able to carry different characters with me in my back pocket. In addition, there are technical aspects to consider, especially for auditions. It is essential to adapt to a project’s genre, style, and tone. Knowing your lines inside out allows you to be free and fresh in your performance. Also, facing rejections is normal and necessary for growth. Allowing yourself to fail is part of the process. So are taking risks and getting up again when things don’t work out; don’t get discouraged. And if you are not in class, on stage, or in front of the camera, the few minutes in the audition room are the ultimate opportunity to act.

Introducing Kian Kavousi: Illuminating the Silver Screen and Theater Stages with Artistry

Photo Credit: Halima H

Kian Kavousi, an actor of profound skill and versatility, has carved an illustrious path through the entertainment industry, leaving a lasting mark with his performances on the small screen, silver screen, and theater stages.

Kavousi’s standout portrayal in the celebrated TV series “The Chosen” has earned him widespread recognition. The series, distributed by Lionsgate, is a global hit, accessible on various streaming platforms like Netflix, Amazon Prime Video, NBC’s Peacock, and the CW Network. His compelling performance in this series has been lauded by critics and viewers alike.

Beyond his TV success, Kian Kavousi has graced feature films and various projects that have garnered acclaim at prestigious film festivals worldwide. His impactful roles in movies such as “1st Born,” “The Big Apple,” “Sarah Is Not Her Name,” “Miles,” and “The Last Chance” demonstrate his diverse range and talent. Each portrayal brings depth and authenticity to the characters he embodies.

Kian Kavousi’s journey in the acting world was honed through dedicated training and mentorship. Under the guidance of industry luminaries like Larry Moss, Kristof Konrad, Jean-Louis Rodrigue, and Vincent D’Onofrio, he refined his craft, imbibing wisdom and technique that set him on a trajectory toward success.

His artistry extends beyond the screen, shining on Off-Broadway stages in diverse productions like “The Defendant Maurice Chevalier” and “Professionals.” His stage presence and commitment to the characters he portrays captivate audiences, displaying his adaptability and depth as an actor.

With an impressive body of work behind him and a commitment to ongoing growth and development, Kian Kavousi’s future in the entertainment industry seems promising and vibrant. His dedication to his artistry, coupled with an array of powerful performances, has solidified his position as a distinguished actor, both on screen and on stage.

FilmCentral magazine recently engaged with Kian to delve into his industry journey, and here’s a recap of the conversation:

Can you tell us more about yourself?

I grew up in Germany. When I was not in school or with my friends, I spent most of my time playing the piano or sports. My mother always insisted that I see the world, so every vacation she had, she took me with her to different destinations all over the world. Sometimes, I felt uncertain about how to handle all the new impressions because they were so new to me, but they always ended up shaping me and proving useful for my future profession. After graduation, I spent a year volunteering at an institution for the elderly and children in upstate New York. Later, when I finished my Bachelor of Arts in Interpretation and Translation Studies in Germany, I pursued a Master of Science in International Relations and Politics in England. However, I somehow always ended up acting, whether it was in school plays or putting on shows with the money I had saved over the summer. I used my friends in short clips and films we made, imitating game shows and creating music videos with cameras that could only record for about 15 minutes. Years later, it eventually led to Off-Broadway shows in Manhattan and film projects in Los Angeles. There were a lot of signs and indications that this was what I should do. I decided to go all in and moved to New York. It was one of the hardest decisions I ever had to make, but at the same time, one of the easiest. And now I’m here having a conversation with you.

How did you get started in the entertainment industry?

Through the infamous New York snowstorms, I went out to countless auditions. I booked a film here and a commercial there, but I noticed the lack of exposure to industry professionals. I knew I had to open up to different ways of getting on the radar of casting directors and securing representation. Some friends of mine who are writers regularly invited me to table reads. We put our heads together and came up with potential self-written plays to perform. We rented theater spaces and continued to invite professionals to see all our different shows while I pursued auditions on the side. Eventually, some investors noticed our work and believed in our potential. We had several meetings, and they decided to organize and invest in a full-budget Off-Broadway production. Tickets were sold on Broadway, and the reviews started coming in. There was a lot of pressure because we had to deliver in front of hundreds of audience members every night. The production became a success, and an agency signed me. Afterward, I was submitted to feature film productions, TV series, and projects sent to film festivals around the world, bringing home awards. Finally, all the short films, plays, and auditions combined put me on the radar.

Photo Credit: The Chosen

What do you like most about acting?

I enjoy exploring people and their psychology, to understand what motivates them to behave the way they do. How they feel, talk, walk, and express themselves, and then finding ways to bring them to life through myself. It is absolutely exciting to research characters and discover what you have in common with them and what makes them different. You gain perspective and realize the complexities of the human mind and behavior. See, while there are common psychological traits and tendencies that people share, like the pursuit of happiness, the need for social connection, and the capacity to experience emotions at all, there are also significant differences among individuals. These differences come from a combination of genetic factors, personal experiences, cultural backgrounds, and environmental influences. You can feel much more comfortable portraying characters when you come from a place of understanding them. At times, it’s easier and more relatable, but in other instances, you may have to delve deep, and you might never truly relate. Nevertheless, it’s always exciting to play these roles. The other aspect I love about acting is the environment in which you work and act. The people on the set that you see every day, whether it is the lighting or sound crew, the cameraman, makeup, hairstylists, or crafty, become memorable and fun. The cast members and directors with whom you share a significant amount of time become unforgettable moments. You receive support, and you give support. You become a family, and you grow together, even beyond the projects.

How different is it to act in a movie and to act in a TV series? And which one do you prefer?

While acting in both mediums shares similarities, there are also a lot of differences. In film, you usually have a fully developed character when you come to the set. This means it requires a lot of preparation in advance, and you discuss it with the directors to make sure it aligns with their visions as well while also leaving space for changes. You know the beginning, middle, and end of your character’s journey, and you map out the characters’ arc accordingly and throughout the shooting schedule, which usually spans between weeks to months. The shorter production time allows actors to explore a wider variety of characters for other projects. In TV, your character has the opportunity to develop and grow over the course of multiple seasons. You can return and revisit a character and experience something new. So, even though you are prepared, the actor’s process and progress are not set in stone because you play the same character over an extended period, which can lead to a more in-depth exploration as the plot progresses and unfolds over months or years. In film, you often find a concentrated storyline; in TV, you have subplots that evolve across episodes. But again, it is important to mention that it all depends on the projects because some of the best content out there is on both film and TV, and I enjoy acting in both.

Photo Credit: Angie Kremer Photography

What are your weak points when it comes to acting? How do you try to improve them?

I would say uncertainty at times. Yet again, I believe this is a challenge actors generally struggle with. On set, you juggle all these aspects, including immersing yourself in your character’s world and physicality, while also managing technicalities like blocking, hitting marks, and adjusting to camera frames. It can be busy on set, and the pace can be fast, and there is not often time for immediate feedback or approval of your work. So in order to bypass uncertainty and bring my best performance to the table, I work with professional coaches. We focus on different areas, such as character development for consistency throughout filming, and work on voice and accents for proper authenticity. We analyze the scripts and explore different techniques to find the physicality. I try all approaches, whether I work from the inside out or from the outside in. However, I collaborate with coaches to avoid limiting myself and to expand my character range as well as my emotional range.

What are your strong points as an actor?

It is always difficult to evaluate yourself, but I would say that I feel comfortable with creating the characters I play. I prioritize understanding their internal psychology and their external physicality. I approach my characters with empathy and avoid preconceptions and judgments. I also thoroughly analyze scripts and quickly memorize them while staying open to continuously learning more and what is required for the role. I like to be so well prepared that I feel comfortable and at ease to adjust to any directions or changes. It is like a muscle that grows stronger with practice. The more you do it, the better you become.

What have you learned from the directors that you have worked with throughout your career?

Over the years, I have had the privilege to work with some great directors – visionaries who possess the ability to convey and communicate their creative ideas with such precision that they are crystal clear to the actor, and you know exactly what to do. Among them is Dallas Jenkins, the celebrated director of the global hit series The Chosen. Working on set with him for the show is an experience out of this world. We know that actors have to be flexible enough to find more than just one or two ways of approaching a performance. Dallas, however, encourages his actors to explore multiple dimensions of a character; together, you end up creating an entirely new personality on the spot. He asks the right questions and provides vivid descriptions that instantly transport you to the exact emotional environment you need to be in for the scenes. He knows how to bring out the best performance from you. With his guidance and our own preparation, the cast members and I have been able to create magical moments. Director Satrajit Sen gave me the freedom to improvise. He recognized that within the given circumstances, this was the way to find my character’s authenticity. Ali Atshani said, “You listened the right way, so you knew how to answer the right way.” I can say that I have learned valuable lessons from many directors, and I carry each experience with me and use them in other projects.

Photo Credit: Angie Kremer Photography

What are some of the difficulties of the acting business?

I think there are many factors to consider, and the experiences differ from person to person. Some actors don’t like auditions; they feel blocked or uncomfortable, which can affect their performance. They are not sure how to give their best or how to handle rejections. Sometimes, you find yourself with little time to prepare. Other times, you invest long hours in preparation and travel miles and distances to wait behind closed doors in a room full of stressed people, only to be called in and rejected. However, auditioning is an inevitable but invaluable opportunity to stay sharp and continuously explore new characters. There is your chance to act, and if you deliver a good performance, you will be remembered. Also, these are all opportunities; you never know which room you are entering. Others struggle to find the right representation that aligns with their needs and try to find the proper support and guidance. On the other hand, some actors feel emotionally and physically exhausted and drained or feel that they lack control over their careers and perceive the industry as too insecure and struggling to maintain perseverance. Some actors are stuck in guest roles, while others don’t secure those parts. I believe these ups and downs in this industry are part of this profession, and everyone has to go through them at their own pace. On top of that, both aspects have to be taken care of as an actor, the acting part as well as the business part.

What’s challenging about bringing a script to life?

Well, that’s a great question, and it brings a lot of answers to it. One challenge is the extensive preparation required before even stepping into a character’s shoes. This includes a thorough script analysis and the gathering of all necessary information about the character, including their psyche, motivations, fears, and flaws, all without passing judgment. You have to understand intentions, subtext, needs, transitions, your character’s emotional state, and much more. Once you have laid the foundation, the next challenge is integrating these elements into the character. You should avoid playing cliches or stereotypes and instead find unique traits and physicality. In addition, there are technical aspects to consider, such as adapting to the genre, style, and tone of the project and knowing your lines inside out to be free and fresh in your performance. Another significant challenge is listening and reacting to your acting partners in a scene while staying true to your character and incorporating their performances. The list of challenges can be quite long, and it continuously varies from one project to the next.

What do you do when you’re not filming?

Honestly, I love adventures; that’s what truly excites me. I like traveling to new places, trying out new cuisines, meeting new people, exploring new things, and being together with my family and friends, which brings me joy. In my free time, I like to play sports like soccer and basketball, as well as go to the gym. I also enjoy playing the piano, reading, and sometimes dancing.

Photo Credit: Halima H

What has been the most memorable experience of your career so far?

That is probably the hardest question. I have so many memorable experiences and moments that I am grateful for, and they have all been very exciting. If I had to pick one off the top of my head, I would say the audition for the TV series The Chosen. I was going home from a late shoot when my manager called me and said that another audition had come in and that they had requested a tape due the next day. The only problem was that my camera had broken a couple of days earlier, and I also couldn’t find a reader on short notice that late at night. I called a friend who worked at a self-taping service and asked if I could Schedule a one-hour taping session in the morning. He was kind enough to agree and reserve a spot. I opened the sides and found three scenes and 13 pages of script. I pulled an all-nighter and prepared everything. The following day, I rushed to the studio. To my surprise, my friend told me there had been a mix-up in the booking, but if I waited another hour, he could skip his break and give me a 10-minute window for taping. Having only ten minutes for a 13-page script meant I had one try to record all scenes in one single take, and it had to be done quickly. After the taping, we sent the material, and for the next three months, I heard nothing from them. Then, out of the blue, I received a call that the director and casting director wanted to see me. I drove over and noticed I was the only one in the waiting room. The sign-in sheet said one actor per hour. Sitting there, I could hear them playing the entire audition tape. Moments later, they called me in, and we spoke a little and began the audition. They sent me out two or three times to prepare for different roles and then had me come back in. The audition lasted over 30 minutes. Two weeks later, I was packing for a trip to New York when my manager called me and asked, ‘Have you left yet?’ I said, ‘Not yet, why?’ She said, ‘You might want to change your flight to Texas.’ At that moment, I had no idea what she meant until she said, ‘They’ve cast you for the series!’

Who have been the most interesting people you’ve met so far?

In this profession, you meet a lot of people, and I’ve had the opportunity to meet many fascinating individuals. It is impossible to pick a starting point, but one who stands out is Vincent D’Onofrio. He taught me so much, and we had interesting conversations, but witnessing how he transformed into a character was extraordinary. Another encounter was with Val Kilmer. I could not believe my eyes. We were chatting, and within an instant, when the 1st AD signaled everyone, he effortlessly shifted and transformed into another person. He changed the room’s energy. What is even more stunning is that he did it differently every time, with new creative intentions. Larry Moss blew my mind with his vast knowledge. I could listen to him endlessly, knowing there was still a lot of wisdom I needed to absorb. The same goes for Al Pacino and Adam Driver. The list of people is very long, but it is fascinating how each one leaves a unique impression on you with their personality.

What are your future plans? Inside your career or out of it.

There are currently some exciting projects on the horizon that I can’t discuss in detail. Also, I could use a proper vacation to recharge again.

SXSW Sydney: Promoting Inclusivity in Film and Television Production

In the ever-evolving landscape of the film and television industry, inclusivity and diversity have become more than just buzzwords; they are the pillars upon which creative excellence thrives. With this ethos in mind, SXSW Sydney brings you an enlightening session from October 15 to 22.

For those who aspire to create content that resonates with a broad and varied audience, understanding how to assemble a production team that reflects the world we live in is paramount. Many, however, find themselves at a loss when it comes to practical steps and overcoming obstacles. This session, made possible through the collaboration with Women In Film and Television (WIFT) and their global network, intends to shed light on this vital aspect of the industry.

Breaking Down Barriers

The heart of this session lies in its commitment to breaking down barriers and assessing the approach to crewing productions. Oakley Kwon, an award-winning actor, policy maker, and film producer, as well as the head of Loom Films and a prominent figure on the boards of WIFT Australia, Asian Food and Film, and the QLD Community Television Association Inc., will lead the discussion as the moderator.

Joining Kwon are three leading industry experts, each with an impressive track record in sourcing and running inclusive sets:

Andria Wilson Mirza: As the Director of ReFrame, a gender equity coalition founded and led by Sundance Institute and Women In Film, she brings a wealth of knowledge on the subject. ReFrame has been instrumental in promoting gender equity in the screen industry and is an influential advocate for diversity.

Kirsty Stark: AACTA, Rose d’Or, and Emmy award-winning television and feature film producer, Kirsty Stark, boasts an Emmy award for the children’s series “First Day” and extensive experience in championing inclusive storytelling. Her work speaks volumes about her commitment to diversity in the industry.

Kristen Hodges: With over 60 hours of television and feature films under her belt, Kristen Hodges is a Screen Australia executive and producer with a deep understanding of what it takes to create premium content. Her experience spans both Australian and US markets, emphasizing the importance of diversity on a global scale.

Tackling Obstacles and Sharing Resources

The panel will delve into the obstacles that screen practitioners face when crewing for diversity. By drawing from their wealth of experience and insights, they will provide practical solutions and share valuable resources to support those looking to make their productions as inclusive as possible. From casting to crewing, this session aims to equip attendees with the knowledge and tools to drive positive change in the industry.

Networking Opportunity

Following the panel discussion, WIFT will host a one-hour networking event, offering attendees a chance to connect with like-minded individuals and industry professionals. Networking is a vital component of forging meaningful collaborations and advancing the cause of inclusivity in film and television.

Event Details

Date and Time: Friday, October 20, 2023, from 10:00 AM to 11:00 AM
Location: Theatrette – Powerhouse Museum
In a world where storytelling has the power to shape perspectives and challenge societal norms, it is essential that our production teams reflect the rich tapestry of humanity. SXSW Sydney’s session on promoting inclusivity in film and television production is an opportunity to learn from the best in the industry and be part of the movement toward a more diverse and representative future.

Don’t miss out on this chance to be a catalyst for change in the entertainment world. Join us at SXSW Sydney and be a part of the conversation that matters.

For more information and tickets, visit SXSW Sydney’s official website via this link: SXSW 2023

Behind the Lens: George Basha’s Inspiring Path from Actor to Auteur

George Basha, a multifaceted artist from Parramatta, Western Sydney, has a remarkable journey reflecting his resilience and determination. Growing up on the challenging streets of western Sydney as the child of Lebanese migrants, George’s path to success was far from conventional.

In 1997, George received his big break in the world of acting when he portrayed ‘Kemel’ alongside the late Heath Ledger in the feature film ‘Blackrock,’ directed by Steve Vidler. However, despite this initial taste of the film industry, he encountered difficulties securing subsequent acting roles.

At the time, George’s agent conveyed the harsh reality that he faced hurdles in obtaining auditions due to his ethnicity. Refusing to be defined by these limitations, George decided to take matters into his own hands. He embarked on a journey as a writer, penning the feature film ‘The Combination.’ In George’s words, “It was my voice and the voice of western Sydney, which was never really told before.”

In addition to crafting the script, George took on the roles of co-producer and the lead character, ‘John.’ ‘The Combination’ made its cinematic debut in 2009, earning both robust box office receipts and favourable reviews. Esteemed movie critics Margaret Pomeranz and David Stratton rated the film an impressive four and a half stars out of five.

Despite its early success, ‘The Combination’ faced controversy when it was unexpectedly pulled from all Event Cinemas nationwide. The decision came after an altercation erupted during a Parramatta screening.

In 2014, George continued his creative journey by writing, producing, co-directing, and starring in his second feature film, ‘Convict,’ in which he portrayed ‘Ray.’ The movie achieved remarkable success on DVD and quickly sold out in retail outlets, particularly in Western Sydney. As a producer, George showcased his ability to secure funding for both of these projects outside the conventional funding structures, leading to profitable returns for each venture.

Fast forward to 2019, George once again demonstrated his versatile talents as he wrote, produced, and starred in ‘The Combination Redemption,’ a film that received theatrical distribution throughout Australia. David Stratton, once more impressed, awarded the film a rating of four stars out of five. As with his previous works, George independently secured funding for this project, highlighting his resourcefulness and commitment to storytelling.

In 2002, George took on an ambitious project, directing, writing, producing, and starring in the yet-to-be-released “Retreat,” an action-thriller. Myriad Pictures has since acquired the film, and is scheduled for release in 2023.

George Basha’s journey is a testament to his unwavering determination to tell compelling stories and break down barriers in the entertainment industry. His resilience and talent have not only brought his unique voice to the forefront but have also paved the way for future generations of storytellers.

FilmCentral Magazine recently caught up with George to discuss his journey in the industry, and here’s what went down:

Could you please tell our readers a brief background about yourself and how you started in the industry?

I grew up in a very rough and tough western Sydney suburb called Guildford. I come from a big family that consists of five brothers and one sister, and we were always so competitive in sports when we played against one another. We grew up with not much. My father worked long hours just to make ends meet, and my mother was one tough lady who was always tough on us, especially me, as I was the eldest. All that combined is what prepared me to tackle the film industry, my father’s hard work and the competition, which I loved that came from sports and always wanting to win no matter what. I had always had a love for American cinema and filmmaking, and I loved actors like Sylvester Stallone and Denzel Washington and have always wanted to be an actor. It wasn’t till I was In my early twenties that I decided to really give acting a go and started acting classes in 1996. By 1997, I landed my first-ever acting role in a film called Blackrock alongside some great Australian talent, which included the late Heath Ledger, David Field, John Howard, and Geoff Morrell, to name a few.

What is the most difficult part of your artistic process?

I would have to say, as a director, there are a few things. First, you need to get your casting right because I truly believe every actor in the film, no matter how big or small a role, maybe they are all equally important to the project. Then you have the artistic choice you make as in how you want the audience to feel as they watch the film, which will dictate how you want to shoot the movie. Then you have the edit and the music, which is just as important as your other artistic decisions because the edit and music will just amplify the emotions you want the audience to experience.

Do you try more to be original or to deliver to viewers what they want?

Both. You always want to be original and add your own flavour to your films. You also have to deliver a film that the viewers want. It’s entertainment, and whenever I make a film it is important that I make it for an audience. Some filmmakers prefer making films for festivals and winning awards. I’m about making films for an audience; without an audience, to me, that’s a failure. So as a filmmaker, I always want to deliver what viewers want.

If you could tell your younger self anything, what would it be?

Follow your heart and get in the industry straight after school. Believe in yourself and your ability.

Where do you draw your inspiration from for your stories?

The first few film scripts I wrote were written about some of my real-life experiences and, most importantly, from the heart. My inspiration comes from many places real-life stories or from other films I have seen over the years. I will always write from the heart, even if it is fictional. What I mean by that is as long as you believe and love a story you want to tell. Then you tell it and really believe in it.

What was an early experience where you learned that films had power?

In 2009 when I made The Combination it really opened my eyes to the power of film. The amount of messages and fans telling me the effect the film had on them blew me away. Even today, people still talk to me about the film and how it made them feel.

Can you tell us more about your latest project?

Hostile Forces is my new film which I directed, wrote, produced, and starred in. I play a retired soldier who takes his family on a quiet vacation into the Australian bush, which takes a deadly turn when they accidentally stumble across some mysterious bags, forcing the father to rely on his old military skills to protect his family from a team of trained killers.

Hostile Forces has just been released to the North American market by our international sales agent, Myriad Pictures, and distributor, Saban Films. The film has also been distributed in Australia & New Zealand by Pinnacle Films. The film will hit digital streaming in the coming weeks in Australia.

What is the best advice you have ever been given?

Nothing is ever given to you. You have to take it.

What advice would you give to a newbie writer who wants to make it in the industry?

Write something that is special to you or is passionate about, and do not listen to anyone but yourself as to what you really want to make. The industry is very opinionated, and there is no wrong or right.

What are your future plans?

I am looking at shooting a new feature next year titled Caught Up which will take me back to the streets of western Sydney. I’m also currently working on a TV series with David Field, which is still in the early stages.

From Kakuma to the Silver Screen: The Inspiring Journey of Athiéi

Athiéi is a talented film actress with a unique background. Born in the Kakuma Refugee Camp, located in Kakuma, Kenya, she shares South Sudanese heritage from both sides of her family and is the middle child among five siblings. In 1996, her family made a significant move to Perth, Western Australia, where Athiéi’s remarkable journey in the world of acting began to unfold.

Her initial exposure to the acting world commenced in 2009 when she attended her first professional acting classes at Actors Now. However, Athiéi’s educational pursuits also reflect her diverse interests and dedication. She holds a Bachelor of Arts degree in Communication and media Studies and Political Science and international Relations, which she earned from the University of Western Australia.

In 2018, Athiéi embarked on a new chapter in Sydney, Australia, where her acting career truly began to flourish. Her talents have graced television, theater, and film productions, marking her as a versatile performer in the entertainment industry. Notably, she is set to make her debut in the world of feature films, portraying the character Tina Honsou in the upcoming production, “Streets of Colour.”

Athiéi’s journey from Kakuma to the Australian stage and screen is a testament to her passion, dedication, and unwavering commitment to her craft. With a promising future ahead, her presence in the world of film is sure to captivate audiences and leave an indelible mark on the industry.

FilmCentral Magazine recently caught up with Athiéi and here’s what went down:

Can you tell us more about yourself?

I’m currently a Sydney-based actor, but I grew up in Perth. I love and enjoy achieving my dreams and watching others do the same.

How did you get started in the entertainment industry?

From a young age, I’ve always had a love for acting. Drama was my favorite class in school, and I had my first professional acting classes when I was 15. I knew I wanted to be an actor early on, but it wasn’t until a couple of years after graduating from university that I decided that I was going to commit to my dreams and pursue acting as a career. I began, again, by seeking training and auditions, and soon enough, I was landing work and experience in the entertainment industry.

What do you like most about acting?

I love that acting can transform you into another human being and another world. The liberating use of imagination as an artist means that our possibilities are limitless. My character could be a lawyer, a rockstar, a mother, or a twisted or complex character, and I get to explore that story and that world. I get to learn about it. I get a glimpse into it, and I get to translate it to other people. What an opportunity! Acting is so powerful, and not only do I get to enjoy or be a part of the human experience that is right in front of me, but audiences can be inspired, entertained, and taken on this journey
also.

Tell us about your role in the new film Streets of Colour. What was your character like and how did you bring it to life?

I play Tina Honsou in Streets of Colour. Tina is the sister of Akachi, and Tina and Tez have a son together. Very early on, viewers can see that her relationship with Tez quickly goes downhill for more than one reason. To avoid spoiling the film, I can say that his inability to get clean from drugs was one of them. Tina is a strong character who is fiercely protective of herself, her future, and her loved ones. When bringing her to life, I found it most helpful to look internally for insight and answers to many deep, reflective questions that helped uncover her story.

What have you learned from the directors that you have worked with throughout your career?

Throughout my career, I’ve been fortunate to have worked with directors – including Ronnie – who carry themselves with kindness, flexibility, and professionalism. This deepens and expands my own ability to carry these qualities forward when collaborating with others. With Ronnie, I also learned that passion, faith, and hard work can go a long way.

What are some of the difficulties of the acting business?

Rejection. To face rejection and to STILL pick yourself up and move forward despite it. Another challenge is navigating through instability while fighting to stay true to your dreams and other areas of your life.

What’s challenging about bringing a script to life?

There are so many pathways that you can take and ways that you can approach bringing a script to life. In order to believe a story, it must be truly seen, heard, felt, and understood. So there is this journey of uncovering those invisible things that are not seen or shown in the script so that they may be seen, felt, and heard by an audience when brought to life on screen. How an artist goes about this is unique, and the approach can be different with each film or work.

What do you do when you’re not filming?

I like to read books, go for walks, and listen to music.

What has been the most memorable experience of your career so far?

Being a part of this film, Streets of Colour. I had a lot of ‘firsts’ with this film. My first feature film role and the experiences that came with it (from preproduction to release). My first red-carpet premiere event experience. The first time, I did a behind-the-scenes interview for a movie. My first film as an actor to screen in theatres – and so on (the list goes on). And to be able to do all this through sharing a meaningful and significant story – what an honour! It has been such a rich and all-encompassing experience. I am grateful to have worked with everyone who made this possible. I feel blessed.

Who have been the most interesting people you’ve met so far?

I’ve crossed paths with many interesting people, but here are three special shoutouts to Ronnie, Rahel & Yolandi. Ronnie is a passionate and gifted director. I admire his authenticity, uniqueness, and wisdom; he carries that with him everywhere he goes. Rahel is not only an extremely talented actor but one of the kindest, most professional artists I’ve worked with. How he carries himself, both on and off screen, is inspiring and remarkable. And our skilled and hardworking producer, Yolandi, always fills the room with her loving, glowing presence. What a beautiful, kind, and talented human being she is.

If someone is going to make your life into a movie, who would play you?

When I can see more actor representation (of people who look like me or very similar), I’ll be better able to answer this question authentically. At the moment, two actresses come to mind, but they are ten or more years my senior. And anyone else who comes to mind is not an actor. So, for now, my
sister is the best fit.

What are your future plans? Inside your career or out of it.

Working in various acting roles and being exposed to different kinds of acting experiences on screen.

Meet Junayed Alavi: The Rising Star in Hollywood’s Horror Scene

At just 24 years old, Junayed Alavi has already made a significant impact as an Independent Filmmaker, Screenwriter, and Content Creator hailing from India. With his latest horror short film, “Hunger,” he has captivated Hollywood audiences and garnered attention for his creative storytelling.

Throughout his career, Alavi has proven his talent in writing, directing, and producing a plethora of independent short films, showcasing his versatility and dedication to the craft. His unique storytelling ability and artistic vision have set him apart in the competitive world of filmmaking.

In addition to his film endeavours, Alavi has ventured into the world of podcasting with “Late Night Show with Alavi,” the only live Hollywood podcast show in Bengal. Through this platform, he has hosted renowned Hollywood A-listers who share their journey and experiences, inspiring the next generation of artists. Distinguished personalities like Lexi Rabe from “Avengers Endgame,” Jeffrey Weissman from “Back to the Future,” Harry Gregson-Williams, the Music Composer of “Narnia” and “The Martian,” Rob Schmidt, the Director of “Wrong Turn,” Ashley Avis, Director of Disney’s “Black Beauty,” and Donald Mowat, the Oscar-nominated Make-up Artist of “Dune,” “Blade Runner 2049,” and “Spider-man: Far From Home,” are just a few of the esteemed guests who have graced his show.

Alavi’s passion for storytelling and dedication to his craft has allowed him to make a mark in the entertainment industry at such a young age. His ability to create compelling narratives and engage audiences has garnered praise and recognition from peers and industry professionals.

As an ambitious and talented individual, Alavi’s journey has just begun, and his future in Hollywood shines brightly. His commitment to pushing creative boundaries and telling meaningful stories promises a career filled with even more exciting projects and accolades.

Keep an eye on Junayed Alavi as he continues to rise in Hollywood’s horror scene and beyond, leaving a lasting impression on audiences worldwide with his captivating storytelling and innovative approach to filmmaking.

FilmCentral Magazine recently had an insightful conversation with Junayed, and here’s the highlight of our encounter.

Could you please tell our readers a brief background about yourself and how you started in the industry?

I started very early. I never went to any film school. I used to make short films with my school friends. I did computer science and engineering. I started working in the Indian film industry as an Assistant Director. But there was so much hostility in the film industry. I have grown up watching Hollywood blockbusters. I dreamt about Hollywood since the beginning. But I had no connection in Hollywood. The only faith I had was in my skill. I got a job in a literary agency in Hollywood, where I used to work as a script analyst. And it helped me to understand the film business. I received so many networks over there. I became a poster boy of that agency. Prominent studio executives, writers, directors, and producers used to love me. I left the job and started my own production house, Alavi Motion Pictures. I started a podcast called “late night show with Alavi,” where Hollywood a-listers join and share their journey to inspire the youth. That’s how I started everything.

What is the most difficult part of your artistic process?

It’s getting the right idea. Ideas come and go, but the right idea stays. It haunts the mind for a long time. And anything that creates magic in my mind, I write them.

Do you try more to be original or to deliver to viewers what they want?

I always believe in originality. If it’s not original, it doesn’t make me feel excited. And I think that’s what viewers want.

If you could tell your younger self anything, what would it be?

“You did a great job, Junior!” “Thank you for believing in your dream.”

What is your directing Kryptonite?

Directing a really bad actor on the last schedule. Too many NGs kill the patience.

What was the best money you ever spent as a director?

On PRs, maybe. (laughs)

What was an early experience where you learned that films had power?

I have always believed in the power of storytelling. One film can change perception and can change the world. Filmmaking is a very responsible job. One personal story can change the global perspective. I was an introvert in my childhood. I used to speak through my films. And I still do the same.

Can you tell us more about your latest film?

My latest horror short, “Hunger,” has become a worldwide phenomenon. I didn’t expect this to happen. Last Halloween, I watched Marvel Studios’ Werewolf by Night,’ written and produced by Peter Cameron. Who also produced Marvel Studios’ Moon Knight. After watching Werewolf by Night, I also wanted to make a monster movie. But at the same time, I wanted to represent my culture through the film. I met Peter on a podcast episode. He watched some of the glimpses of hunger. He instantly loved the film and wished to executive produce the film. Peter’s involvement made the film even more bigger and bolder. The film received numerous appreciation from the Hollywood film fraternity. Hunger was screened at the First Cut International film festival on March 18, 2023. The film will be screened at the Festival del Cinema di Cefalu, Italy, on September 2023.  What a journey it was! Marvel Studios’ producer executive produced a film directed by a filmmaker who never went to any film school and had no connection in the film industry.

What is the best advice you have ever been given?

“Having so many followers on social media doesn’t make you a star. Stay grounded.”

What advice would you give to a newbie director who wants to make it in the industry?

Have the courage to experiment. If you have a vision, stick to it.

What are your future plans?

My team and I are working on another horror short film. We are working on a feature film also. So, fingers crossed.

Introducing Streets Of Colour: The Film Behind The June 2023 Issue Of FilmCentral Magazine

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Excitement is building as the world premiere of the highly anticipated Australian drama, Streets Of Colour, draws near. This compelling film is scheduled to make its grand debut on June 26 at the iconic Hayden Orpheum Cinema in Sydney, Australia. Audiences are eagerly awaiting the opportunity to witness this captivating production that promises to leave a lasting impact.

The choice of Hayden Orpheum Cinema as the venue for the world premiere adds to the anticipation surrounding the event. Located in the heart of Sydney, this historic cinema has been a cherished institution since its opening in 1935. Known for its stunning art deco architecture and commitment to showcasing a wide range of films, Hayden Orpheum Cinema provides the perfect backdrop for the unveiling of Streets Of Colour.

Experience the gripping journey of Tez in ‘Streets of Colour’: a compelling film produced by Yolandi Franken and written and directed by Ronnie S. Riskalla, which explores identity, redemption, and the consequences of choices.

Starring a talented ensemble cast, including Tez, a 25-year-old drug dealer grappling with a cultural identity crisis and drug addiction who tragically loses custody of his son following the death of his best friend in a racially charged street altercation, ‘Streets of Colour’ delves into the depths of human emotions and challenges.

This thought-provoking film, produced by SkyCross Entertainment in collaboration with Frankendipity Enterprises and Rishi Raj Films, boasts an esteemed team with Chief Executive Producer Dr. Raj Patankar and Executive Producers Drew Pearson and Nenif David, who bring their expertise to elevate the film’s impact.

‘Streets of Colour’ aims to captivate audiences worldwide, with plans for distribution and sales in various regions to follow. Prepare to embark on an emotional rollercoaster as Tez confronts his past, battles addiction, and strives to reclaim his son while attempting to transform his life before it spirals beyond redemption.

In a refreshing departure from the norm, Australian cinema is set to venture into uncharted territory, delving into the captivating world of the outer suburbs. With a tantalizingly brief but promising teaser, anticipation builds as audiences eagerly anticipate the unveiling of this unexplored cinematic landscape.

Leading the charge is the talented Rahel Romahn, a recipient of the prestigious Heath Ledger Scholarship and a recent standout performer alongside Michael Sheen in the acclaimed stage production of “Amadeus.” With his exceptional skills and undeniable on-screen presence, Romahn takes on the challenging lead role, promising to deliver a performance that will captivate and resonate with viewers.

As the teaser hints at the rich tapestry of stories and experiences waiting to be unveiled, excitement mounts for an authentic exploration of the Australian outer suburbs’ lives, struggles, and triumphs. This groundbreaking cinematic endeavour promises to shed light on a world rarely seen on the big screen, offering a fresh perspective and a profound connection to the lives of its characters.

With Rahel Romahn at the helm and a team of talented filmmakers steering this venture, Australian cinema is poised to embark on an exhilarating journey into uncharted territory.

Stay tuned for this compelling film that explores themes of redemption, personal growth, and the consequences of one’s choices in a society plagued by racial tensions and personal struggles. ‘Streets of Colour’ promises to be an immersive cinematic experience that will leave a lasting impact on viewers worldwide. Buckle up and prepare to be immersed in a cinematic experience that will challenge conventions and offer a compelling glimpse into the unexplored depths of the outer suburbs.

“The idea for the film came from my personal experiences suffering at the hands of racism as a child, all the way through to my adult life. The brutality I witnessed was very confronting and frightening, how people treated me because I looked different. Those haunting images followed me for a long time. It wasn’t until it happened to me again in my 30s that I put pen to paper.” Streets Of Colour writer/director Ronnie S. Riskalla.

This captivating film brims with raw self-identity and searing anger, while delivering a desperate plea for peace and understanding. With an exceptional lead performance by Rahel Rohman, whose talents have graced films such as The Combination, Shantaram, and Here Out West, this movie radiates an unparalleled authenticity rarely seen in Australian cinema.

Streets Of Colour tackles poignant themes with unflinching honesty, shedding light on the universal struggles of identity, belonging, and the human desire for redemption. Through Riskalla’s masterful storytelling, the film delves deep into the heart of contemporary Australian society, challenging preconceived notions and fostering a profound understanding of our complex world.

This powerful film intertwines a deeply personal narrative of struggle and redemption with a broader exploration of a vibrant working-class community devastated by drugs, violence, and cultural conflicts. It fearlessly exposes the complexities of life, showcasing both the beauty and the harsh realities. With an unwavering commitment to truth, Streets Of Colour spotlights the individuals caught amidst the chaos. A strong and impactful work from a passionate filmmaker deeply connected to the pulse of Australia, this film demands the attention it deserves, reflecting the nation’s current state.

“We couldn’t be more excited about getting this incredible film in front of local audiences,” says Dov Kornits, the managing director of distributor Screen Inc. “We’re certain that the film will kick-start some very, very interesting conversations. We can’t wait for the premiere on June 26.”

Further exciting news about the Streets of Colour release coming soon. For interviews or any further information, contact Dov Kornits, dov@screeninc.com.au, 0411559519.

Streets of Colour is distributed in Australia and New Zealand by Screen Inc. The film is produced by SkyCross Entertainment, in association with Frankendipity Enterprises and Rishi Raj Films, with Chief Executive Producer Dr. Raj Patankar and Executive Producers Drew Pearson and Nenif David.

Get Ready for a Dazzling Spectacle! Streets of Colour World Premiere Hits Hayden Orpheum Picture Palace on June 26!

Excitement is building as the world premiere of the highly anticipated Australian drama, Streets Of Colour, draws near. This compelling film is scheduled to make its grand debut on June 26 at the iconic Hayden Orpheum Cinema in Sydney, Australia. Audiences are eagerly awaiting the opportunity to witness this captivating production that promises to leave a lasting impact.

The choice of Hayden Orpheum Cinema as the venue for the world premiere adds to the anticipation surrounding the event. Located in the heart of Sydney, this historic cinema has been a cherished institution since its opening in 1935. Known for its stunning art deco architecture and commitment to showcasing a wide range of films, Hayden Orpheum Cinema provides the perfect backdrop for the unveiling of Streets Of Colour.

“The idea for the film came from my personal experiences suffering at the hands of racism as a child, all the way through to my adult life. The brutality I witnessed was very confronting and frightening, how people treated me because I looked different. Those haunting images followed me for a long time. It wasn’t until it happened to me again in my 30s that I put pen to paper.” Streets Of Colour writer/director Ronnie S. Riskalla.

This captivating film brims with raw self-identity and searing anger, while delivering a desperate plea for peace and understanding. With an exceptional lead performance by Rahel Rohman, whose talents have graced films such as The Combination, Shantaram, and Here Out West, this movie radiates an unparalleled authenticity rarely seen in Australian cinema. Brace yourself for a contemporary masterpiece that will leave an indelible mark on your soul.

Follow the tumultuous journey of Tez, portrayed by the mesmerizing Rahel Rohman, a young Middle-Eastern man hailing from Sydney’s western suburbs. Tez grapples with the challenges of straddling two cultures and growing up in a misunderstood neighborhood. Consumed by a deep-rooted self-hatred for his identity and the skin he was born into, Tez finds himself at a crossroads when a life-altering event shatters his world. Losing his pregnant girlfriend, his friends, and everything he holds dear, he spirals into a self-destructive abyss, resorting to drugs and dealing as his path veers perilously downward.

Yet, amidst the darkness, a glimmer of hope emerges. True love and an emotional odyssey of self-discovery, culture, and spirituality beckon to Tez, promising redemption and a chance to reclaim his shattered life. As the gripping narrative unfolds, audiences will witness Tez’s relentless pursuit of meaning and healing, grappling with his past, his roots, and the inner demons that threaten to consume him.

Streets Of Colour tackles poignant themes with unflinching honesty, shedding light on the universal struggles of identity, belonging, and the human desire for redemption. Through Riskalla’s masterful storytelling, the film delves deep into the heart of contemporary Australian society, challenging preconceived notions and fostering a profound understanding of our complex world.

Rahel Rohman’s captivating performance anchors the film, immersing viewers in Tez’s emotional turmoil with unparalleled intensity. The on-screen chemistry and dynamic interactions with an exceptional ensemble cast further heighten the film’s impact, ensuring an unforgettable cinematic experience.

With Streets Of Colour, Riskalla has crafted a masterpiece that transcends boundaries, inviting audiences to confront their own biases, question societal norms, and embrace the transformative power of compassion and self-acceptance. This riveting drama pushes the boundaries of Australian cinema, delivering a message that resonates deeply within viewers’ hearts.

Prepare to be moved, challenged, and inspired as Streets Of Colour transports you into a world pulsating with emotion and gripping authenticity. Brace yourself for an unforgettable cinematic journey that will leave you contemplating the power of identity, the pursuit of redemption, and the universal yearning for understanding.

“I’ve had a passion for films since the age of five, and I was always drawn to stories that were meaningful and that affected me as a viewer,” says Ronnie S. Riskalla. “As much as I got lost in Hollywood fantasy films, I always found solace in real-world stories. The reason I wanted to tell this specific story is because it has the potential to be a captivatingly truthful depiction of people in our society. It will provide a gripping look into a world that is familiar to many, but also the underground world that a lot of people would never experience – the world of Western Sydney.” The story is inspired by and loosely based on Riskalla’s own life.

This powerful film intertwines a deeply personal narrative of struggle and redemption with a broader exploration of a vibrant working-class community devastated by drugs, violence, and cultural conflicts. It fearlessly exposes the complexities of life, showcasing both the beauty and the harsh realities. With an unwavering commitment to truth, Streets Of Colour spotlights the individuals caught amidst the chaos. A strong and impactful work from a passionate filmmaker deeply connected to the pulse of Australia, this film demands the attention it deserves, reflecting the nation’s current state.

“We couldn’t be more excited about getting this incredible film in front of local audiences,” says Dov Kornits, the managing director of distributor Screen Inc. “We’re certain that the film will kick-start some very, very interesting conversations. We can’t wait for the premiere on June 26.”

To coincide with the world premiere announcement, a second Streets Of Colour teaser trailer has been released and can be found below:

Streets Of Colour will premiere on June 26 at The Hayden Orpheum in Sydney. Tickets can be found here: https://tinyurl.com/ycxtrbnz
Further exciting news about the Streets of Colour release coming soon. For interviews or any further information, contact Dov Kornits, dov@screeninc.com.au, 0411559519
Streets of Colour is distributed in Australia and New Zealand by Screen Inc. The film is produced by SkyCross Entertainment, in association with Frankendipity Enterprises and Rishi Raj Films, with Chief Executive Producer Dr. Raj Patankar and Executive Producers Drew Pearson and Nenif David.