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Introducing Kian Kavousi: Illuminating the Silver Screen and Theater Stages with Artistry

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Photo Credit: Halima H

Kian Kavousi, an actor of profound skill and versatility, has carved an illustrious path through the entertainment industry, leaving a lasting mark with his performances on the small screen, silver screen, and theater stages.

Kavousi’s standout portrayal in the celebrated TV series “The Chosen” has earned him widespread recognition. The series, distributed by Lionsgate, is a global hit, accessible on various streaming platforms like Netflix, Amazon Prime Video, NBC’s Peacock, and the CW Network. His compelling performance in this series has been lauded by critics and viewers alike.

Beyond his TV success, Kian Kavousi has graced feature films and various projects that have garnered acclaim at prestigious film festivals worldwide. His impactful roles in movies such as “1st Born,” “The Big Apple,” “Sarah Is Not Her Name,” “Miles,” and “The Last Chance” demonstrate his diverse range and talent. Each portrayal brings depth and authenticity to the characters he embodies.

Kian Kavousi’s journey in the acting world was honed through dedicated training and mentorship. Under the guidance of industry luminaries like Larry Moss, Kristof Konrad, Jean-Louis Rodrigue, and Vincent D’Onofrio, he refined his craft, imbibing wisdom and technique that set him on a trajectory toward success.

His artistry extends beyond the screen, shining on Off-Broadway stages in diverse productions like “The Defendant Maurice Chevalier” and “Professionals.” His stage presence and commitment to the characters he portrays captivate audiences, displaying his adaptability and depth as an actor.

With an impressive body of work behind him and a commitment to ongoing growth and development, Kian Kavousi’s future in the entertainment industry seems promising and vibrant. His dedication to his artistry, coupled with an array of powerful performances, has solidified his position as a distinguished actor, both on screen and on stage.

FilmCentral magazine recently engaged with Kian to delve into his industry journey, and here’s a recap of the conversation:

Can you tell us more about yourself?

I grew up in Germany. When I was not in school or with my friends, I spent most of my time playing the piano or sports. My mother always insisted that I see the world, so every vacation she had, she took me with her to different destinations all over the world. Sometimes, I felt uncertain about how to handle all the new impressions because they were so new to me, but they always ended up shaping me and proving useful for my future profession. After graduation, I spent a year volunteering at an institution for the elderly and children in upstate New York. Later, when I finished my Bachelor of Arts in Interpretation and Translation Studies in Germany, I pursued a Master of Science in International Relations and Politics in England. However, I somehow always ended up acting, whether it was in school plays or putting on shows with the money I had saved over the summer. I used my friends in short clips and films we made, imitating game shows and creating music videos with cameras that could only record for about 15 minutes. Years later, it eventually led to Off-Broadway shows in Manhattan and film projects in Los Angeles. There were a lot of signs and indications that this was what I should do. I decided to go all in and moved to New York. It was one of the hardest decisions I ever had to make, but at the same time, one of the easiest. And now I’m here having a conversation with you.

How did you get started in the entertainment industry?

Through the infamous New York snowstorms, I went out to countless auditions. I booked a film here and a commercial there, but I noticed the lack of exposure to industry professionals. I knew I had to open up to different ways of getting on the radar of casting directors and securing representation. Some friends of mine who are writers regularly invited me to table reads. We put our heads together and came up with potential self-written plays to perform. We rented theater spaces and continued to invite professionals to see all our different shows while I pursued auditions on the side. Eventually, some investors noticed our work and believed in our potential. We had several meetings, and they decided to organize and invest in a full-budget Off-Broadway production. Tickets were sold on Broadway, and the reviews started coming in. There was a lot of pressure because we had to deliver in front of hundreds of audience members every night. The production became a success, and an agency signed me. Afterward, I was submitted to feature film productions, TV series, and projects sent to film festivals around the world, bringing home awards. Finally, all the short films, plays, and auditions combined put me on the radar.

Photo Credit: The Chosen

What do you like most about acting?

I enjoy exploring people and their psychology, to understand what motivates them to behave the way they do. How they feel, talk, walk, and express themselves, and then finding ways to bring them to life through myself. It is absolutely exciting to research characters and discover what you have in common with them and what makes them different. You gain perspective and realize the complexities of the human mind and behavior. See, while there are common psychological traits and tendencies that people share, like the pursuit of happiness, the need for social connection, and the capacity to experience emotions at all, there are also significant differences among individuals. These differences come from a combination of genetic factors, personal experiences, cultural backgrounds, and environmental influences. You can feel much more comfortable portraying characters when you come from a place of understanding them. At times, it’s easier and more relatable, but in other instances, you may have to delve deep, and you might never truly relate. Nevertheless, it’s always exciting to play these roles. The other aspect I love about acting is the environment in which you work and act. The people on the set that you see every day, whether it is the lighting or sound crew, the cameraman, makeup, hairstylists, or crafty, become memorable and fun. The cast members and directors with whom you share a significant amount of time become unforgettable moments. You receive support, and you give support. You become a family, and you grow together, even beyond the projects.

How different is it to act in a movie and to act in a TV series? And which one do you prefer?

While acting in both mediums shares similarities, there are also a lot of differences. In film, you usually have a fully developed character when you come to the set. This means it requires a lot of preparation in advance, and you discuss it with the directors to make sure it aligns with their visions as well while also leaving space for changes. You know the beginning, middle, and end of your character’s journey, and you map out the characters’ arc accordingly and throughout the shooting schedule, which usually spans between weeks to months. The shorter production time allows actors to explore a wider variety of characters for other projects. In TV, your character has the opportunity to develop and grow over the course of multiple seasons. You can return and revisit a character and experience something new. So, even though you are prepared, the actor’s process and progress are not set in stone because you play the same character over an extended period, which can lead to a more in-depth exploration as the plot progresses and unfolds over months or years. In film, you often find a concentrated storyline; in TV, you have subplots that evolve across episodes. But again, it is important to mention that it all depends on the projects because some of the best content out there is on both film and TV, and I enjoy acting in both.

Photo Credit: Angie Kremer Photography

What are your weak points when it comes to acting? How do you try to improve them?

I would say uncertainty at times. Yet again, I believe this is a challenge actors generally struggle with. On set, you juggle all these aspects, including immersing yourself in your character’s world and physicality, while also managing technicalities like blocking, hitting marks, and adjusting to camera frames. It can be busy on set, and the pace can be fast, and there is not often time for immediate feedback or approval of your work. So in order to bypass uncertainty and bring my best performance to the table, I work with professional coaches. We focus on different areas, such as character development for consistency throughout filming, and work on voice and accents for proper authenticity. We analyze the scripts and explore different techniques to find the physicality. I try all approaches, whether I work from the inside out or from the outside in. However, I collaborate with coaches to avoid limiting myself and to expand my character range as well as my emotional range.

What are your strong points as an actor?

It is always difficult to evaluate yourself, but I would say that I feel comfortable with creating the characters I play. I prioritize understanding their internal psychology and their external physicality. I approach my characters with empathy and avoid preconceptions and judgments. I also thoroughly analyze scripts and quickly memorize them while staying open to continuously learning more and what is required for the role. I like to be so well prepared that I feel comfortable and at ease to adjust to any directions or changes. It is like a muscle that grows stronger with practice. The more you do it, the better you become.

What have you learned from the directors that you have worked with throughout your career?

Over the years, I have had the privilege to work with some great directors – visionaries who possess the ability to convey and communicate their creative ideas with such precision that they are crystal clear to the actor, and you know exactly what to do. Among them is Dallas Jenkins, the celebrated director of the global hit series The Chosen. Working on set with him for the show is an experience out of this world. We know that actors have to be flexible enough to find more than just one or two ways of approaching a performance. Dallas, however, encourages his actors to explore multiple dimensions of a character; together, you end up creating an entirely new personality on the spot. He asks the right questions and provides vivid descriptions that instantly transport you to the exact emotional environment you need to be in for the scenes. He knows how to bring out the best performance from you. With his guidance and our own preparation, the cast members and I have been able to create magical moments. Director Satrajit Sen gave me the freedom to improvise. He recognized that within the given circumstances, this was the way to find my character’s authenticity. Ali Atshani said, “You listened the right way, so you knew how to answer the right way.” I can say that I have learned valuable lessons from many directors, and I carry each experience with me and use them in other projects.

Photo Credit: Angie Kremer Photography

What are some of the difficulties of the acting business?

I think there are many factors to consider, and the experiences differ from person to person. Some actors don’t like auditions; they feel blocked or uncomfortable, which can affect their performance. They are not sure how to give their best or how to handle rejections. Sometimes, you find yourself with little time to prepare. Other times, you invest long hours in preparation and travel miles and distances to wait behind closed doors in a room full of stressed people, only to be called in and rejected. However, auditioning is an inevitable but invaluable opportunity to stay sharp and continuously explore new characters. There is your chance to act, and if you deliver a good performance, you will be remembered. Also, these are all opportunities; you never know which room you are entering. Others struggle to find the right representation that aligns with their needs and try to find the proper support and guidance. On the other hand, some actors feel emotionally and physically exhausted and drained or feel that they lack control over their careers and perceive the industry as too insecure and struggling to maintain perseverance. Some actors are stuck in guest roles, while others don’t secure those parts. I believe these ups and downs in this industry are part of this profession, and everyone has to go through them at their own pace. On top of that, both aspects have to be taken care of as an actor, the acting part as well as the business part.

What’s challenging about bringing a script to life?

Well, that’s a great question, and it brings a lot of answers to it. One challenge is the extensive preparation required before even stepping into a character’s shoes. This includes a thorough script analysis and the gathering of all necessary information about the character, including their psyche, motivations, fears, and flaws, all without passing judgment. You have to understand intentions, subtext, needs, transitions, your character’s emotional state, and much more. Once you have laid the foundation, the next challenge is integrating these elements into the character. You should avoid playing cliches or stereotypes and instead find unique traits and physicality. In addition, there are technical aspects to consider, such as adapting to the genre, style, and tone of the project and knowing your lines inside out to be free and fresh in your performance. Another significant challenge is listening and reacting to your acting partners in a scene while staying true to your character and incorporating their performances. The list of challenges can be quite long, and it continuously varies from one project to the next.

What do you do when you’re not filming?

Honestly, I love adventures; that’s what truly excites me. I like traveling to new places, trying out new cuisines, meeting new people, exploring new things, and being together with my family and friends, which brings me joy. In my free time, I like to play sports like soccer and basketball, as well as go to the gym. I also enjoy playing the piano, reading, and sometimes dancing.

Photo Credit: Halima H

What has been the most memorable experience of your career so far?

That is probably the hardest question. I have so many memorable experiences and moments that I am grateful for, and they have all been very exciting. If I had to pick one off the top of my head, I would say the audition for the TV series The Chosen. I was going home from a late shoot when my manager called me and said that another audition had come in and that they had requested a tape due the next day. The only problem was that my camera had broken a couple of days earlier, and I also couldn’t find a reader on short notice that late at night. I called a friend who worked at a self-taping service and asked if I could Schedule a one-hour taping session in the morning. He was kind enough to agree and reserve a spot. I opened the sides and found three scenes and 13 pages of script. I pulled an all-nighter and prepared everything. The following day, I rushed to the studio. To my surprise, my friend told me there had been a mix-up in the booking, but if I waited another hour, he could skip his break and give me a 10-minute window for taping. Having only ten minutes for a 13-page script meant I had one try to record all scenes in one single take, and it had to be done quickly. After the taping, we sent the material, and for the next three months, I heard nothing from them. Then, out of the blue, I received a call that the director and casting director wanted to see me. I drove over and noticed I was the only one in the waiting room. The sign-in sheet said one actor per hour. Sitting there, I could hear them playing the entire audition tape. Moments later, they called me in, and we spoke a little and began the audition. They sent me out two or three times to prepare for different roles and then had me come back in. The audition lasted over 30 minutes. Two weeks later, I was packing for a trip to New York when my manager called me and asked, ‘Have you left yet?’ I said, ‘Not yet, why?’ She said, ‘You might want to change your flight to Texas.’ At that moment, I had no idea what she meant until she said, ‘They’ve cast you for the series!’

Who have been the most interesting people you’ve met so far?

In this profession, you meet a lot of people, and I’ve had the opportunity to meet many fascinating individuals. It is impossible to pick a starting point, but one who stands out is Vincent D’Onofrio. He taught me so much, and we had interesting conversations, but witnessing how he transformed into a character was extraordinary. Another encounter was with Val Kilmer. I could not believe my eyes. We were chatting, and within an instant, when the 1st AD signaled everyone, he effortlessly shifted and transformed into another person. He changed the room’s energy. What is even more stunning is that he did it differently every time, with new creative intentions. Larry Moss blew my mind with his vast knowledge. I could listen to him endlessly, knowing there was still a lot of wisdom I needed to absorb. The same goes for Al Pacino and Adam Driver. The list of people is very long, but it is fascinating how each one leaves a unique impression on you with their personality.

What are your future plans? Inside your career or out of it.

There are currently some exciting projects on the horizon that I can’t discuss in detail. Also, I could use a proper vacation to recharge again.

SXSW Sydney: Promoting Inclusivity in Film and Television Production

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In the ever-evolving landscape of the film and television industry, inclusivity and diversity have become more than just buzzwords; they are the pillars upon which creative excellence thrives. With this ethos in mind, SXSW Sydney brings you an enlightening session from October 15 to 22.

For those who aspire to create content that resonates with a broad and varied audience, understanding how to assemble a production team that reflects the world we live in is paramount. Many, however, find themselves at a loss when it comes to practical steps and overcoming obstacles. This session, made possible through the collaboration with Women In Film and Television (WIFT) and their global network, intends to shed light on this vital aspect of the industry.

Breaking Down Barriers

The heart of this session lies in its commitment to breaking down barriers and assessing the approach to crewing productions. Oakley Kwon, an award-winning actor, policy maker, and film producer, as well as the head of Loom Films and a prominent figure on the boards of WIFT Australia, Asian Food and Film, and the QLD Community Television Association Inc., will lead the discussion as the moderator.

Joining Kwon are three leading industry experts, each with an impressive track record in sourcing and running inclusive sets:

Andria Wilson Mirza: As the Director of ReFrame, a gender equity coalition founded and led by Sundance Institute and Women In Film, she brings a wealth of knowledge on the subject. ReFrame has been instrumental in promoting gender equity in the screen industry and is an influential advocate for diversity.

Kirsty Stark: AACTA, Rose d’Or, and Emmy award-winning television and feature film producer, Kirsty Stark, boasts an Emmy award for the children’s series “First Day” and extensive experience in championing inclusive storytelling. Her work speaks volumes about her commitment to diversity in the industry.

Kristen Hodges: With over 60 hours of television and feature films under her belt, Kristen Hodges is a Screen Australia executive and producer with a deep understanding of what it takes to create premium content. Her experience spans both Australian and US markets, emphasizing the importance of diversity on a global scale.

Tackling Obstacles and Sharing Resources

The panel will delve into the obstacles that screen practitioners face when crewing for diversity. By drawing from their wealth of experience and insights, they will provide practical solutions and share valuable resources to support those looking to make their productions as inclusive as possible. From casting to crewing, this session aims to equip attendees with the knowledge and tools to drive positive change in the industry.

Networking Opportunity

Following the panel discussion, WIFT will host a one-hour networking event, offering attendees a chance to connect with like-minded individuals and industry professionals. Networking is a vital component of forging meaningful collaborations and advancing the cause of inclusivity in film and television.

Event Details

Date and Time: Friday, October 20, 2023, from 10:00 AM to 11:00 AM
Location: Theatrette – Powerhouse Museum
In a world where storytelling has the power to shape perspectives and challenge societal norms, it is essential that our production teams reflect the rich tapestry of humanity. SXSW Sydney’s session on promoting inclusivity in film and television production is an opportunity to learn from the best in the industry and be part of the movement toward a more diverse and representative future.

Don’t miss out on this chance to be a catalyst for change in the entertainment world. Join us at SXSW Sydney and be a part of the conversation that matters.

For more information and tickets, visit SXSW Sydney’s official website via this link: SXSW 2023

Behind the Lens: George Basha’s Inspiring Path from Actor to Auteur

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George Basha, a multifaceted artist from Parramatta, Western Sydney, has a remarkable journey reflecting his resilience and determination. Growing up on the challenging streets of western Sydney as the child of Lebanese migrants, George’s path to success was far from conventional.

In 1997, George received his big break in the world of acting when he portrayed ‘Kemel’ alongside the late Heath Ledger in the feature film ‘Blackrock,’ directed by Steve Vidler. However, despite this initial taste of the film industry, he encountered difficulties securing subsequent acting roles.

At the time, George’s agent conveyed the harsh reality that he faced hurdles in obtaining auditions due to his ethnicity. Refusing to be defined by these limitations, George decided to take matters into his own hands. He embarked on a journey as a writer, penning the feature film ‘The Combination.’ In George’s words, “It was my voice and the voice of western Sydney, which was never really told before.”

In addition to crafting the script, George took on the roles of co-producer and the lead character, ‘John.’ ‘The Combination’ made its cinematic debut in 2009, earning both robust box office receipts and favourable reviews. Esteemed movie critics Margaret Pomeranz and David Stratton rated the film an impressive four and a half stars out of five.

Despite its early success, ‘The Combination’ faced controversy when it was unexpectedly pulled from all Event Cinemas nationwide. The decision came after an altercation erupted during a Parramatta screening.

In 2014, George continued his creative journey by writing, producing, co-directing, and starring in his second feature film, ‘Convict,’ in which he portrayed ‘Ray.’ The movie achieved remarkable success on DVD and quickly sold out in retail outlets, particularly in Western Sydney. As a producer, George showcased his ability to secure funding for both of these projects outside the conventional funding structures, leading to profitable returns for each venture.

Fast forward to 2019, George once again demonstrated his versatile talents as he wrote, produced, and starred in ‘The Combination Redemption,’ a film that received theatrical distribution throughout Australia. David Stratton, once more impressed, awarded the film a rating of four stars out of five. As with his previous works, George independently secured funding for this project, highlighting his resourcefulness and commitment to storytelling.

In 2002, George took on an ambitious project, directing, writing, producing, and starring in the yet-to-be-released “Retreat,” an action-thriller. Myriad Pictures has since acquired the film, and is scheduled for release in 2023.

George Basha’s journey is a testament to his unwavering determination to tell compelling stories and break down barriers in the entertainment industry. His resilience and talent have not only brought his unique voice to the forefront but have also paved the way for future generations of storytellers.

FilmCentral Magazine recently caught up with George to discuss his journey in the industry, and here’s what went down:

Could you please tell our readers a brief background about yourself and how you started in the industry?

I grew up in a very rough and tough western Sydney suburb called Guildford. I come from a big family that consists of five brothers and one sister, and we were always so competitive in sports when we played against one another. We grew up with not much. My father worked long hours just to make ends meet, and my mother was one tough lady who was always tough on us, especially me, as I was the eldest. All that combined is what prepared me to tackle the film industry, my father’s hard work and the competition, which I loved that came from sports and always wanting to win no matter what. I had always had a love for American cinema and filmmaking, and I loved actors like Sylvester Stallone and Denzel Washington and have always wanted to be an actor. It wasn’t till I was In my early twenties that I decided to really give acting a go and started acting classes in 1996. By 1997, I landed my first-ever acting role in a film called Blackrock alongside some great Australian talent, which included the late Heath Ledger, David Field, John Howard, and Geoff Morrell, to name a few.

What is the most difficult part of your artistic process?

I would have to say, as a director, there are a few things. First, you need to get your casting right because I truly believe every actor in the film, no matter how big or small a role, maybe they are all equally important to the project. Then you have the artistic choice you make as in how you want the audience to feel as they watch the film, which will dictate how you want to shoot the movie. Then you have the edit and the music, which is just as important as your other artistic decisions because the edit and music will just amplify the emotions you want the audience to experience.

Do you try more to be original or to deliver to viewers what they want?

Both. You always want to be original and add your own flavour to your films. You also have to deliver a film that the viewers want. It’s entertainment, and whenever I make a film it is important that I make it for an audience. Some filmmakers prefer making films for festivals and winning awards. I’m about making films for an audience; without an audience, to me, that’s a failure. So as a filmmaker, I always want to deliver what viewers want.

If you could tell your younger self anything, what would it be?

Follow your heart and get in the industry straight after school. Believe in yourself and your ability.

Where do you draw your inspiration from for your stories?

The first few film scripts I wrote were written about some of my real-life experiences and, most importantly, from the heart. My inspiration comes from many places real-life stories or from other films I have seen over the years. I will always write from the heart, even if it is fictional. What I mean by that is as long as you believe and love a story you want to tell. Then you tell it and really believe in it.

What was an early experience where you learned that films had power?

In 2009 when I made The Combination it really opened my eyes to the power of film. The amount of messages and fans telling me the effect the film had on them blew me away. Even today, people still talk to me about the film and how it made them feel.

Can you tell us more about your latest project?

Hostile Forces is my new film which I directed, wrote, produced, and starred in. I play a retired soldier who takes his family on a quiet vacation into the Australian bush, which takes a deadly turn when they accidentally stumble across some mysterious bags, forcing the father to rely on his old military skills to protect his family from a team of trained killers.

Hostile Forces has just been released to the North American market by our international sales agent, Myriad Pictures, and distributor, Saban Films. The film has also been distributed in Australia & New Zealand by Pinnacle Films. The film will hit digital streaming in the coming weeks in Australia.

What is the best advice you have ever been given?

Nothing is ever given to you. You have to take it.

What advice would you give to a newbie writer who wants to make it in the industry?

Write something that is special to you or is passionate about, and do not listen to anyone but yourself as to what you really want to make. The industry is very opinionated, and there is no wrong or right.

What are your future plans?

I am looking at shooting a new feature next year titled Caught Up which will take me back to the streets of western Sydney. I’m also currently working on a TV series with David Field, which is still in the early stages.

From Kakuma to the Silver Screen: The Inspiring Journey of Athiéi

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Athiéi is a talented film actress with a unique background. Born in the Kakuma Refugee Camp, located in Kakuma, Kenya, she shares South Sudanese heritage from both sides of her family and is the middle child among five siblings. In 1996, her family made a significant move to Perth, Western Australia, where Athiéi’s remarkable journey in the world of acting began to unfold.

Her initial exposure to the acting world commenced in 2009 when she attended her first professional acting classes at Actors Now. However, Athiéi’s educational pursuits also reflect her diverse interests and dedication. She holds a Bachelor of Arts degree in Communication and media Studies and Political Science and international Relations, which she earned from the University of Western Australia.

In 2018, Athiéi embarked on a new chapter in Sydney, Australia, where her acting career truly began to flourish. Her talents have graced television, theater, and film productions, marking her as a versatile performer in the entertainment industry. Notably, she is set to make her debut in the world of feature films, portraying the character Tina Honsou in the upcoming production, “Streets of Colour.”

Athiéi’s journey from Kakuma to the Australian stage and screen is a testament to her passion, dedication, and unwavering commitment to her craft. With a promising future ahead, her presence in the world of film is sure to captivate audiences and leave an indelible mark on the industry.

FilmCentral Magazine recently caught up with Athiéi and here’s what went down:

Can you tell us more about yourself?

I’m currently a Sydney-based actor, but I grew up in Perth. I love and enjoy achieving my dreams and watching others do the same.

How did you get started in the entertainment industry?

From a young age, I’ve always had a love for acting. Drama was my favorite class in school, and I had my first professional acting classes when I was 15. I knew I wanted to be an actor early on, but it wasn’t until a couple of years after graduating from university that I decided that I was going to commit to my dreams and pursue acting as a career. I began, again, by seeking training and auditions, and soon enough, I was landing work and experience in the entertainment industry.

What do you like most about acting?

I love that acting can transform you into another human being and another world. The liberating use of imagination as an artist means that our possibilities are limitless. My character could be a lawyer, a rockstar, a mother, or a twisted or complex character, and I get to explore that story and that world. I get to learn about it. I get a glimpse into it, and I get to translate it to other people. What an opportunity! Acting is so powerful, and not only do I get to enjoy or be a part of the human experience that is right in front of me, but audiences can be inspired, entertained, and taken on this journey
also.

Tell us about your role in the new film Streets of Colour. What was your character like and how did you bring it to life?

I play Tina Honsou in Streets of Colour. Tina is the sister of Akachi, and Tina and Tez have a son together. Very early on, viewers can see that her relationship with Tez quickly goes downhill for more than one reason. To avoid spoiling the film, I can say that his inability to get clean from drugs was one of them. Tina is a strong character who is fiercely protective of herself, her future, and her loved ones. When bringing her to life, I found it most helpful to look internally for insight and answers to many deep, reflective questions that helped uncover her story.

What have you learned from the directors that you have worked with throughout your career?

Throughout my career, I’ve been fortunate to have worked with directors – including Ronnie – who carry themselves with kindness, flexibility, and professionalism. This deepens and expands my own ability to carry these qualities forward when collaborating with others. With Ronnie, I also learned that passion, faith, and hard work can go a long way.

What are some of the difficulties of the acting business?

Rejection. To face rejection and to STILL pick yourself up and move forward despite it. Another challenge is navigating through instability while fighting to stay true to your dreams and other areas of your life.

What’s challenging about bringing a script to life?

There are so many pathways that you can take and ways that you can approach bringing a script to life. In order to believe a story, it must be truly seen, heard, felt, and understood. So there is this journey of uncovering those invisible things that are not seen or shown in the script so that they may be seen, felt, and heard by an audience when brought to life on screen. How an artist goes about this is unique, and the approach can be different with each film or work.

What do you do when you’re not filming?

I like to read books, go for walks, and listen to music.

What has been the most memorable experience of your career so far?

Being a part of this film, Streets of Colour. I had a lot of ‘firsts’ with this film. My first feature film role and the experiences that came with it (from preproduction to release). My first red-carpet premiere event experience. The first time, I did a behind-the-scenes interview for a movie. My first film as an actor to screen in theatres – and so on (the list goes on). And to be able to do all this through sharing a meaningful and significant story – what an honour! It has been such a rich and all-encompassing experience. I am grateful to have worked with everyone who made this possible. I feel blessed.

Who have been the most interesting people you’ve met so far?

I’ve crossed paths with many interesting people, but here are three special shoutouts to Ronnie, Rahel & Yolandi. Ronnie is a passionate and gifted director. I admire his authenticity, uniqueness, and wisdom; he carries that with him everywhere he goes. Rahel is not only an extremely talented actor but one of the kindest, most professional artists I’ve worked with. How he carries himself, both on and off screen, is inspiring and remarkable. And our skilled and hardworking producer, Yolandi, always fills the room with her loving, glowing presence. What a beautiful, kind, and talented human being she is.

If someone is going to make your life into a movie, who would play you?

When I can see more actor representation (of people who look like me or very similar), I’ll be better able to answer this question authentically. At the moment, two actresses come to mind, but they are ten or more years my senior. And anyone else who comes to mind is not an actor. So, for now, my
sister is the best fit.

What are your future plans? Inside your career or out of it.

Working in various acting roles and being exposed to different kinds of acting experiences on screen.

Meet Junayed Alavi: The Rising Star in Hollywood’s Horror Scene

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At just 24 years old, Junayed Alavi has already made a significant impact as an Independent Filmmaker, Screenwriter, and Content Creator hailing from India. With his latest horror short film, “Hunger,” he has captivated Hollywood audiences and garnered attention for his creative storytelling.

Throughout his career, Alavi has proven his talent in writing, directing, and producing a plethora of independent short films, showcasing his versatility and dedication to the craft. His unique storytelling ability and artistic vision have set him apart in the competitive world of filmmaking.

In addition to his film endeavours, Alavi has ventured into the world of podcasting with “Late Night Show with Alavi,” the only live Hollywood podcast show in Bengal. Through this platform, he has hosted renowned Hollywood A-listers who share their journey and experiences, inspiring the next generation of artists. Distinguished personalities like Lexi Rabe from “Avengers Endgame,” Jeffrey Weissman from “Back to the Future,” Harry Gregson-Williams, the Music Composer of “Narnia” and “The Martian,” Rob Schmidt, the Director of “Wrong Turn,” Ashley Avis, Director of Disney’s “Black Beauty,” and Donald Mowat, the Oscar-nominated Make-up Artist of “Dune,” “Blade Runner 2049,” and “Spider-man: Far From Home,” are just a few of the esteemed guests who have graced his show.

Alavi’s passion for storytelling and dedication to his craft has allowed him to make a mark in the entertainment industry at such a young age. His ability to create compelling narratives and engage audiences has garnered praise and recognition from peers and industry professionals.

As an ambitious and talented individual, Alavi’s journey has just begun, and his future in Hollywood shines brightly. His commitment to pushing creative boundaries and telling meaningful stories promises a career filled with even more exciting projects and accolades.

Keep an eye on Junayed Alavi as he continues to rise in Hollywood’s horror scene and beyond, leaving a lasting impression on audiences worldwide with his captivating storytelling and innovative approach to filmmaking.

FilmCentral Magazine recently had an insightful conversation with Junayed, and here’s the highlight of our encounter.

Could you please tell our readers a brief background about yourself and how you started in the industry?

I started very early. I never went to any film school. I used to make short films with my school friends. I did computer science and engineering. I started working in the Indian film industry as an Assistant Director. But there was so much hostility in the film industry. I have grown up watching Hollywood blockbusters. I dreamt about Hollywood since the beginning. But I had no connection in Hollywood. The only faith I had was in my skill. I got a job in a literary agency in Hollywood, where I used to work as a script analyst. And it helped me to understand the film business. I received so many networks over there. I became a poster boy of that agency. Prominent studio executives, writers, directors, and producers used to love me. I left the job and started my own production house, Alavi Motion Pictures. I started a podcast called “late night show with Alavi,” where Hollywood a-listers join and share their journey to inspire the youth. That’s how I started everything.

What is the most difficult part of your artistic process?

It’s getting the right idea. Ideas come and go, but the right idea stays. It haunts the mind for a long time. And anything that creates magic in my mind, I write them.

Do you try more to be original or to deliver to viewers what they want?

I always believe in originality. If it’s not original, it doesn’t make me feel excited. And I think that’s what viewers want.

If you could tell your younger self anything, what would it be?

“You did a great job, Junior!” “Thank you for believing in your dream.”

What is your directing Kryptonite?

Directing a really bad actor on the last schedule. Too many NGs kill the patience.

What was the best money you ever spent as a director?

On PRs, maybe. (laughs)

What was an early experience where you learned that films had power?

I have always believed in the power of storytelling. One film can change perception and can change the world. Filmmaking is a very responsible job. One personal story can change the global perspective. I was an introvert in my childhood. I used to speak through my films. And I still do the same.

Can you tell us more about your latest film?

My latest horror short, “Hunger,” has become a worldwide phenomenon. I didn’t expect this to happen. Last Halloween, I watched Marvel Studios’ Werewolf by Night,’ written and produced by Peter Cameron. Who also produced Marvel Studios’ Moon Knight. After watching Werewolf by Night, I also wanted to make a monster movie. But at the same time, I wanted to represent my culture through the film. I met Peter on a podcast episode. He watched some of the glimpses of hunger. He instantly loved the film and wished to executive produce the film. Peter’s involvement made the film even more bigger and bolder. The film received numerous appreciation from the Hollywood film fraternity. Hunger was screened at the First Cut International film festival on March 18, 2023. The film will be screened at the Festival del Cinema di Cefalu, Italy, on September 2023. What a journey it was! Marvel Studios’ producer executive produced a film directed by a filmmaker who never went to any film school and had no connection in the film industry.

What is the best advice you have ever been given?

“Having so many followers on social media doesn’t make you a star. Stay grounded.”

What advice would you give to a newbie director who wants to make it in the industry?

Have the courage to experiment. If you have a vision, stick to it.

What are your future plans?

My team and I are working on another horror short film. We are working on a feature film also. So, fingers crossed.

Introducing Streets Of Colour: The Film Behind The June 2023 Issue Of FilmCentral Magazine

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Excitement is building as the world premiere of the highly anticipated Australian drama, Streets Of Colour, draws near. This compelling film is scheduled to make its grand debut on June 26 at the iconic Hayden Orpheum Cinema in Sydney, Australia. Audiences are eagerly awaiting the opportunity to witness this captivating production that promises to leave a lasting impact.

The choice of Hayden Orpheum Cinema as the venue for the world premiere adds to the anticipation surrounding the event. Located in the heart of Sydney, this historic cinema has been a cherished institution since its opening in 1935. Known for its stunning art deco architecture and commitment to showcasing a wide range of films, Hayden Orpheum Cinema provides the perfect backdrop for the unveiling of Streets Of Colour.

Experience the gripping journey of Tez in ‘Streets of Colour’: a compelling film produced by Yolandi Franken and written and directed by Ronnie S. Riskalla, which explores identity, redemption, and the consequences of choices.

Starring a talented ensemble cast, including Tez, a 25-year-old drug dealer grappling with a cultural identity crisis and drug addiction who tragically loses custody of his son following the death of his best friend in a racially charged street altercation, ‘Streets of Colour’ delves into the depths of human emotions and challenges.

This thought-provoking film, produced by SkyCross Entertainment in collaboration with Frankendipity Enterprises and Rishi Raj Films, boasts an esteemed team with Chief Executive Producer Dr. Raj Patankar and Executive Producers Drew Pearson and Nenif David, who bring their expertise to elevate the film’s impact.

‘Streets of Colour’ aims to captivate audiences worldwide, with plans for distribution and sales in various regions to follow. Prepare to embark on an emotional rollercoaster as Tez confronts his past, battles addiction, and strives to reclaim his son while attempting to transform his life before it spirals beyond redemption.

In a refreshing departure from the norm, Australian cinema is set to venture into uncharted territory, delving into the captivating world of the outer suburbs. With a tantalizingly brief but promising teaser, anticipation builds as audiences eagerly anticipate the unveiling of this unexplored cinematic landscape.

Leading the charge is the talented Rahel Romahn, a recipient of the prestigious Heath Ledger Scholarship and a recent standout performer alongside Michael Sheen in the acclaimed stage production of “Amadeus.” With his exceptional skills and undeniable on-screen presence, Romahn takes on the challenging lead role, promising to deliver a performance that will captivate and resonate with viewers.

As the teaser hints at the rich tapestry of stories and experiences waiting to be unveiled, excitement mounts for an authentic exploration of the Australian outer suburbs’ lives, struggles, and triumphs. This groundbreaking cinematic endeavour promises to shed light on a world rarely seen on the big screen, offering a fresh perspective and a profound connection to the lives of its characters.

With Rahel Romahn at the helm and a team of talented filmmakers steering this venture, Australian cinema is poised to embark on an exhilarating journey into uncharted territory.

Stay tuned for this compelling film that explores themes of redemption, personal growth, and the consequences of one’s choices in a society plagued by racial tensions and personal struggles. ‘Streets of Colour’ promises to be an immersive cinematic experience that will leave a lasting impact on viewers worldwide. Buckle up and prepare to be immersed in a cinematic experience that will challenge conventions and offer a compelling glimpse into the unexplored depths of the outer suburbs.

“The idea for the film came from my personal experiences suffering at the hands of racism as a child, all the way through to my adult life. The brutality I witnessed was very confronting and frightening, how people treated me because I looked different. Those haunting images followed me for a long time. It wasn’t until it happened to me again in my 30s that I put pen to paper.” Streets Of Colour writer/director Ronnie S. Riskalla.

This captivating film brims with raw self-identity and searing anger, while delivering a desperate plea for peace and understanding. With an exceptional lead performance by Rahel Rohman, whose talents have graced films such as The Combination, Shantaram, and Here Out West, this movie radiates an unparalleled authenticity rarely seen in Australian cinema.

Streets Of Colour tackles poignant themes with unflinching honesty, shedding light on the universal struggles of identity, belonging, and the human desire for redemption. Through Riskalla’s masterful storytelling, the film delves deep into the heart of contemporary Australian society, challenging preconceived notions and fostering a profound understanding of our complex world.

This powerful film intertwines a deeply personal narrative of struggle and redemption with a broader exploration of a vibrant working-class community devastated by drugs, violence, and cultural conflicts. It fearlessly exposes the complexities of life, showcasing both the beauty and the harsh realities. With an unwavering commitment to truth, Streets Of Colour spotlights the individuals caught amidst the chaos. A strong and impactful work from a passionate filmmaker deeply connected to the pulse of Australia, this film demands the attention it deserves, reflecting the nation’s current state.

“We couldn’t be more excited about getting this incredible film in front of local audiences,” says Dov Kornits, the managing director of distributor Screen Inc. “We’re certain that the film will kick-start some very, very interesting conversations. We can’t wait for the premiere on June 26.”

Further exciting news about the Streets of Colour release coming soon. For interviews or any further information, contact Dov Kornits, dov@screeninc.com.au, 0411559519.

Streets of Colour is distributed in Australia and New Zealand by Screen Inc. The film is produced by SkyCross Entertainment, in association with Frankendipity Enterprises and Rishi Raj Films, with Chief Executive Producer Dr. Raj Patankar and Executive Producers Drew Pearson and Nenif David.

Get Ready for a Dazzling Spectacle! Streets of Colour World Premiere Hits Hayden Orpheum Picture Palace on June 26!

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Follow the tumultuous journey of Tez, portrayed by the mesmerizing Rahel Rohman, a young Middle-Eastern man hailing from Sydney’s western suburbs. Tez grapples with the challenges of straddling two cultures and growing up in a misunderstood neighborhood. Consumed by a deep-rooted self-hatred for his identity and the skin he was born into, Tez finds himself at a crossroads when a life-altering event shatters his world. Losing his pregnant girlfriend, his friends, and everything he holds dear, he spirals into a self-destructive abyss, resorting to drugs and dealing as his path veers perilously downward.

Yet, amidst the darkness, a glimmer of hope emerges. True love and an emotional odyssey of self-discovery, culture, and spirituality beckon to Tez, promising redemption and a chance to reclaim his shattered life. As the gripping narrative unfolds, audiences will witness Tez’s relentless pursuit of meaning and healing, grappling with his past, his roots, and the inner demons that threaten to consume him.

Rahel Rohman’s captivating performance anchors the film, immersing viewers in Tez’s emotional turmoil with unparalleled intensity. The on-screen chemistry and dynamic interactions with an exceptional ensemble cast further heighten the film’s impact, ensuring an unforgettable cinematic experience.

With Streets Of Colour, Riskalla has crafted a masterpiece that transcends boundaries, inviting audiences to confront their own biases, question societal norms, and embrace the transformative power of compassion and self-acceptance. This riveting drama pushes the boundaries of Australian cinema, delivering a message that resonates deeply within viewers’ hearts.

Prepare to be moved, challenged, and inspired as Streets Of Colour transports you into a world pulsating with emotion and gripping authenticity. Brace yourself for an unforgettable cinematic journey that will leave you contemplating the power of identity, the pursuit of redemption, and the universal yearning for understanding.

“I’ve had a passion for films since the age of five, and I was always drawn to stories that were meaningful and that affected me as a viewer,” says Ronnie S. Riskalla. “As much as I got lost in Hollywood fantasy films, I always found solace in real-world stories. The reason I wanted to tell this specific story is because it has the potential to be a captivatingly truthful depiction of people in our society. It will provide a gripping look into a world that is familiar to many, but also the underground world that a lot of people would never experience – the world of Western Sydney.” The story is inspired by and loosely based on Riskalla’s own life.

To coincide with the world premiere announcement, a second Streets Of Colour teaser trailer has been released and can be found below:

Streets Of Colour will premiere on June 26 at The Hayden Orpheum in Sydney. Tickets can be found here: https://tinyurl.com/ycxtrbnz

Further exciting news about the Streets of Colour release coming soon. For interviews or any further information, contact Dov Kornits, dov@screeninc.com.au, 0411559519

Breaking Barriers and Shining on the Silver Screen: Liz Lin’s Inspiring Journey in the Film Industry

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Liz Lin is a passionate young actor of Chinese-Australian heritage who speaks English and Chinese fluently. She strongly advocates for better representation of Asians, intersectional feminism, and diversity on and off the screen.

Originally born in Perth, Liz spent her early years in Shanghai before moving to Sydney at the age of three. It was during her childhood in Sydney that Liz’s love for performing blossomed. At just five years old, she began creating and staging her own shows in the living room, captivating her parents with her talent. However, as the daughter of Chinese immigrants, Liz faced discouragement when it came to pursuing a career in the arts.

Despite the obstacles, Liz excelled academically and followed the “conventional” path for many years. She attended an academically selective high school and pursued a combined Bachelor’s degree in Commerce and Information Systems at the university.

However, during her final year of university, Liz realized that this path was not aligned with her true passion. With immense courage, she decided to pursue her dreams in the performing arts. Liz sought training under the guidance of esteemed coaches such as Lisa Robertson, Miranda Harcourt, Kevin Jackson, and Donald Woodburn. Through acting and storytelling, her goal is to give voice to underrepresented communities, promote acceptance, and empower others.

In 2022, Liz achieved her breakthrough in theater with her debut performances in KXT/Panimo’s “Tough Titties,” which enjoyed a sold-out season, and New Theatre’s “Chimerica,” where she played the pivotal role of Liuli. Her notable film and television credits include “Lonesome,” which received a nomination for Best Indie Film at the 2022 AACTA Awards, “Fruity,” selected for prestigious festivals like Flickerfest and St Kilda Film Festival in 2022, “Women in Refrigerators” (2021), and the AFTRS short film “Mansplaining” (2022).

Liz’s journey reflects her unwavering commitment to breaking barriers and creating positive change through her craft, while also celebrating her multicultural background and heritage.

Liz recently had the opportunity to sit down with FilmCentral Magazine for an insightful interview, shedding light on her remarkable journey in the film industry. Here’s a glimpse into our conversation:

Can you tell us more about yourself?

I’m an actor and an avid fan of fashion, animals (particularly dogs), and a massive foodie.

Can you tell us something that would surprise us about you?

I have a double degree in Commerce and Information Systems.

How did you get started in the entertainment industry?

I’ve been a massive fan of performing since I was a little kid, but it seemed out of reach. When I was in uni, I decided I was going to chase after this dream of mine. I remember a girl I worked with at Grill’d studied at Screenwise and so I started with a course there and have not stopped acting since.

What factors do you think contributed to your success as an actor?

Obsession and delusion. Both are innate traits in me and being obsessed with this art form and constantly seeking to improve and learn contributes to my success. Also, a healthy dose of delusion that everything will work out because sometimes this industry feels like a slot machine.

Which do you consider to be the standout roles of your career to date?

My first supporting lead role in the film ‘Fruity’ as Emily. This was my first acting role and first time on set, period. The story was incredible, I absolutely loved working with the team behind it, and the character was so much fun. And it premiered at Flickerfest – seeing myself on a movie screen for the first time was crazy.

A film that is currently in post-production is called ‘Mansplaining’ in which I play the lead character of Jen Li. That was such a fantastic role that allowed me to showcase a range of emotions – particularly this rageful monologue that I do in Mandarin. Working on that was such a rewarding experience.

What do you like most about acting?

Exploring the depth and range of human experience. I love delving into a character and doing research like a little scavenger.

What have you learned from the directors that you have worked with throughout your career?

I’ve been lucky enough to work with some amazing directors, including Craig Boreham (Lonesome), Caitlin Royston (Fruity), Suzanna Steele (Mansplaining), Alessia Francischiello (Deep Pockets, Empty Hearts). I’ve learned from directors to see filmmaking from more perspectives – they bring the words on the page to life with sound, lighting, camera work, set design, and so much more. It’s not just the acting, and I think having that perspective is so valuable and helps me adjust my performances to what the story needs.

What are some of the difficulties of the acting business?

The oversupply of actors for a small number of roles. Which becomes even smaller when looking at roles for people of colour. Putting your vulnerability out there in your art and hearing no (or most of the time nothing at all), but continuing to do it over and over again.

What’s challenging about bringing a script to life?

As an actor, I absolutely love bringing a script to life through a deep exploration of my character. Perhaps one of the most challenging things is learning a new skill you’ve never tried before, but that’s also so much fun.

What do you do when you’re not filming?

Work on my craft, sleep, try new restaurants, watch a lot of Youtube, dance, hang out with friends, travel, and spend time with my family and my dog. I’m trying not to be so chronically online.

What has been the most memorable experience of your career so far?

Having a movie and being nominated for an AACTA Award, having that movie premiere at Sydney Film Festival and sell out for Mardi Gras Film Festival, being artistically supported by my coach Lisa Robertson, and working with incredible actors, directors, and scripts.

Who have been the most interesting people you’ve met so far?

I’m so interested in everyone I meet because everyone is so unique and has experiences and backstories so unique to them, so I really can’t pick the most interesting.

What advice would you give to other Asian women looking to make an acting career?

Your voice is unique and needed in this industry. Your experiences are valid and important; don’t be afraid to take up space.

What are your future plans? Inside your career or out of it.

That’s the crazy thing about this career – you never know what could happen tomorrow. At the moment, I’m about to shoot a romantic thriller set in 1960s post-colonial Hong Kong, and after that, I’m shooting a European arthouse horror movie with an all-female cast.

Is there anything else interesting you can tell us?

Omg, this is like those icebreaker questions, “Tell us something interesting about yourself,” which always makes me sweat! (laughs) I suddenly have a crisis about being completely uninteresting. I’ll recommend two books I’ve read recently that I’m obsessed with and would love to be a part of if they ever adapted it for the screen. The first is called ‘Parachutes’ by Kelly Yang, and the second is called ‘The Poppy War’ by R.F. Kuang. Both are written by Asian-American writers!

Introducing The CEO Of Tigertail Pictures, Tian Liu

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Tian Liu, one of the most inﬂuential entrepreneurs in the USA, is the CEO of Tigertail Pictures. This production company offers a unique approach to the world of video and animation by collaborating with clients to capture their most inﬂuential stories. The engine behind Tigertail Pictures is its in-house team and a massive network of ﬁlmmakers and photographers. Tigertail Pictures is AN AGENCY BUILT TO CREATE REAL VALUE. They are the growth partner. They’re a nimble, hungry, results-driven ﬁrm. They execute with purpose and focus on measurable, actionable results.

Under Tian’s leadership, Tigertail Pictures has been delivering work that powers game-changing companies and global inﬂuencers. A graduate of Harvard Business School (Executive Education), the New York Film Academy, and an outstanding director of Photography, Tian Liu has truly carved out a reputation for herself as a highly inﬂuential person in the US media market. Her works have made appearances on the covers of “VOGUE,” “GQ,” “Forbes,” and other international magazines such as “Fox,” “Business Insider,” and many other mainstream media have commented and conducted exclusive interviews for her company’s advertising works. She has won more than 50 best cinematography awards at ﬁlm festivals, and her ﬁlm and television works have been shortlisted twice at the French Cannes Film Festival. She has worked with the likes of Oscar winner Tim Burton, Glenn Close, Kim Basinger, Lynne Littman, and three-time Oscar nominee for best cinematography Dean Cundey.

Short Film “The Horn” Shot Entirely On 16mm Film Has Been Completed

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Director M.P. Wills (Mark Wills) has just finished his latest short film, THE HORN, which was shot entirely on 16mm film by Kieran Fowler NZCS ACS. Produced by Yolandi Franken, Heath Ledger Scholarship recipients Rahel Romahn and Mojean Aria, and executive produced by Oscar Leal, the film tells a captivating story about an adolescent girl trying to understand her mother’s obsession with a mysterious horn sound coming from the sky. The film promises to leave audiences on the edge of their seats while delivering a strange and beautifully haunting experience.

THE HORN stars Gabrielle Chan and An Dang, who both deliver stellar performances playing their roles as mother and daughter.

Shot on location in Sydney, the decision to shoot on film was deliberate for the creative team. Having shot his previous short film Blood Orange in 35mm, which premiered at Australia’s Flickerfest in 2019, Wills explained, “I think digital camera’s really tend to focus on resolution. It strives for perfection and tries to remove the imperfection in the image; things are always so clear and feel so real in the frame, but for me, everytime I go to the movies I want to be taken out of reality, not put back in it. That’s why I always gravitate towards shooting on film, because the textures and grain are the colour of our memories; they’re able to instantly pull you out of reality and take you back in time. You just can’t achieve that in digital.”

Indeed, the team faced several challenges while shooting on film. They had to be mindful of each frame, as film can be expensive and limited in quantity. This meant they had to be very strategic in their shot choices, often rehearsing and testing each shot before rolling the camera.

But for Wills and his team, the challenges were all worth it in the end. Looking forward, Mark is also planning on shooting his debut feature film – a Thai-Australian horror on 35mm, citing film as an art-form that he feels should be celebrated and preserved, not forgotten. “I think it’s really important that more and more people continue to shoot on film and explore it as a viable option for their films. It definitely has a more complicated workflow, but if you have the right crew and you’re economical with the way you shoot, it’s all worth it in the end; on top of having wonderful imagery, there’s this kind of wisdom that it passes down onto you as a filmmaker. And you never forget those lessons.”

The film, which just finished post-production, promises to be a cinematic experience unlike any other. With a talented cast and crew and the added authenticity of shooting on film, audiences can expect a short film that is both visually stunning and emotionally impactful.