Stan Unveils Blue Carpet Extravaganza at Sydney Opera House for World Premiere of CAUGHT

Stan, the leading Australian streaming service, rolled out the blue carpet at the iconic Sydney Opera House for the world premiere of the highly anticipated Stan Original Series, CAUGH*T. The glamorous event, graced by a star-studded ensemble, showcased the vibrancy of the Australian Original production.

Stan Ambassadors Renee Bargh and Beau Ryan took center stage as they charismatically hosted the blue carpet, welcoming a dazzling array of industry luminaries and esteemed guests. Among the distinguished attendees were chief executive Martin Kugeler, commissioners and executive producers Cailah Scobie and Amanda Duthie, and head of acquisitions Les Sampson, underscoring the significance of the project within the Australian entertainment landscape.

The prestigious guest list extended to Nine Entertainment Group head of drama Andy Ryan, director of communications Vic Buchan, entertainment reporter Richard Wilkins, strategy executives Alex Needs and Jake Mitchell, and head of digital content Immy Abdullah. The collective presence of these influential figures highlighted the magnitude of CAUGH*T in the realm of Australian content.

Series director, producer, writer, and actor Kick Gurry, the driving force behind the production, graced the premiere, radiating enthusiasm for his latest venture. The blue carpet event reached new heights of glamour with the attendance of an A-list cast, including Bryan Brown, Ben O’Toole, Lincoln Younes, Alexander England, Mel Jarnson, Fayssal Bazzi, Rebecca Breeds, Erik Thomson, Rob Carlton, Jeremy Lindsay Taylor, Justine Clarke, Karl Stefanovic, Ariel Donoghue, and Silvia Colloca.

Caught Synopsis:

Mistaken for Americans, the characters find themselves captured by freedom fighters (Bazzi, Jarnson, and Nkono) and are compelled to produce a hostage video that swiftly goes viral. As the soldiers unexpectedly attain celebrity status on social media, they come to the realization that being caught might just be the best thing that could’ve happened to them. Prepare for a riveting journey as they make search history in this captivating Stan Original Series.

CAUGH*T promises to be a groundbreaking addition to Stan’s repertoire, delivering an innovative and compelling narrative that captures the essence of contemporary storytelling. Don’t miss the gripping tale as it unfolds exclusively on Stan.

Neeson Shines in “Retribution”: A Taut Hostage Drama that Packs a Punch

In the world of action thrillers, Liam Neeson has carved a niche for himself as a reliable and commanding presence. His latest venture, “Retribution,” promises a gripping hostage drama that unfolds within the confines of a car, pushing the boundaries of tension and suspense. As audiences buckle up for this high-stakes ride, Neeson’s portrayal of Matt Turner, a dedicated bank executive thrust into a life-altering situation, takes center stage.

A Familiar Tale with a Claustrophobic Twist

The storyline of “Retribution” revolves around Matt Turner, a committed professional whose dedication to his work eclipses his familial ties. The narrative takes a harrowing turn when Matt receives an ominous call while driving his children to school, unraveling a plot where a bomb is strategically placed beneath each car seat. As the anonymous caller coerces Matt into following their commands, the film introduces a premise that echoes the tension of the classic “Speed” but opts for a more confined and claustrophobic setting.

Neeson’s Charisma Dominates the Screen

Liam Neeson, known for his particular set of skills in the action thriller genre, delivers a formidable performance as Matt Turner. Neeson’s seasoned presence breathes life into the character, making Matt’s plight more tangible and compelling. While Matt may lack the overtly heroic qualities of some of Neeson’s iconic roles, the actor’s charisma elevates the film, making it a captivating watch.

A Supporting Cast that Holds Its Own

The supporting cast, featuring Embeth Davidtz as Matt’s wife, Lilly Aspell as the daughter, and Jack Champion as the rebellious son, delivers solid performances that complement the narrative. However, the true enigma lies in the unseen antagonist, whose mysterious voice keeps the audience in suspense, questioning the true nature of Neeson’s character.

Thrills and Pacing Excellence

“Retribution” excels in crafting an action-packed hostage drama within the confines of a car, maintaining relentless tension. The film’s pacing is commendable, offering a concise runtime that keeps viewers engaged. While the script could benefit from a bit more depth, the screenplay finds support in Flavio Labiano’s impressive camerawork and Steven Mirkovich’s sharp editing.

Hurdles in Execution and Communication

Set in Germany but spoken in English, the absence of subtitles during German-speaking portions may pose a challenge for some viewers seeking additional context. The film introduces a peculiar dynamic with the character of the Interpol female police boss, who holds crucial information yet remains resistant to Matt’s pleas for assistance. Additionally, a recurring issue is the persistent refusal of characters to heed Matt’s urgent appeals, creating moments of frustration for both the character and the audience.

A Riveting Cinematic Experience

While “Retribution” may not reinvent the action thriller genre, it offers a riveting and compact cinematic experience. The film’s masterful twist with the revelation of the antagonist and its visually impressive explosions add cinematic flair. Despite some narrative gaps, the film’s editing and brisk pacing maintain non-stop suspense.

Conclusion: A Solid Addition to Neeson’s Filmography

For fans of Liam Neeson, “Retribution” is a must-watch journey that showcases the actor’s enduring prowess, even if it doesn’t break new ground. The film’s tight 90-minute runtime ensures a brisk and electrifying ride, making it a solid addition to Neeson’s action-packed filmography. As Neeson’s charisma continues to dominate the screen, “Retribution” stands as a testament to his unwavering ability to keep audiences on the edge of their seats.

Rating: 2.5/5 Stars

SXSW Sydney: Promoting Inclusivity in Film and Television Production

In the ever-evolving landscape of the film and television industry, inclusivity and diversity have become more than just buzzwords; they are the pillars upon which creative excellence thrives. With this ethos in mind, SXSW Sydney brings you an enlightening session from October 15 to 22.

For those who aspire to create content that resonates with a broad and varied audience, understanding how to assemble a production team that reflects the world we live in is paramount. Many, however, find themselves at a loss when it comes to practical steps and overcoming obstacles. This session, made possible through the collaboration with Women In Film and Television (WIFT) and their global network, intends to shed light on this vital aspect of the industry.

Breaking Down Barriers

The heart of this session lies in its commitment to breaking down barriers and assessing the approach to crewing productions. Oakley Kwon, an award-winning actor, policy maker, and film producer, as well as the head of Loom Films and a prominent figure on the boards of WIFT Australia, Asian Food and Film, and the QLD Community Television Association Inc., will lead the discussion as the moderator.

Joining Kwon are three leading industry experts, each with an impressive track record in sourcing and running inclusive sets:

Andria Wilson Mirza: As the Director of ReFrame, a gender equity coalition founded and led by Sundance Institute and Women In Film, she brings a wealth of knowledge on the subject. ReFrame has been instrumental in promoting gender equity in the screen industry and is an influential advocate for diversity.

Kirsty Stark: AACTA, Rose d’Or, and Emmy award-winning television and feature film producer, Kirsty Stark, boasts an Emmy award for the children’s series “First Day” and extensive experience in championing inclusive storytelling. Her work speaks volumes about her commitment to diversity in the industry.

Kristen Hodges: With over 60 hours of television and feature films under her belt, Kristen Hodges is a Screen Australia executive and producer with a deep understanding of what it takes to create premium content. Her experience spans both Australian and US markets, emphasizing the importance of diversity on a global scale.

Tackling Obstacles and Sharing Resources

The panel will delve into the obstacles that screen practitioners face when crewing for diversity. By drawing from their wealth of experience and insights, they will provide practical solutions and share valuable resources to support those looking to make their productions as inclusive as possible. From casting to crewing, this session aims to equip attendees with the knowledge and tools to drive positive change in the industry.

Networking Opportunity

Following the panel discussion, WIFT will host a one-hour networking event, offering attendees a chance to connect with like-minded individuals and industry professionals. Networking is a vital component of forging meaningful collaborations and advancing the cause of inclusivity in film and television.

Event Details

Date and Time: Friday, October 20, 2023, from 10:00 AM to 11:00 AM
Location: Theatrette – Powerhouse Museum
In a world where storytelling has the power to shape perspectives and challenge societal norms, it is essential that our production teams reflect the rich tapestry of humanity. SXSW Sydney’s session on promoting inclusivity in film and television production is an opportunity to learn from the best in the industry and be part of the movement toward a more diverse and representative future.

Don’t miss out on this chance to be a catalyst for change in the entertainment world. Join us at SXSW Sydney and be a part of the conversation that matters.

For more information and tickets, visit SXSW Sydney’s official website via this link: SXSW 2023

Behind the Lens: George Basha’s Inspiring Path from Actor to Auteur

George Basha, a multifaceted artist from Parramatta, Western Sydney, has a remarkable journey reflecting his resilience and determination. Growing up on the challenging streets of western Sydney as the child of Lebanese migrants, George’s path to success was far from conventional.

In 1997, George received his big break in the world of acting when he portrayed ‘Kemel’ alongside the late Heath Ledger in the feature film ‘Blackrock,’ directed by Steve Vidler. However, despite this initial taste of the film industry, he encountered difficulties securing subsequent acting roles.

At the time, George’s agent conveyed the harsh reality that he faced hurdles in obtaining auditions due to his ethnicity. Refusing to be defined by these limitations, George decided to take matters into his own hands. He embarked on a journey as a writer, penning the feature film ‘The Combination.’ In George’s words, “It was my voice and the voice of western Sydney, which was never really told before.”

In addition to crafting the script, George took on the roles of co-producer and the lead character, ‘John.’ ‘The Combination’ made its cinematic debut in 2009, earning both robust box office receipts and favourable reviews. Esteemed movie critics Margaret Pomeranz and David Stratton rated the film an impressive four and a half stars out of five.

Despite its early success, ‘The Combination’ faced controversy when it was unexpectedly pulled from all Event Cinemas nationwide. The decision came after an altercation erupted during a Parramatta screening.

In 2014, George continued his creative journey by writing, producing, co-directing, and starring in his second feature film, ‘Convict,’ in which he portrayed ‘Ray.’ The movie achieved remarkable success on DVD and quickly sold out in retail outlets, particularly in Western Sydney. As a producer, George showcased his ability to secure funding for both of these projects outside the conventional funding structures, leading to profitable returns for each venture.

Fast forward to 2019, George once again demonstrated his versatile talents as he wrote, produced, and starred in ‘The Combination Redemption,’ a film that received theatrical distribution throughout Australia. David Stratton, once more impressed, awarded the film a rating of four stars out of five. As with his previous works, George independently secured funding for this project, highlighting his resourcefulness and commitment to storytelling.

In 2002, George took on an ambitious project, directing, writing, producing, and starring in the yet-to-be-released “Retreat,” an action-thriller. Myriad Pictures has since acquired the film, and is scheduled for release in 2023.

George Basha’s journey is a testament to his unwavering determination to tell compelling stories and break down barriers in the entertainment industry. His resilience and talent have not only brought his unique voice to the forefront but have also paved the way for future generations of storytellers.

FilmCentral Magazine recently caught up with George to discuss his journey in the industry, and here’s what went down:

Could you please tell our readers a brief background about yourself and how you started in the industry?

I grew up in a very rough and tough western Sydney suburb called Guildford. I come from a big family that consists of five brothers and one sister, and we were always so competitive in sports when we played against one another. We grew up with not much. My father worked long hours just to make ends meet, and my mother was one tough lady who was always tough on us, especially me, as I was the eldest. All that combined is what prepared me to tackle the film industry, my father’s hard work and the competition, which I loved that came from sports and always wanting to win no matter what. I had always had a love for American cinema and filmmaking, and I loved actors like Sylvester Stallone and Denzel Washington and have always wanted to be an actor. It wasn’t till I was In my early twenties that I decided to really give acting a go and started acting classes in 1996. By 1997, I landed my first-ever acting role in a film called Blackrock alongside some great Australian talent, which included the late Heath Ledger, David Field, John Howard, and Geoff Morrell, to name a few.

What is the most difficult part of your artistic process?

I would have to say, as a director, there are a few things. First, you need to get your casting right because I truly believe every actor in the film, no matter how big or small a role, maybe they are all equally important to the project. Then you have the artistic choice you make as in how you want the audience to feel as they watch the film, which will dictate how you want to shoot the movie. Then you have the edit and the music, which is just as important as your other artistic decisions because the edit and music will just amplify the emotions you want the audience to experience.

Do you try more to be original or to deliver to viewers what they want?

Both. You always want to be original and add your own flavour to your films. You also have to deliver a film that the viewers want. It’s entertainment, and whenever I make a film it is important that I make it for an audience. Some filmmakers prefer making films for festivals and winning awards. I’m about making films for an audience; without an audience, to me, that’s a failure. So as a filmmaker, I always want to deliver what viewers want.

If you could tell your younger self anything, what would it be?

Follow your heart and get in the industry straight after school. Believe in yourself and your ability.

Where do you draw your inspiration from for your stories?

The first few film scripts I wrote were written about some of my real-life experiences and, most importantly, from the heart. My inspiration comes from many places real-life stories or from other films I have seen over the years. I will always write from the heart, even if it is fictional. What I mean by that is as long as you believe and love a story you want to tell. Then you tell it and really believe in it.

What was an early experience where you learned that films had power?

In 2009 when I made The Combination it really opened my eyes to the power of film. The amount of messages and fans telling me the effect the film had on them blew me away. Even today, people still talk to me about the film and how it made them feel.

Can you tell us more about your latest project?

Hostile Forces is my new film which I directed, wrote, produced, and starred in. I play a retired soldier who takes his family on a quiet vacation into the Australian bush, which takes a deadly turn when they accidentally stumble across some mysterious bags, forcing the father to rely on his old military skills to protect his family from a team of trained killers.

Hostile Forces has just been released to the North American market by our international sales agent, Myriad Pictures, and distributor, Saban Films. The film has also been distributed in Australia & New Zealand by Pinnacle Films. The film will hit digital streaming in the coming weeks in Australia.

What is the best advice you have ever been given?

Nothing is ever given to you. You have to take it.

What advice would you give to a newbie writer who wants to make it in the industry?

Write something that is special to you or is passionate about, and do not listen to anyone but yourself as to what you really want to make. The industry is very opinionated, and there is no wrong or right.

What are your future plans?

I am looking at shooting a new feature next year titled Caught Up which will take me back to the streets of western Sydney. I’m also currently working on a TV series with David Field, which is still in the early stages.

From Kakuma to the Silver Screen: The Inspiring Journey of Athiéi

Athiéi is a talented film actress with a unique background. Born in the Kakuma Refugee Camp, located in Kakuma, Kenya, she shares South Sudanese heritage from both sides of her family and is the middle child among five siblings. In 1996, her family made a significant move to Perth, Western Australia, where Athiéi’s remarkable journey in the world of acting began to unfold.

Her initial exposure to the acting world commenced in 2009 when she attended her first professional acting classes at Actors Now. However, Athiéi’s educational pursuits also reflect her diverse interests and dedication. She holds a Bachelor of Arts degree in Communication and media Studies and Political Science and international Relations, which she earned from the University of Western Australia.

In 2018, Athiéi embarked on a new chapter in Sydney, Australia, where her acting career truly began to flourish. Her talents have graced television, theater, and film productions, marking her as a versatile performer in the entertainment industry. Notably, she is set to make her debut in the world of feature films, portraying the character Tina Honsou in the upcoming production, “Streets of Colour.”

Athiéi’s journey from Kakuma to the Australian stage and screen is a testament to her passion, dedication, and unwavering commitment to her craft. With a promising future ahead, her presence in the world of film is sure to captivate audiences and leave an indelible mark on the industry.

FilmCentral Magazine recently caught up with Athiéi and here’s what went down:

Can you tell us more about yourself?

I’m currently a Sydney-based actor, but I grew up in Perth. I love and enjoy achieving my dreams and watching others do the same.

How did you get started in the entertainment industry?

From a young age, I’ve always had a love for acting. Drama was my favorite class in school, and I had my first professional acting classes when I was 15. I knew I wanted to be an actor early on, but it wasn’t until a couple of years after graduating from university that I decided that I was going to commit to my dreams and pursue acting as a career. I began, again, by seeking training and auditions, and soon enough, I was landing work and experience in the entertainment industry.

What do you like most about acting?

I love that acting can transform you into another human being and another world. The liberating use of imagination as an artist means that our possibilities are limitless. My character could be a lawyer, a rockstar, a mother, or a twisted or complex character, and I get to explore that story and that world. I get to learn about it. I get a glimpse into it, and I get to translate it to other people. What an opportunity! Acting is so powerful, and not only do I get to enjoy or be a part of the human experience that is right in front of me, but audiences can be inspired, entertained, and taken on this journey
also.

Tell us about your role in the new film Streets of Colour. What was your character like and how did you bring it to life?

I play Tina Honsou in Streets of Colour. Tina is the sister of Akachi, and Tina and Tez have a son together. Very early on, viewers can see that her relationship with Tez quickly goes downhill for more than one reason. To avoid spoiling the film, I can say that his inability to get clean from drugs was one of them. Tina is a strong character who is fiercely protective of herself, her future, and her loved ones. When bringing her to life, I found it most helpful to look internally for insight and answers to many deep, reflective questions that helped uncover her story.

What have you learned from the directors that you have worked with throughout your career?

Throughout my career, I’ve been fortunate to have worked with directors – including Ronnie – who carry themselves with kindness, flexibility, and professionalism. This deepens and expands my own ability to carry these qualities forward when collaborating with others. With Ronnie, I also learned that passion, faith, and hard work can go a long way.

What are some of the difficulties of the acting business?

Rejection. To face rejection and to STILL pick yourself up and move forward despite it. Another challenge is navigating through instability while fighting to stay true to your dreams and other areas of your life.

What’s challenging about bringing a script to life?

There are so many pathways that you can take and ways that you can approach bringing a script to life. In order to believe a story, it must be truly seen, heard, felt, and understood. So there is this journey of uncovering those invisible things that are not seen or shown in the script so that they may be seen, felt, and heard by an audience when brought to life on screen. How an artist goes about this is unique, and the approach can be different with each film or work.

What do you do when you’re not filming?

I like to read books, go for walks, and listen to music.

What has been the most memorable experience of your career so far?

Being a part of this film, Streets of Colour. I had a lot of ‘firsts’ with this film. My first feature film role and the experiences that came with it (from preproduction to release). My first red-carpet premiere event experience. The first time, I did a behind-the-scenes interview for a movie. My first film as an actor to screen in theatres – and so on (the list goes on). And to be able to do all this through sharing a meaningful and significant story – what an honour! It has been such a rich and all-encompassing experience. I am grateful to have worked with everyone who made this possible. I feel blessed.

Who have been the most interesting people you’ve met so far?

I’ve crossed paths with many interesting people, but here are three special shoutouts to Ronnie, Rahel & Yolandi. Ronnie is a passionate and gifted director. I admire his authenticity, uniqueness, and wisdom; he carries that with him everywhere he goes. Rahel is not only an extremely talented actor but one of the kindest, most professional artists I’ve worked with. How he carries himself, both on and off screen, is inspiring and remarkable. And our skilled and hardworking producer, Yolandi, always fills the room with her loving, glowing presence. What a beautiful, kind, and talented human being she is.

If someone is going to make your life into a movie, who would play you?

When I can see more actor representation (of people who look like me or very similar), I’ll be better able to answer this question authentically. At the moment, two actresses come to mind, but they are ten or more years my senior. And anyone else who comes to mind is not an actor. So, for now, my
sister is the best fit.

What are your future plans? Inside your career or out of it.

Working in various acting roles and being exposed to different kinds of acting experiences on screen.

Rev Your Engines: 20th Century Studios Drops Trailer, Poster, and Exclusive Stills for ‘The Bikeriders’!

Prepare to rev your engines as 20th Century Studios has dropped the highly anticipated trailer and poster for their upcoming feature film, “The Bikeriders.” Directed and written by Jeff Nichols, this film made its debut at the Telluride Film Festival last week and has already received critical acclaim.

Deadline’s Pete Hammond hails the ensemble cast, led by Jodie Comer (“Killing Eve,” “The Last Duel”), Austin Butler (“Elvis”), and Tom Hardy (“Mad Max: Fury Road,” “The Revenant”), as superb.

The cast, many of whom performed their own motorcycle stunts on a variety of era-appropriate bikes, also includes Michael Shannon (“Bullet Train”), Mike Faist (“West Side Story”), Boyd Holbrook (“Logan”), and Norman Reedus (“The Walking Dead”). “The Bikeriders,” brought to life by writer-director Jeff Nichols (“Loving,” “Midnight Special,” “Mud”), is a gripping drama that traces the ascent of a fictional 1960s Midwestern motorcycle club through the lives of its members. Inspired by Danny Lyon’s iconic photography book, it immerses viewers in the gritty, oil-soaked subculture of ’60s bikers.

Kathy (played by Comer), a determined Vandals club member married to the wild and reckless Benny (Butler), recounts the Vandals’ journey over a decade. The club begins as a local assembly of outsiders united by camaraderie, roaring bikes, and their unwavering leader, Johnny (Hardy). As time passes, Kathy grapples with her husband’s untamed spirit and his loyalty to Johnny, with whom she competes for Benny’s attention. With the Vandals veering toward a more menacing path, Kathy, Benny, and Johnny are confronted with choices about their allegiance to the club and each other.

Produced by Sarah Green, Brian Kavanaugh-Jones, and Arnon Milchan, “The Bikeriders” promises to be a gripping and visceral cinematic experience. Yariv Milchan, Michael Schaefer, Sam Hanson, David Kern, and Fred Berger serve as executive producers.

Next on the agenda, “The Bikeriders” will be showcased at the London Film Festival from October 4th to 15th. Australian audiences can also anticipate its arrival in cinemas in the near future. Get ready for a wild ride!

A Night of Horror Film Festival 2023: Bryn Tilly Paves the Way for a Spectacular Night of Horror

Bryn Tilly, the Festival Director of A Night of Horror Film Festival (ANOH), has officially launched the program for the 2023 edition of Australia’s longest-running horror showcase. Spanning four thrilling days, this year’s festival promises to be a spine-chilling experience, featuring an impressive lineup of ten feature films and 31 short films from around the globe. ANOH has come a long way since its inception seventeen years ago, and under Tilly’s stewardship, it continues to evolve and thrive.

The roots of A Night of Horror can be traced back to seventeen years ago when festival founders Dean Bertram and Lisa Mitchell embarked on a journey to create an event that would serve as a platform for showcasing short horror films from both Australia and abroad. The response was nothing short of spectacular, with the inaugural event spanning three days, leaving audiences hungry for more. The following year, the festival relocated to Dendy Newtown and expanded its program to include short films and feature-length horrors. Over the past decade, ANOH has solidified its reputation as one of the world’s premier genre film festivals, providing unwavering support to independent cinema and emerging filmmakers. Remarkably, the festival continues its tradition of selecting the majority of its program through cold submissions, a practice dating back to its inception.

Stepping into the role of Festival Director and Programmer in 2020, Bryn Tilly has brought a fresh perspective and a wealth of experience to ANOH. His goal for the 15th edition of the festival is clear: to celebrate the rich and diverse spectrum of horror cinema. Under Tilly’s guidance, ANOH seeks to honor filmmaking that reflects the contemporary world while drawing inspiration from the past and reaching toward the future.

Under Tilly’s visionary leadership, ANOH promises to offer audiences an unforgettable cinematic experience that transcends the traditional boundaries of horror. With a diverse lineup of films from across the globe, this year’s festival is set to terrify, entertain, and inspire, reaffirming its position as the foremost horror film festival in Australia and beyond.

As A Night of Horror Film Festival’s 15th edition approaches, horror enthusiasts and cinephiles eagerly await the unveiling of a program that reflects Bryn Tilly’s passion for the genre and his commitment to pushing the boundaries of cinematic horror. The festival’s legacy of showcasing innovative and spine-tingling works of cinema remains as strong as ever, ensuring that ANOH 2023 will be an event horror fans won’t want to miss.

FilmCentral magazine recently had the privilege of sitting down with Bryn Tilly, the creative force behind A Night of Horror Film Festival, to delve deeper into his vision for the 15th edition of this iconic event, and here’s what went down:

As the Festival Director, what are your main goals and aspirations for this year’s ANOH, which is now in its 15th edition?

I began programming for the festival back in 2014, with the shorts programs and took over as Festival Director and programmer in 2020. I intend to nurture and celebrate the broader spectrum of horror cinema with filmmaking that is an expression of the here and now but can also pull from the past and reach into the future.

The festival is known for showcasing horror films from around the world. How do you go about selecting the films that make it into the program?

A Night of Horror, like the majority of film festivals around the world, uses a platform called FilmFreeway and invites filmmakers to submit their films once we announce our Call for Entries each year. I watch hundreds of movies over months, looking for features and shorts exhibiting originality and craftsmanship. They don’t necessarily have to have high production values, but in order to make my shortlist, they need to show me they understand the medium well and know how to achieve the best result, and that means not casting amateurs, not attempting to make a feature when you’re making a short film, and striving to make something striking and memorable.

With such a diverse array of films from various countries, what common themes or trends have you noticed in this year’s selection?

The curious thing is that I never deliberately select films because of their thematic content. Still, invariably, when I’m shaping the program from my short list, that’s when common themes can become apparent. This year, and it’s no real surprise, many of the features and short films deal with trauma, grief, survival, delusion, mental illness, and psychological turmoil—all very much a post-pandemic expression.

ANOH has gained a reputation as Australia’s longest-running horror film showcase. What do you think has contributed to the festival’s sustained success and popularity?

The key to the respect the festival has garnered over the years is due to its programming of independent cinema, screening films that often don’t get a theatrical release, and dedicated support for local filmmakers, especially with the festival’s signature session, the Australian Shorts Gala. People love a festival that champions a community vibe and encourages it.

Could you highlight a few standout films or events from this year’s program that you believe attendees should be especially excited about?

We have four Aussie features in the program, including our Opening Night session, Ursula Dabrowksy’s The Devil’s Work, a World Premiere. The other three are all Australian Premire’s, Jack Dignan’s PUZZLE BOX, Gareth Carr & David Sullivan’s SAVING GRACE, and Steven Mihaljevich’s VIOLETT, our Closing Night session.

Horror is a genre that often plays with emotions and pushes boundaries. What are your thoughts on how horror cinema has evolved over the years, and where do you see it heading in the future?

The horror genre is often, unjustly, the most maligned yet provides audiences with the greatest thrills. The essence of what makes a good horror movie work hasn’t really changed. It’s about an effective atmosphere and the fear of the unknown. Audiences are still freaked out by the same things that freaked them fifty years ago, be it the weird supernatural, brutal realism, monsters, psychopaths, or madness. In the future, horror will continue to thrill and chill, much like it has for the past 100 years. It’s a genre that relies very much on pure cinema – the moving image – and is best enjoyed in a darkened cinema with an audience.

The festival’s tagline is “Be afraid. Be very afraid.” What do you think draws audiences to horror films, and what experience do you hope they take away from ANOH?

That’s the tagline to David Cronenberg’s THE FLY! People are drawn to watching horror films because it provides them with the shared experience of being confronted with something fearful on the screen yet within the safety of a cinema audience. There’s a real adrenalin rush that comes with that combination. I hope audiences come away having seen films that excite and inspire them that they otherwise might not have been able to see in a cinema.

As the official program is set to launch soon, can you offer us a sneak peek into any special elements or surprises that attendees can look forward to?

The program is out now! Check the festival site, Dendy site, and the festival socials. We have Q&As following all four of our Australian feature sessions. There are excellent short films preceding all the features and two dedicated short programs of local and international films. Dendy has a great value 10-session Pass available directly from the Candy Bar.

Lastly, what do you find personally rewarding about being involved with ANOH and the horror film community, and what message would you like to send to both seasoned fans and newcomers to the genre?

As both festival director and programmer, I love celebrating bold new talent and providing a platform so others can appreciate their work in the proper setting. I love being able to impart my own vision – to curate and select films that work well on their own, but also work well together in the way that any good film festival should.

Here’s a link to their official website: A Night Of Horror International Film Festival

Unleashing Turtle Power: Inside the TMNT Mutant Mayhem Experience in Sydney

In a remarkable fusion of pop culture and immersive entertainment, the Teenage Mutant Ninja Turtles (TMNT) recently descended upon Sydney’s Central Station Grand Concourse, offering fans a unique opportunity to bask in the glory of the iconic “heroes in a half shell.” The Teenage Mutant Ninja Turtles: Mutant Mayhem Experience, held from September 1 to September 3, served as a captivating precursor to the Turtles’ imminent cinematic return on September 7.

The TMNT Underground Lair: A Portal to Childhood Nostalgia

The centerpiece of this extraordinary experience was an intricately designed underground lair, meticulously recreated to emulate the very essence of the TMNT universe. From the moment attendees set foot within its confines, they were transported into a world of animated enchantment. The attention to detail was nothing short of astonishing, as every corner of the lair pulsated with the vivacity of the beloved series. This interactive exhibition offered fans a tangible connection to the Turtles’ secret sanctuary, an unparalleled opportunity to delve deep into the lore that has captivated audiences for generations.

A Culinary Affair, TMNT Style

To satisfy the insatiable cravings of attendees and align with the Turtles’ notorious love for pizza, the event featured a delectable spread from Pizza Hut. It was a culinary delight that brought smiles to the faces of fans and made them feel like true denizens of the Turtles’ world. Gelatissimo’s tantalizing ice cream creations rounded off the gastronomic journey, leaving attendees with a sweet aftertaste of nostalgia, much like the heartwarming lessons imparted by the TMNT franchise.

Nostalgia Meets Modern Entertainment

The TMNT: Mutant Mayhem Experience catered to a diverse audience, bridging generational gaps with finesse. Retro TVs showcased classic TMNT episodes, evoking waves of nostalgia among long-time aficionados while introducing younger fans to the enduring magic of the series. The training ground designed for kids and the skateboard spot were hits with the younger crowd, offering them a taste of the Turtles’ life of action and adventure. Classic arcade games transported attendees back to a time when arcades were the epicenters of entertainment, reminiscent of the Turtles’ own adventures.

Notably, a wall space was allocated for attendees to leave heartfelt messages for the Turtles, underlining the emotional bond that fans have cultivated with these beloved characters. It was a touching gesture that acknowledged the enduring impact of the TMNT franchise on multiple generations.

In Conclusion, the Teenage Mutant Ninja Turtles: Mutant Mayhem Experience was an unparalleled fusion of entertainment, nostalgia, and gastronomy. It served as a testament to the enduring appeal of the TMNT franchise and its ability to bring people of all ages together. In a world where the line between reality and fiction is often blurred, this experience was a resounding affirmation that the magic of childhood heroes can be relived and cherished in the most extraordinary of ways. Here’s to the TMNT and their indomitable Turtle Power, which continues to captivate and inspire fans worldwide.

Nintendo Australia Unveils Emma Watkins as New Face of Nintendo Switch Campaign

Photo supplied by Nintendo Switch

In an exciting announcement, Nintendo Australia has revealed that the multi-talented Australian children’s entertainer, singer, actress, and dancer Emma Watkins is the latest celebrity to grace the screens in a dynamic brand campaign for the Nintendo Switch.

Emma skillfully showcases how the Nintendo Switch seamlessly integrates into her active lifestyle in this fresh campaign. With captivating games like Ring Fit Adventure, Animal Crossing: New Horizons, and Pikmin 4, the Nintendo Switch provides Emma with moments of relaxation and enjoyment amid her bustling work schedule and touring commitments.

A genuine aficionado of the Nintendo Switch, Emma enthuses, “It’s been such a thrill to partner with Nintendo Australia for this campaign and show how these games, and Nintendo Switch, form a part of my home routine and help me to relax and unwind by myself and with family. Sharing the fun with my husband and sister has been great too!” 

The campaign commercials also showcase the involvement of Emma’s sister, Hayley Watkins, and her husband, Oliver Brian, adding a heartfelt touch to the narrative. The debut TV commercial, highlighting the entertaining gameplay of Ring Fit Adventure and Animal Crossing: New Horizons, is already captivating audiences.

Explore the captivating world of Nintendo Switch with the first commercial starring Emma Watkins and her sister, Hayley. Immerse yourself in their journey of unwinding and connecting through the magic of Nintendo Switch.

Stay tuned for more engaging content and inspiring narratives as Nintendo Switch continues to bridge the gap between entertainment, lifestyle, and innovation.

For further updates and to stay connected with Emma and Hayley Watkins, join the conversation on social media and explore the endless possibilities of the Nintendo Switch experience.

Beyond the Octagon: ‘STYLEBENDER’ Documentary Explores the Complex Life of Israel Adesanya

Prepare for an enthralling journey into the life of MMA superstar Israel Adesanya as the trailer for the much-awaited documentary, “STYLEBENDER,” takes center stage. Directed by the accomplished Zoë McIntosh, renowned for her works like “Dark Tourist” and “The World in Your Window,” this documentary promises an intimate perspective on Adesanya’s life. Set to hit cinemas on September 28, 2023, “STYLEBENDER” boasts of an international premiere that graced the esteemed Tribeca Film Festival earlier this year. The film’s captivating narrative was captured over five years, offering unprecedented access into the world of UFC World Middleweight Champion Israel Adesanya and his dedicated team.

“STYLEBENDER” isn’t just a documentation of Adesanya’s fights within the octagon; it’s a profound exploration of his journey, his essence, and the complexities that shape him. The documentary delves beyond the veneer of a fighter to reveal the intimate aspects of Israel Adesanya’s life. Born in Nigeria and rooted in New Zealand, Adesanya’s trajectory is far more than a conquest in the ring. This cinematic narrative traverses the realms of masculinity, the aftermath of bullying, the intricate maze of mental health, and the transformative power of dance. “STYLEBENDER” delves deep, providing a poignant and multi-dimensional portrait of this electrifying figure who is nothing short of enigmatic. Aptly nicknamed ‘The Last Stylebender,’ Israel Adesanya’s journey is a testament to his resilience, the scars he carries, and the triumphs that define him.

This cinematic odyssey is a FluroBlack production, a collaborative effort that brings together filmmakers of note. The skilled hands of Fraser Brown (known for “McLaren” and “Dawn Raid”), Leela Menon (acclaimed for “Dawn Raid” and “Mothers of the Revolution”), and Tom Blackwell (noteworthy for “The Subtle Art of Not Giving a #@%!”), are at the helm of “STYLEBENDER.” The film’s realization has been made possible through the support of the New Zealand Film Commission and the New Zealand Government’s Screen Production Grant. The film’s completion was further aided by funding from the New Zealand Government’s Screen Production Recovery Fund.

The captivating tale of Israel Adesanya, as unveiled in “STYLEBENDER,” is set to captivate audiences in New Zealand and Australia. Ahi, the distributor of this compelling documentary, ensures that the journey of Adesanya will resonate deeply with audiences, serving as an inspiring testament to the power of determination, the complexity of the human experience, and the capacity for transformation.

As the cinematic stage is set to welcome “STYLEBENDER” into its fold, the anticipation mounts. The life, the struggles, and the triumphs of Israel Adesanya, a fighter whose journey transcends the ring, will illuminate screens, minds, and hearts. This documentary is more than a depiction; it’s an exploration, a revelation, and an invitation to witness the layers of a man who embodies the spirit of a champion both within and beyond the octagon.