From Startup to Stardom: ‘Swiped’ Highlights Whitney Wolfe’s Billionaire Journey

20th Century Studios is set to deliver a powerful and timely cinematic experience with Swiped, premiering at the Toronto International Film Festival on September 9 before its exclusive launch on Disney+ on September 19, 2025. The newly released trailer, poster, and captivating film stills offer an enticing preview of this gripping drama based on the real-life story of Whitney Wolfe Herd, the fearless founder of Bumble, whose journey has reshaped the landscape of online dating and female entrepreneurship.

Swiped chronicles Whitney Wolfe’s rise from a recent college graduate navigating the daunting, male-dominated tech industry to becoming a visionary innovator who revolutionises dating culture with not one but two trailblazing apps. Portrayed with compelling depth by Lily James, Wolfe’s story is one of relentless determination, sharp ingenuity, and bold risk-taking—qualities that propelled her to become the youngest female self-made billionaire in history. The film delves beyond the headlines to explore the personal challenges, fierce battles, and triumphs behind Wolfe’s extraordinary success, offering a nuanced portrait of ambition, resilience, and empowerment.

Helmed by director Rachel Lee Goldenberg—who also co-wrote the screenplay alongside Bill Parker and Kim Caramele—Swiped balances sharp storytelling with emotional resonance. The film’s ensemble cast, including Jackson White, Myha’la, Ben Schnetzer, Pierson Fodé, Clea DuVall, Pedro Correa, Ian Colletti, Coral Peña, and Dan Stevens, bring rich performances that flesh out the high-stakes world of tech startups, friendship, and rivalry.

Produced by Jennifer Gibgot, Andrew Panay, and Lily James herself, Swiped captures the zeitgeist of a tech revolution led by a young woman refusing to be sidelined. It is as much a celebration of innovation and entrepreneurship as it is a compelling character study, reflecting broader conversations about gender, power, and change in the digital age.

As anticipation builds for its TIFF premiere and Disney+ release, Swiped promises to resonate with audiences hungry for inspiring, real-world stories that showcase the impact of determination and vision. This film is set to be a defining portrayal of female leadership and a vivid reminder of the new frontiers being carved out in technology and business by the bold and the brave. For anyone fascinated by the intersection of tech, culture, and gender dynamics, Swiped is a must-watch event of 2025.

Liam Neeson Joins the Fight Against a Deadly Outbreak in 2026’s COLD STORAGE

What happens when Jurassic Park’s screenwriter and Zombieland’s producer join forces? You get Cold Storage—a white-knuckle, fungus-fuelled thrill ride heading for cinemas in 2026.

The premise is pure outbreak mayhem: a highly contagious, constantly mutating fungus escapes a top-secret lab, and two inexperienced employees (Joe Keery, Stranger Things; Georgina Campbell, Barbarian) must team up with a grizzled bioterror operative (Liam Neeson, channelling his Taken grit) to stop it. The catch? They’ve only got one night before the microorganism devours everything in its path.

Directed by Jonny Campbell (Westworld, Doctor Who) and boasting a stellar supporting cast—Sosie Bacon, Vanessa Redgrave, Lesley Manville, Aaron Heffernan, Ellora Torchia, Gavin Spokes—this looks set to blend smart sci-fi, rapid-fire tension, and gory spectacle. If the teaser is anything to go by, Cold Storage could be 2026’s ultimate late-night popcorn watch. Hazmat suits recommended.

Jamie Lee Curtis and Lindsay Lohan Bring the Magic to Sydney’s Purple Carpet for Freakier Friday Premiere

Photo Credit: Scott Ehler | Image supplied by Disney Australia

The Aussie purple carpet shimmered with star power as Jamie Lee Curtis and Lindsay Lohan reunited Down Under for the Australian premiere of Freakier Friday, Disney’s much-anticipated sequel to the 2003 classic. Held at Event Cinemas Westfield Bondi, the premiere drew a glittering crowd eager to celebrate this fresh twist on a beloved tale, ahead of the film’s exclusive August 7 release in cinemas across Australia and New Zealand.

Reprising their iconic roles as mother-daughter duo Tess and Anna Coleman, Curtis and Lohan dive back into a story where family ties get even more tangled. Years after their first unforgettable body swap, the next generation steps into the spotlight as Anna juggles her own daughter and soon-to-be stepdaughter, proving that sometimes, lightning really does strike twice.

Photo Credit: Scott Ehler | Image supplied by Disney Australia

Directed by Nisha Ganatra and inspired by Mary Rodgers’ classic Freaky Friday novel, Freakier Friday assembles a talented ensemble cast including Julia Butters, Sophia Hammons, Manny Jacinto, Maitreyi Ramakrishnan, Rosalind Chao, Chad Michael Murray, and Mark Harmon. Behind the scenes, the production boasts powerhouse producers Kristin Burr, Andrew Gunn, and Jamie Lee Curtis herself, alongside executive producers Nathan Kelly, Ann Marie Sanderlin, and Lindsay Lohan, promising a film that’s as heartfelt as it is hilarious.

Photo Credit: Scott Ehler | Image supplied by Disney Australia

With its perfect blend of nostalgia and fresh family fun, Freakier Friday is poised to charm audiences of all ages. It hit cinemas on August 7, 2025, across Australia and New Zealand.

StudioCanal Debuts Trailer for Good Fortune, Starring Keanu Reeves, Aziz Ansari, Seth Rogen, and More

Keanu Reeves as Gabriel and Sandra Oh as Martha in Good Fortune. Photo Credit: Eddy Chen

StudioCanal has officially dropped the trailer for Good Fortune, a heartwarming yet hilariously chaotic comedy led by an all-star cast including Keanu Reeves, Aziz Ansari, Seth Rogen, Keke Palmer, and Sandra Oh.

The film centres on Gabriel (Keanu Reeves), a well-meaning but hopelessly inept angel whose attempts to intervene in human lives lead to more trouble than he intends. His latest mission entangles the lives of two complete opposites — a struggling gig worker (Aziz Ansari) just trying to make ends meet, and a wealthy venture capitalist (Seth Rogen) whose privileged existence is about to be turned upside down.

With his trademark deadpan charm, Reeves brings a unique twist to the role of an angel who can’t quite get it right, while Ansari and Rogen provide the fast-paced comedic chemistry. Add in the dynamic performances of Keke Palmer and Sandra Oh, and Good Fortune promises a fresh, offbeat take on fate, friendship, and the messy beauty of second chances.

The film marks Aziz Ansari’s return to the director’s chair, also penning the screenplay based on a novel co-written with Anthony Katagas and Alan Yang. Known for blending humour with heartfelt storytelling, Ansari’s latest project looks set to deliver both laughs and meaningful moments.

Good Fortune lands in Australian cinemas on October 16, inviting audiences to explore what happens when divine intervention doesn’t go quite as planned — and when destiny might just need a little human help.

Carmen & Bolude Hits Digital Screens – Now Available to Rent or Buy!

The critically acclaimed Australian comedy Carmen & Bolude is now available to rent or purchase at home across major digital platforms, including Apple TV, Amazon Prime Video, Google Play, YouTube Movies, Microsoft Movies & TV, Fetch TV, Sky NZ, Neon NZ, and the Foxtel Store.

Directed by Maria Isabel Delaossa and Michela Carattini, and produced by Yolandi Franken and Michela Carattini, Carmen & Bolude tells a touching and timely story of love, friendship, and cultural identity through the lens of two international women. The film stars Michela Carattini, Bolude Watson, David Collins, Elliott Giarola, Liam Greinke, Joey Vieira, Joe Avati, James Liotta, and Wale Ojo.

After its world premiere in Hollywood, winning Best Independent Film & Best International Film at the LA Independent Women Film Awards, followed by a sold-out European premiere and crowding out the Hayden Orpheum at its Australian premiere, receiving further acclaim on the festival circuit with selections at the Gold Coast Film Festival, Vision Splendid Outback Film Festival, Barcelona Indie Filmmakers Fest, New York Independent Film Festival, Blussh Romance Festival, and the African Film Festival Australia—the film is now available for audiences to enjoy from the comfort of home.

Don’t miss the chance to watch one of Australia’s most talked-about independent films of the year:

This “biting and funny” (Speaking Cinema) Australian film, the first written, directed and produced entirely by Latin-Australian and African-Australian women, is “incredibly topical” (The AU Review), and “really portrays the cultural complexity of Sydney” (The Drive), with iconic locations rarely shown, such as the Auburn Mosque and Sydney’s Murugan Temple, and languages rarely scripted, such as First Nations Darug and Nigerian Yoruba. Hailed by the critics as “An impactful step forward for Australian cinema” (The Curb), “One of the most exciting Australian films of 2025” (Film Central) and “Wildly entertaining and deeply meaningful” (The Medium), with “a standout soundtrack” (Film Ink), and  “stunning cinematography – Carattini and Watson give incredible, truthful performances with obvious chemistry” (The Medium).

Carmen & Bolude is available now — rent or buy today on your favourite platform.

ANZ Streaming Links:

PRIME VIDEO:

https://www.primevideo.com/detail/Carmen-Bolude/0HPMK2VOBLJ54IO4UUXDHE1VXL

APPLE TV:

https://tv.apple.com/nz/movie/carmen–bolude/umc.cmc.6hy0tc92whx1y39lavjtuh4r0

FETCH TV:

https://www.fetchtv.com.au/movie/details/2968302/carmen–bolude

YOUTUBE VIDEO:

https://www.youtube.com/watch?v=kcV4NFuZ76I

GOOGLE PLAY:

https://play.google.com/store/movies/details?id=H1ThXapEGlc.P

NEON NZ:

https://www.neontv.co.nz/movie/carmen-bolude

FOXTEL:

Link tbc

SKY NZ:

Link tbc

Lilo & Stitch Lives Again: A Heartfelt Remake That Finds New Meaning in Ohana

The 2025 iteration brings fresh life to the beloved 2002 animated classic, blending warm Hawaiian sunsets with CGI alien mayhem. While the story has undergone some tweaks—certain characters have vanished, and a few gags have been traded in for drama—the spirit of Ohana remains intact.

The Performances

At the centre of it all is newcomer Maia Kealoha, who gives a genuinely touching performance as Lilo. She captures the quirky, misunderstood essence of the original character with charm and emotional depth. However, it’s Sydney Elise Elizabeth Agudong as Nani who truly shines. Her portrayal of a young woman juggling grief, responsibility, and sisterhood is pitch-perfect—her chemistry with Kealoha anchors the film emotionally.

Chris Sanders reprises his iconic voice role as Stitch, and it’s like he never left. Stitch is just as chaotic and loveable as ever. Billy Magnussen brings unexpected heart to Agent Pleakley, while Hannah Waddingham and Zach Galifianakis add some solid weight to the supporting cast.

And let’s not forget Tia Carrere—seeing her return in a new role (albeit brief) is a nostalgic touch that fans will appreciate. It’s a full-circle moment that acknowledges the past while moving forward.

The Story & Direction

This is not a shot-for-shot remake—and that’s a good thing. Chris Kekaniokalani Bright and Mike Van Waes’s screenplay expands Lilo and Nani’s backstory, giving the sisters’ bond more narrative room to breathe. Some might miss the zanier moments of the original, but the emotional core hits the same beats. The theme of family—of being broken, different, and still finding love—is as potent as ever.

That said, the focus has definitely shifted toward the human drama. The alien antics take a back seat to familial tensions, which may feel like a misstep for fans expecting more extraterrestrial chaos. Notably, the villainous Captain Gantu is absent, and some design choices—like Jumba and Pleakley appearing in human form—were clearly budget-driven compromises.

Visuals & Music
Visually, the film is a treat. Filming in Hawaii certainly doesn’t hurt, and the cinematography capitalises on the location’s natural beauty. The CGI is decent, though Stitch occasionally dips into the uncanny valley. The musical score wisely retains the charm of the original, blending traditional Hawaiian sounds with emotional orchestration. It’s nostalgic but refreshed.

Final Thoughts
Lilo & Stitch isn’t a perfect remake, but it is a meaningful one. It doesn’t try to replicate the original beat-for-beat, nor should it. Instead, it takes the spirit of the 2002 classic and reimagines it for a new generation—one that might be meeting Lilo and Stitch for the very first time.

If you’re looking for a carbon copy, best stick with the animated version. But if you’re open to a new take—one that’s sincere, respectful, and deeply human—this version is worth the watch. It’ll make you laugh, tear up, and remember why Ohana means family.

Verdict: A warm, heartfelt remake that doesn’t always hit the mark, but gets the big things right.
3 out of 5 stars. ⭐️⭐️⭐️☆ ☆

Cruise Control: Mission Impossible’s Grand Finale is a Near-Perfect Ride

After nearly thirty years of high-octane thrills, globe-trotting espionage, and death-defying stunts, Mission: Impossible – The Final Reckoning positions itself as the swan song to one of the most successful action franchises in cinematic history. Directed once again by Christopher McQuarrie and co-written with Erik Jendresen, this eighth entry picks up right where Dead Reckoning Part One left off, diving headfirst into a tense, AI-fuelled battle for the fate of humanity.

And what a ride it is – even if it doesn’t entirely stick the landing as a “finale.”

Plot & Premise: High Stakes and Haunting Past

Tom Cruise returns as the indefatigable Ethan Hunt, now racing to locate and neutralise an advanced artificial intelligence known only as “The Entity” – a rogue digital force that’s penetrated intelligence networks across the globe. But he’s not alone in this fight. With loyal allies (Hayley Atwell, Ving Rhames, Simon Pegg), shadowy enemies, and a ghost from his past lurking in the shadows, Hunt’s mission becomes as emotionally charged as it is dangerous.

The narrative successfully threads together personal stakes with global urgency, all while keeping audiences guessing. It’s classic Mission: Impossible – slick, smart, and deeply entertaining.

Action & Cinematography: Big-Scale Spectacle

From the opening minutes, The Final Reckoning wastes no time getting into gear. The film clocks in at just over three hours, yet it barely feels it. The pacing is tight, and the action is relentless without becoming exhausting.

Standout set pieces include a jaw-dropping underwater submarine sequence packed with tension and artistry, and a breathless bi-plane climax that may very well go down as one of the franchise’s greatest spectacles. These moments – masterfully shot and edited – showcase why Mission: Impossible remains the gold standard for blockbuster choreography.

However, for longtime fans who have grown accustomed to seeing Tom Cruise perform gravity-defying stunts with minimal CGI, there’s a bittersweet shift. Approximately half of the film’s major action sequences rely on noticeable green screen work – a sensible decision perhaps, considering Cruise’s age and the escalating danger of such stunts, but still a departure from the raw, real-world danger that once defined the series.

Performance & Emotional Depth

Angela Bassett is a revelation as the U.S. President – authoritative, composed, and refreshingly unburdened by the usual gendered tropes. Her performance, alongside a script that gives more space to emotional nuance, provides some of the most heartfelt and grounded moments the franchise has ever offered.

Hayley Atwell continues to prove her worth in the MI universe, while Ving Rhames and Simon Pegg provide the familiar camaraderie and comic relief that’s become a beloved staple.

These character-driven beats elevate The Final Reckoning beyond a standard action flick. It’s not just about the mission anymore – it’s about legacy, sacrifice, and the cost of doing what’s right.

The Final Verdict: Epic, But Not Final

Visually stunning, emotionally rich, and brimming with reverence for its legacy, Mission: Impossible – The Final Reckoning is everything fans could ask for – except closure.

Despite its title, the film doesn’t deliver the sense of conclusive finality one might expect. In fact, it often feels more like a curtain call than a last hurrah, leaving the door ever so slightly ajar for future missions. Whether this is Cruise’s true goodbye or simply the end of a chapter remains to be seen.

Regardless, when the credits rolled, I found myself filled with admiration – not just for this film, but for the franchise as a whole. Since 1996, Mission: Impossible has consistently raised the bar for blockbuster cinema. If this is the end, it’s one hell of a way to go out.

Rating: ★★★☆ (3 out of 5 stars)
Director: Christopher McQuarrie
Starring: Tom Cruise, Hayley Atwell, Ving Rhames, Simon Pegg, Henry Czerny, Angela Bassett

Meet Bud Rebel: The Indie Filmmaker and Podcast Host Shaping the Future of Entertainment

Bud Rebel is not your typical filmmaker. With a career that spans nearly two decades, he has forged a distinctive path through the entertainment industry as an actor, director, writer, producer, podcast host, and entrepreneur. His multifaceted talents and bold approach to storytelling have earned him a reputation as one of independent cinema’s most intriguing voices.

Rebel’s cinematic journey includes two notable feature films: All Screwed Up (2009) and The Undead (2023). All Screwed Up, a gritty look at life’s unpredictable twists, found success in the indie film community and resonated with audiences on streaming platforms worldwide. His more recent film, The Undead, has drawn attention for its powerful and authentic portrayal of mental illness, woven seamlessly into the storyline. The film’s unflinching look at complex mental health themes has sparked important conversations and earned praise for its emotional depth and realism.

Always exploring new ways to tell stories, Rebel recently completed production on Seduction, an original podcast drama set to launch in 2025. Featuring a stellar cast, the project promises to push the boundaries of audio storytelling with its compelling narrative and cinematic scope. Though full details are still under wraps, early word suggests Seduction will be another bold and captivating addition to Rebel’s growing body of work.

In addition to his feature-length projects, Rebel has written and produced over a dozen short films, including Serial Killer (2023), Restaurant Return (2023), and Uncle Sid (2024). These shorts, many of which are listed on IMDbPro, showcase his range and ability to distil big ideas into compact, emotionally resonant stories that linger long after the credits roll.

Rebel also brings his sharp intellect and curious mind to The Bud Rebel Show, a bi-weekly podcast where he sits down with a diverse range of guests, including actors, musicians, entrepreneurs, and bestselling authors. The show is available on major platforms including iHeartRadio, Spotify, Apple Podcasts, and YouTube. Notable guests have included Jeremy Richardson (Yellowstone), Vincent M. Ward (The Walking Dead), Jeffrey Allen (Beast Games $10M winner), Bourke Floyd (Dawson’s Creek), Jack Cook (The Private Eye), Ashley Auguillard (Curb Your Enthusiasm), and bestselling author Dr Samantha Harte, among others. Each episode is a deep dive into the lives and minds of people making waves in their respective industries.

In 2024, Rebel’s unique contributions to film, media, and entrepreneurship were recognised when he was named one of the Top Twenty Entrepreneurs by Deluxe Version magazine. The honour reflects not only his creative achievements but also his relentless drive to innovate and inspire across multiple platforms.

Recently, Rebel sat down for an in-depth interview with FilmCentral magazine, where he shared insights into his creative process, the challenges of independent filmmaking, and what’s next for him as he continues to push boundaries and champion original storytelling. Here’s what went down:

1. Can you tell us about your latest project, Seduction?

Seduction is a powerful and original audio drama that brings the listener into a world full of the excitement of addiction, as well as the consequences that can occur during this dark and twisted journey. It’s a gripping tale of morality tested by passion, following the highs and lows of Tony meeting Maria.

2. What was it like working with your producers, crew, and incredible cast on this production? 

We had an incredible team, such as Mikeala Phillips and Mert Ozcan (The Record House), who could see exactly how the story needed to be told and translate it perfectly into sound. They worked with me and the cast to bring the script to life, and I couldn’t be more thrilled for audiences to hear it soon!

3. What did you find difficult and/or enjoyable about creating for a podcast, an audio-only medium?

Sound was an interesting challenge, as we had to create and depict a visual representation of the story for the audience, but one that they could only hear… without the use of elaborate sets, lighting, makeup, or set design. It was a different experience creating for this platform, and we got down to business right away, moving quickly.

4. What’s challenging about bringing a script to life? 

Bringing a script to life is challenging because it’s not just about filming what’s written, it’s about turning words and one’s writing into real emotions and cinematic moments. You must guide a team, make tough decisions, and solve problems every day, all while ensuring the heart of the story remains at the forefront.

5. Where do you draw your inspiration from for your stories?

My inspiration for writing my stories comes from my own life experiences and the interesting characters I meet along the way.

6. What rules or conventions in filmmaking do you personally choose to ignore – and why?

Great question, convention is the rule I try to ignore in my filmmaking! I want the viewer to be entertained through a whole different lens – one that features unique characters who embark on unconventional journeys and are more relatable.

7. Examining your body of work, a noticeable thread of deeper meanings, conversations, or morals is evident within your stories, often presented in an entertaining or thought-provoking manner. Is this an intentional approach, and what draws you to weaving these kinds of themes into your work?

Yes, I believe a story should draw a viewer into thinking about things they may not have looked at without becoming preachy. In some way, I hope my films make the world a better place for those who view them and their loved ones. If something I create can spark conversation, relatability, or even give a voice to diverse situations that others feel seen by, that’s rewarding.

8. Which of your past films was the most fun to make, and why? 

It would probably be “All Screwed Up” because it was my first journey into this world which was only a dream before!

9. Do you have plans for another film? What’s next?

I believe “A Hell Can Wait” is an audio drama. It’s big, bold, and will take the listener to a whole new universe. God willing, they will never forget.

10. If someone were going to make your life into a movie, who would play you?

A younger version of Tom Cruise. Seriously, though, I’d leave that to the Director though.

11. Tell us about anything else interesting! 

Creating art is so rewarding because one’s blueprint is left out there, and even if it’s covered up, a bit of your deeper self is still revealed for all the world to see forever.

Actress. Director. Mother. Advocate. Brooke Nevin Redefines Success in Hollywood’s Evolving Landscape

Acclaimed actress Brooke Nevin is once again making waves in the film industry with her latest performance in F* Marry Kill*, the latest genre-bending release from Lionsgate and Buzzfeed Studios. This comedy-thriller hybrid is as smart as it is suspenseful, but it’s Nevin’s dynamic portrayal of Valerie—the overprotective older sister of Lucy Hale’s lead character—that anchors the film’s emotionally charged wit. Equal parts intense, hilarious, and heartbreakingly human, Valerie is a character only an actress of Nevin’s calibre could bring to life with such charisma and nuance.

Nevin’s role in F* Marry Kill* is more than a performance—it’s a masterclass in genre navigation. “Valerie’s intensity just jumped off the page,” Nevin said in a recent exclusive interview with StarCentral Magazine. “She’s messy, paranoid, and totally convinced she’s the lead in her own crime drama. That contradiction was so fun to explore.” The film deftly blends psychological tension with biting humour, and Nevin delivers both with precision, portraying a woman driven by love and fear in equal measure.

A Career Built on Complexity and Creative Range

Brooke Nevin has long been known for her eclectic body of work. From sci-fi staples like The 4400 to crime procedurals like CSI, and award-winning dark comedies like Call Me Fitz, her career has been defined by a refusal to be typecast. With F* Marry Kill*, she continues that legacy—this time pushing deeper into the realms of psychological thriller and dark comedy.

“The diversity of genres I’ve worked in has always kept me creatively fulfilled,” Nevin reflects. “I tend to gravitate towards characters who are the chaos, who are funny because of how intensely they care.” That ethos is visible in Valerie, who barrels through the film with a blend of obsession, sincerity, and deep emotional vulnerability.

The Artist Behind the Actress

But Nevin is far more than just an actress. Her creative expression transcends the screen—she’s also a skilled photographer and budding director. While filming F* Marry Kill*, she found herself drawn to the behind-the-scenes energy, often watching playback and observing lens choices. “Once you’ve peeked behind the curtain, you can’t really go back,” she said. “Even when I’m not directing, I’m learning.”

These experiences enrich her performances, offering a cinematic awareness that adds depth to every scene she inhabits. It’s this multi-dimensional artistry that sets Nevin apart in a competitive industry.

Motherhood, Motivation, and a Message of Authenticity

Adding another layer to her dynamic life, Nevin recently became a mother—an experience she says has profoundly reshaped her outlook on storytelling. “Being a new parent teaches you that no one has it all figured out,” she explains. “It’s made me even more interested in playing flawed, deeply real characters.”

Motherhood has also shifted the types of projects that resonate with her. Nevin is now drawn to stories that embody resilience, vulnerability, and emotional complexity—qualities she sees reflected in both her professional life and personal growth. “I want to tell stories my son will be proud of—ones that say something real about who we are and how we live.”

Philanthropy Rooted in Purpose

Nevin’s commitment to impact extends well beyond Hollywood. She is a passionate advocate for A Sense of Home, a nonprofit that helps former foster youth establish stable living environments. She also contributes to The Heart Gallery, using her photography to help foster children find adoptive families.

For Nevin, giving back is about aligning talent with need. “Start with something you’re already good at,” she advises. “Your creativity can be a powerful tool for good.”

Foundations in Poise and Passion

Nevin’s journey began with ballet and a one-time foray into pageantry—experiences that taught her the value of discipline and poise, even in the face of uncertainty. “Being on stage young helped build a ‘performance muscle,’” she recalls. “It taught me to focus on the process, not the pressure.”

This foundational mindset has served her well in an ever-changing industry. Whether she’s diving into a new genre or juggling motherhood with a busy creative schedule, Nevin embodies resilience, adaptability, and joy in her pursuit of craft.

A Life in Creative Seasons

Nevin offers a refreshingly honest take on balance: “The idea of a perfectly balanced life is a myth. Life moves in seasons—some are for planting, others for nurturing or harvesting. The key is to embrace each one fully.”

It’s this blend of realism and optimism that makes Brooke Nevin not only a standout talent in Hollywood but a powerful voice for authenticity, creativity, and compassion in an increasingly complex world.

As F* Marry Kill* continues to win over audiences with its smart storytelling and unique tone, one thing is clear—Brooke Nevin is at the peak of her artistic power, and she’s only just getting started.

Following Cannes Win for Iranian Director Jafar Panahi, Upcoming Aussie Film “Fireworks” Issues a Powerful Warning

Photo Credit: Julia Firak

As global interest in Iranian stories surges, Fireworks explores trauma, exile, and the fragility of justice, made in Australia but resonating worldwide.

Just days after Iranian filmmaker Jafar Panahi’s It Was Just An Accident won the Palme d’Or at the 2025 Cannes Film Festival, a new Australian-made feature is building momentum — inspired by the global recognition of Iranian cinema as not just political, but universal.

Fireworks, directed and co-written by Ali Vaziri, an Iranian-born filmmaker living in Australia, is a bold psychological drama rooted in real refugee experience. “Panahi’s win is a turning point,” says Vaziri. “It tells us something important: these stories are not just about Iran anymore — they’re about all of us. The same threats to truth, freedom, and justice are creeping closer to home in the West. Fireworks is my way of sounding the alarm.”

Photo Credit: Julia Firak

Set in a remote Australian town, Fireworks follows two close friends — both former political refugees — whose quiet life unravels during a weekend celebration when the past reappears in the form of a suspected war criminal. Over one day, in one house, tension builds toward an unthinkable moral choice.

It’s a film about trauma, complicity, loyalty and vengeance — but it’s also a film about how fragile peace really is, even in countries like Australia. With authentic Farsi and English dialogue and a minimalist, intimate setting, Fireworks delivers a contained but emotionally explosive story.

The cast features a talented ensemble of Iranian-Australian actors, including Keivaan Askari, Rina Mousavi, Madi Dezhbod, and Baha Jamali — Keivaan and Rina were involved in the critically acclaimed Australian-Iranian feature Shayda, Australia’s critically acclaimed entry to Sundance and the Academy Awards.

The film is produced by Yolandi Franken (Streets of Colour, Carmen & Bolude), and co-written by Nick Bleszynski, known for his work in both narrative and investigative storytelling. Filming will take place in Wiseman’s Ferry, NSW — a regional town whose quiet natural beauty mirrors the story’s haunting emotional undercurrent.

Photo Credit: Julia Firak

“This isn’t just a story about Iran. It’s a warning,” says Franken. “The erosion of truth, the silencing of dissent, the moral collapse that begins with looking away — these are themes that now ring loud in Western democracies.”

With the Cannes spotlight now firmly on Iranian voices and stories of resistance, Fireworks arrives at exactly the right moment — as a uniquely Australian contribution to a global conversation.

The film is currently seeking final-stage investment and community partnerships ahead of production later this year, with plans for international festival submission and a theatrical release followed by digital and broadcast distribution.

To request an investor pack or partnership proposal:

Yolandi Franken
Producer – Fireworks
yolandi@frankendipity.com
0404 385 988