Legendary Actress Betty White Dies Aged 99

Iconic actress Betty White has passed away, less than three weeks before celebrating her 100th birthday.

Betty White made the world laugh starring on popular sitcoms such as “The Golden Girls” and “The Mary Tyler Moore Show,” and she won two Emmys for her work on “The Mary Tyler Moore Show” playing Sue Ann Nivens.

ABC News confirms that White was actually planning to celebrate her 100th birthday with a star-studded event featuring several celebrities including Ryan Reynolds, Tina Fey, Robert Redford, Clint Eastwood, and Morgan Freeman.

Considered as a pioneer of early television and known as the First Lady of Television, with an amazing career spanning eight decades, White was among the first women to exert control in front of and behind the camera and even the first woman to produce a sitcom (Life with Elizabeth).

White became a recurring panelist of various American game shows such as Password, Match Game, Tattletales, To Tell the Truth, The Hollywood Squares, and The $25,000 Pyramid. She also became the first woman to receive the Daytime Emmy Award for Outstanding Game Show Host for the show Just Men! Her most popular roles include playing Sue Ann Nivens on The Mary Tyler Moore Show (1973–1977), Rose Nylund on The Golden Girls (1985–1992), and Elka Ostrovsky on the TV Land sitcom Hot in Cleveland (2010–2015).

White received eight Emmy Awards in various categories in the span of her career, three American Comedy Awards, three Screen Actors Guild Awards, and a Grammy Award. She also has a star on the Hollywood Walk of Fame, she’s a 1985 Television Hall of Fame inductee and she even earned a Guinness World Record in 2018 for working longer in television than anyone else in that medium.

ABC News confirms that A film honouring White will still be released on her birthday as planned, and it will be shown in more than 900 theatres across the US from January 17.

 

Editorial credit: Featureflash Photo Agency / Shutterstock.com

Actor Spotlight: Find Out More About Angelo Montano

Acting came early for Angelo Montano, appearing at the age of four in the fondly acclaimed Australian series A Country Practice in 1981. For the next 40 years, he has built on his career as an actor, taking on roles in award-winning Aussie dramas like UnderbellyPacked to The RaftersBikie Wars, and Neighbours

Angelo has not been limited to playing characters on television, having also tackled big-budget international tent pole movies with Disney’s Jack Sparrow in Pirates of the Caribbean and fighting alongside Asia’s No. 1 Mega Star Jackie Chan First Strike

With a long list of productions, movies, and streaming series, currently underway locally, Angelo’s has recently scored a major movie role set to start filming on the Gold Coast this summer. His long list of credits has placed him in the envious position of being asked to audition for three other roles before the end of 2021, which includes a new children’s streaming series.

His olive complexion and good looks, born from Italian heritage, have benefited casting agents when looking for cultural diversity. Angelo slips into the part with ease, whether taking on drama or comedy. From performing on stage in theatre productions to television commercials, he learns and hones his craft and love for acting. 

For Angelo, his acting can benefit from his personal growth, using his life lessons and bringing that to the characters and roles he plays. He also knows that you have to keep working at it with anything you love and put the time in to broaden your education. So, he enjoys nothing more than attending a peer workshop, hoping to improve on his passion so he can put everything into each performance and gig.

After recently taking a forced break for two years to look after his seriously ill young Daughter, who needed full-time care, Angelo has returned to acting. 

FilmCentral Magazine recently caught up with Angelo to discuss his journey in the industry, and here’s what went down:

Can you tell us more about yourself? 

Well, what can I say? I enjoy making people laugh and putting a smile on people’s faces; everyone has an amazing story to tell; I enjoy acting, or as I call it, my role play. I love impersonating characters and being funny, nothing better than seeing people happy. I also do many charity works for sick children and help those less fortunate. As I always say, there’s always someone worse off out there. So things are never as bad as it seems.

How did you get started in the entertainment industry? 

I was four years old, living in Sydney in 1981 when a friend from school’s father worked on A Country Practice – he needed a boy to play a hospital patient, so me being an out-there child, jumped at the chance. I was always the entertainer in my family and, as you could say centre of attention (laughs). I then went on a year later and played an autistic child on the show. My love of television was known as a child, sitting like a metre away from the television, learning, and copying every show I watched, even romper room. I always wanted to be famous. Because to me, it was something inside that said if people around you are smiling and laughing, you keep doing what you are doing. I had a loving family around me that always laughed and smiled even if times were tough. From then on, I did everything in the entertainment industry, from school lead roles in musicals and cameo television appearances to even being on young talent time as a junior performer. My mum and grandad were my rocks; they took me and sacrificed a lot for me at a young age to follow my dreams.

What do you like most about acting? 

I’ve probably answered that already – getting to play various roles and challenging myself, and being in the moment. As I got older, I learned to act differently; being younger, I was more worried about being seen on a film or television or showing off (laughs). But after years of experience, my goal was to really take on the person I’m playing and be him – focused on playing the best part I can with what I have at hand. You might have an idea of what the role is but so do others. I used to focus on getting the script right and making sure directors were happy. But I took a different approach and thought to myself, hey, be the guy, show them who you are, and always stay in character. As I call it – be the person I’m playing to be. The best thing I love about acting is seeing people say, wow, you were great; it gives me self-satisfaction and determination to do more because I’ve done right by the character and right by the public. Meeting so many wonderful people who share your enthusiasm and passion for the industry is satisfying. But mainly, it’s to tell stories through different people I have played and hope that I do the character justice and deliver an amazing performance.

How different is it to act in a movie and to act in a TV series? And which one do you prefer? 

Good question. They are totally different in a lot of ways. I’ve worked on many American and Australian productions, and it’s such a massive difference. I enjoy working on large films; sometimes, you feel like just a number or not famous as the main cast. Because of its large scale, it’s a lot more rushed and more pressure, a lot more crew watching your work which is a good thing though you feel like a celebrity at times (laughs). TV series is great because you get to meet many local talented people, make good friends, and network in the industry. I have done lots of various roles in short films as well. In my spare time, I helped many film students and did many projects to challenge myself for future productions. TV series is also good because you can be known for that character and remembered if you execute an outstanding or memorable performance.

What are your weak points when it comes to acting? How do you try to improve them? 

Well, I guess my weak points were focusing too much on the script in my earlier years, worrying about stuffing up the lines, and not focusing on the character I would play. As I grew older, I learned not to worry so much and take on that character and be that person without being in their shoes for real. I always try to use my life experiences and what I’ve learned to better or improve my skills to adapt to the character.

What are your strong points as an actor? 

Being believable and having people say, wow! I guess I naturally have that ability now without sounding egotistical. But it’s taken a lot of hard work and experience to get to where I am. Some are luckier in a sense, while others take time. But if you believe in yourself, you never give up, and I have done this my whole life. My strong points would be my dedication and training to be better to move with the times, the diversity of characters I can play from gangster to policeman to father to villain, and even drama. I love new challenges so I can break away from my stereotypical look.

What have you learned from the directors that you have worked with throughout your career? 

Wow, tough question! Directors love filming and have chosen that path, and I love acting to make it come alive for them. Many directors are set in their ways, and they have an idea of what they want to achieve on set. Others have asked me for input to make scenes jump out, so I guess you could say I learned creativity from them, and in the end, we are the same. We all have a story to tell; they do it from behind the camera, we have to make their story and their dream come to fruition through our performance. In the end, it’s a mutual effort for all.

What are some of the difficulties of the acting business? 

It’s definitely a lot easier in a sense now with technology. We used to have composite cards and written resumes back in my day. Our agents did the best they could, having so many on the books, so you had to stand out. I remember getting in trouble for watching too much television (laughs). I had to explain to my parents that I was sitting there with a notebook taking down casting directors and directors’ names so I could write them a letter and send my composite cards to them and hopefully have a meeting or a chance to audition for upcoming films or shows. There’s also competing with so many talented people when the roles you thought were perfect for, cast someone totally different from what they wanted. I was lucky in so many ways as I always connected well with panel auditions and directors and casting directors. Nowadays, it’s pretty much a screen test, and I believe it’s like a lottery because nothing beats an actual performance on the spot like an improv or an audition face to face. I think we worry too much now; there are so many difficulties around us in this world with acting and film that we just have to do the best with what we have and do an amazing job to the best of our ability.

What’s challenging about bringing a script to life? 

Doing the same character as the scriptwriter envisaged to create and make that person appear in real life. Also, making sure you do the character justice and be creative with it from many angles, I always like to give a different vision as well but mainly stick to the task at hand. It’s also the actors around you that make this magical if you have a talented bunch that gel together; this is where movie magic happens. I love to work with actors who have that natural ability to flow with each other, and this is where it comes to life.

What do you do when you’re not filming? 

Usually, apply for more roles and try to keep myself busy and keep training or networking with others. I love spending time with my beautiful wife Elsa, my little princess Valentina, and my immediate family and friends, who are all so supportive. Nothing is better than being at home after being on set for so long – it’s the precious times we spend with our family and friends that mean the most; after all, they have all supported my journey, and I can’t thank them enough.

What has been the most memorable experience of your career so far? 

There’s too many to mention. I’d say going to the Logies as an invited guest in 2011 for Underbelly on channel 9 – that was a dream come true. To be in the same room with so many Australian actors and actresses whom I’ve watched on television and being around them was so surreal at that time; I felt I had achieved so much personally. One highlight that has stayed with me was meeting Nicolas Cage while on the set of Knowing; he was an amazing man. I’ve probably forgotten the thousands I’ve met across the years, but they are all special to me as we are all in this field together.

Who have been the most interesting people you’ve met so far? 

I’ve become great friends with Ian McFadyen, the writer, and director of the comedy Company, Let the blood run free, and many more productions he has done over the years. I looked up to him as comedy was my life as a child. He is currently directing and writing for our new show called meet the Guido’s; it’s amazing to have such a great man with a wealth of knowledge to learn from and actually fulfill another of my life’s dreams to work with – a man I watched as a child on television.

If someone is going to make your life into a movie, who would play you? 

Hopefully, me, of course (laughs). Probably John Travolta or Christopher Walken; I get compared a lot to these two actors in my work, so that can be interesting. Otherwise, Al Pacino or anyone from the Sopranos.

What are your future plans? Inside your career or out of it.

It’s a busy time ahead for me. I’ve been cast in some major productions coming up so far. So I have some major lead roles in some big upcoming productions – look out for me on the big screen next year. I’m spending as much time as I can with my family, enjoying my time, and seeing my gorgeous little girl Valentina grow day by day. Other than that, it’s reading scripts and working on my projects on hand and, of course, talking to you beautiful people at FilmCentral magazine.

Is there is anything else or interesting you can tell us.

I’ve had longevity in the industry, and I want to thank all the people who have believed in me and given me opportunities to fulfill my dreams and my love of acting. I spent a lot of time helping out sick children in hospitals collecting for charity’s; it’s very close to my heart, pardon the pun, as my daughter, Valentina, was diagnosed with a major heart condition from birth, and it’s been a wild journey, to say the least having her heart operation – it really shocked our family. I spent weeks walking around the hospital to help sick children to put a smile on their faces. I always said we were lucky because there is someone worse off out there than us at the moment; this gave me personal satisfaction more than anything I had achieved. It made me feel complete to give something back to those less fortunate or going through worse situations than us.  

This Documentary captures behind the scenes of an International theatre collaboration in the middle of a global pandemic!

In 2017 Brisbane based Belloo Creative started a long-term collaboration with Japan’s IDIOT SAVANT theater company and New Zealand’s Good Company Arts. The companies met in Japan at the Tokyo Performing Arts Meeting and in 2018 Belloo Creative brought them all to Australia for a first creative development.

In 2020, just prior to the pandemic, they premiered their new work, House in the Dunes, in a 400-year old temple in Yokohama. But the main goal was a show for the Tokyo Tokyo Festival, to coincide with the 2020 Olympics. Little did they realise that by the time production was due to begin, the world would be facing a once in our lifetime pandemic, hampering overseas travel and decimating the arts sector.

Not to be deterred the work was not abandoned, merely postponed to 2021 to coincide with the Tokyo Olympics, resulting in a successful season in the small village of Akiruno in July 2021, thereby allowing Belloo to deliver on their vision to provide content globally across artforms that inspire imagination, collaboration and change.

Belloo Creative’s Caroline Dunphy said, “We were preparing for a production in Japan (alongside a New Zealand company) and then suddenly none of us could travel – but our ideas and some form of our art could travel, even when we couldn’t.”

Akiruno is the name of a small village, west of Tokyo, in the mountains, where the Blue Herons nest in spring and summer. The all-ages performance is named after the village and was developed in collaboration with their community, including local actors, working alongside the ensemble of IDIOT SAVANT theatre company (Japan) and artists from Belloo Creative (Australia) and Good Company Arts (New Zealand) over a period of 18 months.

A documentary on the making of this international theatre show, with collaborators from three different countries, in the middle of a global pandemic is now being released with thanks to funding from the Australian Government through the Australia-Japan Foundation of the Department of Foreign Affairs and Trade.

Of the linguistic challenges co-director of Belloo Creative Katherine Lyall-Watson said, “There were so many Zoom meetings with Kay, our wonderful translator – and if you’ve ever done intercultural bilingual meetings, you’ll know that everything takes at least three times as long as it normally would!”

Running at 20mins, this documentary allows a rare insight behind the scenes into the creative process and what it truly takes to collaborate. “We’d always planned to take a documentary filmmaker to Japan with us to make AKIRUNO, and fortunately the Australia Japan Foundation were happy for us to use our funding to create a different sort of documentary – one about the process of collaborating from different countries to make a live performance in Japan,” said Dunphy.

Lyall-Watson had been asked to adapt Japanese folktales from Akiruno into a stage play for the production.   “As a playwright, it’s so strange to write a play and have it staged and never have the chance to see it,” she said. “I hope it will have another life and that I’ll get to see it one day.”

The AKIRUNO documentary will be launched at an online Research Showcase from the School of Creative Practice, QUT today Friday 17th December from 1-2pm (AEST). This will be followed by a live Q&A with QUT’s Dr Kathryn Kelly and Belloo Creative’s Co-Artistic Directors Caroline Dunphy and Katherine Lyall-Watson.

CREDITS:

Documentary concept: Caroline Dunphy & Katherine Lyall-Watson, Filming & Editing: Shaun Charles Dramaturgical research: Dr Kathryn Kelly; Original music: Daniel Belton & Good Company Arts featuring Jac Grenfell, Al Fraser and Eliahpt (Aotearoa NZ;  Original test film design & projection work: Good Company Arts; AKIRUNO rehearsal footage & interviews: Kintaro Iwakura

Kurdish genocide survivor, Rahel Romahn reaches milestone as a finalist for the prestigious Heath Ledger Scholarship

Rahel Romahn, a Western Sydney-based actor, known mainly for his roles in The Principal, Here Out West, Alex and Eve, Australian Gangster, and many more, is among the six finalists selected for a prestigious Hollywood acclaimed scholarship.

Australians in Film, a Los Angeles-based non-profit film, television, and digital content foundation that supports and promotes Australian screen talent and culture in the United States, have announced the finalists in the prestigious career and life changing Heath Ledger Scholarship for 2021.

As a Kurdish genocide survivor who came to Australia at the age of four, Rahel certainly exceeded all expectations and became one of Australia’s best young actors with a Logie and AACTA award nomination for his role in The Principal and now being selected as one of the six finalists out of 600 applications.

The Heath Ledger Scholarship is awarded to an emerging Australian actor with extraordinary ability and dedication to their craft who wishes to work and train internationally. It is named in memory of Ledger, the Perth-raised actor who sadly passed away in 2008, aged just 28. Ledger made his mark in Hollywood in films including Brokeback Mountain, The Dark Knight, and 10 Things I Hate About You.

Rahel Romahn has appeared in many Film, Television, and Theatre productions in the last 15 years with multiple awards, for his performance in the internationally acclaimed The Principal. He has in the past year, worked on multiple films and US TV shows, one of them being God’s Favorite Idiot, starring Melissa McCarthy and Ben Falcone. He is also the lead character in the upcoming Australian film Streets of Colour.

The other five actors in the running for the scholarship are Max Brown (The Tourist, The Gloaming), Mabel Li (The Tailings, New Gold Mountain), Andrea Solonge (Privileged, Girl, Interpreted), Zoe Terakes (Wentworth, Nine Perfect Strangers) and Harvey Zielinski (Don’t Look Deeper, My First Summer).

The 2018 scholarship winner Charmaine Bingwa, who has gone on to star opposite Christine Baranski, Audra McDonald, and Mandy Patinkin in the Chicago-based series The Good Fight announced the finalists on Australians in Film’s Instagram page.

The scholarship has been awarded 10 times previously and previous recipients have included Bingwa, Bella Heathcote (Relic), Cody Fern (American Horror Story), Ashleigh Cummings (Citadel), and Mojean Aria (The Enforcer).

“We had a staggering 600 applications this year, which is a record for the scholarship. Leading Australian and US Casting Directors, including, from the US; Barbara McCarthy, Alyssa Weisberg, Jason Wood and John McAlary, and from Australia; Ann Fay, Anousha Zarkesh and Amanda Mitchell, had the hard task of narrowing the field down to just six finalists. We thank them enormously for their passion in finding new Australian talent for the world.”

“The intelligence, dedication, commitment and talent of the six finalists really shined through in not only their auditions, but their applications, in which they had to talk about what being a HLS recipient would mean to them. Given their combined lived experience, they were indeed powerful reads. On behalf of the Ledger family, the Patrons of the Scholarship and the Board of AiF we congratulate them all.”

The six finalists have now recorded additional material, which will be sent to the final scholarship jury, made up of iconic Australian actors Chris Hemsworth and Jacki Weaver, acclaimed director Rachel Perkins, leading casting director Nina Gold and award-winning US actor Alia Shawkat.

Prizes this year include a US$10,000 cash prize to support the recipient with living expenses in the US while studying, a return economy flight to the US, plus a stack of educational training and career preparation worth over AUS$50,000.

The scholarship winner will get speech and dialect coaching, private acting coaching, headshots, immigration advice, personal styling, and even meditation classes.

The Encanto Original Motion Picture Soundtrack Is Now Available From Walt Disney Records

Available now from Walt Disney Records, the Encanto Original Motion Picture Soundtrack Encanto Original Motion Picture Soundtrack features eight original songs by Tony®- and Grammy®-winning songwriter/composer Lin-Manuel Miranda (Hamilton,” “Moana) with original score by award-winning composer Germaine Franco (Dora and the Lost City of Gold, Little,” “Tag).   The soundtrack also features Colombia, Mi Encanto by Carlos Vives and Sebastián Yatra performs the original song Dos Oruguitas” in Spanish in the film, as well as the English language version of the song, in the end-credits. The physical soundtrack will be available on Dec. 17. Walt Disney Animation Studios’ “Encanto opens in Australian cinemas on December 2, 2021.

On diving into the music of the Colombian-set story, Miranda said A lot of the rhythms are familiar to me, but the instrumentation and orchestration are different and often unique to Colombia.  One of the most fun things is that the accordion is so central to the music. It was really a joy immersing myself in artists I didnt know and doing deeper dives into those Ive grown up lovinglike Carlos Vives, who were lucky enough to work with on this movie. This entire process has been about falling in love with Colombian music and culture and getting to play in that space.

Miranda wrote and produced eight original songs for Encanto. Mike Elizondo (“96,000” from In The Heights,” “My Shot (Rise Up Remix) from The Hamilton Mixtape) co-produced the songs. I hope audiences come away singing these songs just like so many classic Disney movies, said Elizondo. There are so many positive messages about family and our relationships to one another. I also hope they realize how much variety there is in Colombian music. I learned so much about their rhythms and styles during the production process and I hope the audience can use the soundtrack as a gateway to discover Colombian music.

The Encanto Original Motion Picture Soundtrack features eight original songs and a full original score, plus one reprise and one end-credit version of a song from the film. The digital version of the soundtrack also includes instrumental versions of the songs. 

Award-winning composer Germaine Franco is behind the original score for Encanto. Franco worked closely with filmmakers and Miranda to create a signature score that complemented the songs and story.

Commenting on the score, Franco said, Collaborating with Jared Bush, Byron Howard, Lin-Manuel Miranda, Charise Castro Smith, and Yvett Merino was a dream!  We created new textures and sonorities, using traditional Colombian instruments such as tiples, bandolas, cununos, marimba de chonta, arpa llanera from Latin America mixed with orchestra. The sound of the score is infused with many Colombian rhythmic styles including bambuco, mapalé, cumbia, and joropo. The score weaves in and out of the beautiful songs of Lin-Manuel Miranda. I hope that the musical imagery of the score evokes the resonant landscape of Colombia, the tenacity of our lead character, Mirabel, the strength of family, and our shared humanity.

Encanto is directed by Jared Bush (co-director Zootopia) and Byron Howard (Zootopia,” “Tangled), co-directed by Charise Castro Smith (writer The Death of Eva Sofia Valdez) and produced by Yvett Merino, p.g.a., and Clark Spencer, p.g.a.  Castro Smith and Bush are screenwriters on the film.

In the film, the magic of the Encanto has blessed every child in the family with a unique gift from super strength to the power to healevery child except one, Mirabel. But when she discovers that the magic surrounding the Encanto is in danger, Mirabel decides that she, the only ordinary Madrigal, might just be her exceptional familys last hope. The voice cast includes Stephanie Beatriz, María Cecilia Botero, Wilmer Valderrama, Adassa, Diane Guerrero, Mauro Castillo, Angie Cepeda, Jessica Darrow, Rhenzy Feliz and Carolina Gaitán. 

You can watch the Music Featurette below:

A New Trailer For “Nightmare Alley” Is Now AVAILABLE

Directed by: Guillermo del Toro

Release date: In Cinemas January 20, 2022

Cast: Bradley Cooper, Cate Blanchett, Toni Collette, Willem Dafoe, Richard Jenkins, Rooney Mara, Ron Perlman, Mary Steenburgen, David Strathairn

Synopsis: In Nightmare Alley, an ambitious carnival worker (Bradley Cooper) with a talent for manipulating people with a few well-chosen words hooks up with a female psychiatrist (Cate Blanchett) who is even more dangerous than he is. A film by Guillermo del Toro.

The Official Poster & Trailer For Wyrmwood: Apocalypse Has Just Dropped

Wyrmwood: Apocalypse is a post-apocalyptic zombie film that follows soldier Rhys who lives in a zombie-infested Australian wasteland. Rhys is on an arc of redemption as he turns against his evil bosses and joins forces with a group of rebel survivors to help rescue a girl who holds the cure to the virus.

The film which has been hailed as ‘Mad Max Meets Dawn Of the Dead’ – has picked up an audience award at the 2021 Sydney Film Festival for Best Feature Film.

Release Date: February 10,2022

Cast: Luke McKenzie as Rhys, Shantae Barnes Cowan as Maxi, Jake Ryan as the Colonel, Bianca Bradey as Brooke, Tasia Zalar as Grace, Jay Gallagher as Barry and Nick Boshier as the Surgeon General

Directed By: Kiah Roache-Turner

Written By: Kiah & Tristan Roache-Turner

Produced By: Tristan Roache-Turner & Blake Northfield

Check out the trailer below:

Disney and Pixar’s “Turning Red” Introduces Film’s Heartthrob Boy Band 4*Town

According to Turning Red” director Domee Shi, if you set a 13-year-old girls coming-of-age story in the early 2000s, its pretty much mandatory to include a boy band. We needed our character Mei to be obsessed with something that her mom would not approve of, said Shi. Boy bands were the first step into the world of boys for a lot of girls that age. The guys were all super pretty, polished, soft and loving, and they had of way of bringing girls and their besties together. Plus, I thought itd be really cool to create an animated boy band.

Enter Pixars first-ever boy band, 4*Town. Filmmakers called on GRAMMY®-winning singer-songwriters Billie Eilish and FINNEAS to write the fictional bands songsthree in total, including the song Nobody Like U featured in the new trailer. When we first started talking about Billie Eilish and FINNEASback before theyd won a billion GRAMMYSwe could see then how they had their finger on the pulse, said producer Lindsey Collins. We were big fans. We met with them and pitched this crazy idea of a boy band, asking if theyd be interested in writing and producing the songs. They were! 

Eilish, whose sophomore album, Happier Than Ever, debuted at No. 1 in the Billboard 200 in the U.S. and in 19 countries worldwide, made history as the youngest artist to win in all the major categories at the 62nd GRAMMY® Awards, receiving an award for best new artist, album of the year, record of the year, song of the year, and best pop vocal album.

FINNEAS, the youngest ever to win the GRAMMY® for producer of the year (non-classical), built a sterling discography penning and producing smashes for a cadre of superstarsnot only for his sister, Billie Eilish, but also Justin Bieber,  Demi Lovato, Selena Gomez, Camila Cabello, Tove Lo, Kid Cudi and Ben Platt, among others. His debut solo album Optimist is out now.

GRAMMY®-, Oscar®- and Emmy®-winning Swedish composer Ludwig Göransson (Black Panther,” “The Mandalorian) is composing the score for Turning Red.” “Ive been a fan of his for a while, said Shi. We were drawn to his versatilityhes a composer, but he also produces pop music. We knew he would help us create a very unique sound.

Joining previously announced Rosalie Chiang and Sandra Oh, who lend their voices to Mei and her mother Ming, are Orion Lee as the voice of Meis dad, Jin, and Wai Ching Ho as the voice of Grandma. Meis tightknit group of friends are voiced by Ava Morse as Miriam, Maitreyi Ramakrishnan as Priya, and Hyein Park as Abby. Tristan Allerick Chen voices classmate Tyler, and Addie Chandler lends his voice to Meis secret crush Devon. Providing the harmonious voices of the members of 4*Town are Jordan Fisher, Grayson Villanueva, Josh Levi, Topher Ngo and Finneas OConnell. Rounding out the voice cast are James Hong, Lori Tan Chinn, Lillian Lim, Mia Tagano, Sherry Cola, Sasha Roiz and Lily Sanfelippo. 

ABOUT THE MOVIE

Disney and PixarTurning Red” introduces Mei Lee (voice of Rosalie Chiang), a confident, dorky 13-year-old torn between staying her mothers dutiful daughter and the chaos of adolescence. Her protective, if not slightly overbearing mother, Ming (voice of Sandra Oh), is never far from her daughteran unfortunate reality for the teenager. And as if changes to her interests, relationships and body werent enough, whenever she gets too excited (which is practically ALWAYS), she poofs into a giant red panda! Directed by Academy Award® winner Domee Shi (Pixar short Bao) and produced by Lindsey Collins Turning Red releases March 31, 2022.

You can view the new trailer below:

Walt Disney Australia Release Schedule As Of November 2021…The Countdown Begins NOW

2021 has been a tough year for the movie industry. As the Covid-19 pandemic continues to drastically affect the world, the year’s biggest films were caught in the crossfire which resulted in a number of setbacks and cancellations brought upon by the pandemic. However, Walt Disney Australia has decided to put some of these skepticisms to rest, with the company revealing their Australian release schedule for all their films until 2023. Without further ado, check out Walt Disney Australia’s release schedule as of November 2021.

The Trailer & Release Date For BERGMAN ISLAND Has Just Dropped

Maslow Entertainment has recently announced the release date for, BERGMAN ISLAND. Directed and written by Mia Hansen-Løve (Eden, Things to Come) and starring Mia Wasikowska (Judy & Punch, Tracks, The Kids Are All Right), Tim Roth (Pulp Fiction, The Hateful Eight), Vicky Krieps (Phantom Thread, OLD) and Anders Danielsen Lie (22 July, Personal Shopper, The Worst Person In The World), the beguiling drama about life, love, and art is set to arrive in Australian cinemas nationally on January 6, 2022. The film will be distributed by Maslow Entertainment in partnership with Umbrella Entertainment.

A filmmaking couple, Chris (Krieps) and Tony (Roth), retreat to the breathtaking and mythical Fårö Island in Sweden for the Summer, a place where the legendary director Ingmar Bergman shot some of his most celebrated films. While hoping to find creative inspiration, but spending most of their days apart, memories of Chris’ first love are evoked and the lines between reality and fiction progressively begin to blur, ultimately making her question her current relationship.

‘BERGMAN ISLAND’ WILL BE AVAILABLE IN AUSTRALIAN CINEMAS NATIONALLY ON JANUARY 6, 2022

Check out the trailer below: