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Rising Star To Watch Out For In 2021: Introducing Kathy Luu

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Kathy Luu is an actor, director, photographer, and writer. Born in Sydney to Vietnamese refugee parents, she studied law and film at UNSW, before becoming an actor. Creating innovative short content videos and visuals for social media is part of Kathy’s creative practice. She is inspired by work that is bold, funny, unique, playful, and crazily creative. Her film The Real Zombie Housewives has won international awards for its originality and comedy.

She can be last seen acting in the NBC comedy The Good Place, and domestically soon to be released, the first Asian-Australian lead rom-com, Rhapsody of Love as the lead and associate producer. She is currently in post-production for her web series Zombie Therapy as director, co-producer, and actor.

FilmCentral Magazine recently caught up with Kathy to discuss her journey in the industry and here’s what went down:

Can you tell us more about yourself?

They say we carry the unlived lives and dreams of our parents. My parents, though factory workers by day in their early years of living in Australia, were at heart romantics, poets, artists, philosophers, dreamers, and great humanists. This explains my love for the arts and also why I did not finish law school! So love, art, beauty, creativity, movement, care for humanity, delight, and freedom (when I remember!) is who I am in more core essence – to express and live that in my daily life and through my art is what I am about in a paragraph.

How did you get started in the entertainment industry?

My first acting gig was when I was 6 years old – cast as Dorothy in The Wizard of OZ in the primary school play. My first adult acting gig was in a music video with a very talented Australian director Luke Eve, who has become a great friend.

What do you like most about acting?

Acting is so much an exploration of being human. Getting to experience something new through the characters – the process of transformation and embodiment is something else. Getting to work and create with other people and the ability to tell new stories. Filmmaking and movies are a way for people to see and experience something new. Like any art or experience, a moment of new truth or beauty in a movie can shift the way you see yourself and thus the world. Movies can be a very positive force.

How different is it to act in a movie and to act in a TV series? And which one do you prefer?

I don’t feel it is that different – same delicious cake, different packaging. If I have a delicious cake to sink my teeth into, I don’t mind what the packaging is like. Sometimes the cake needs to be made and eaten fast, and other times you get to slow down a bit and enjoy the unexpected custard and surprise layer that is in the cake. I just try to make sure that I enjoy whatever cake I am eating!

What are your strong points as an actor?

Anything involving going deep is my strength, as well as going sideways and very silly. I have no fear in going deep into a scene, nor making a fool of myself for a laugh. I’m also very good at falling over.

What are some of the difficulties of the acting business?

The same difficulties you’d probably find in other areas of life! But they don’t have to be. Any difficulty presents an opportunity for strengthening or renewal of our character. Difficulty changes a person – I do what I can to let it change me in a positive way and it becomes a blessing. Plus, once you are forged between fire and iron, you bring something else to who you are and your work that hasn’t been there before. What a gift! ‘Waiting’ is a big difficulty for a lot of people in this business I feel. For me waiting changed me significantly and allowed me to discover all these other skills and potentials I had inside me.

What’s challenging about bringing a script to life?

As an actor, finding your character I feel is key and also one of the most challenging and satisfying experiences. If you can find the movement and essence of your character this adds an incredible life and world to the life of a script. As a director, having a very clear vision and mood – the translation and execution of the script into a tangible form – so what you produce is as good or better than what you and the scriptwriter imagined.

What do you do when you’re not filming?

I enjoy life as much as I can. I am one for celebrating simple pleasures, as well as great ideas. Creativity, love, care, and being happy is my lifestyle. I direct, I photograph, I write, I make art, I explore human consciousness with my cup of coffee. I take great pleasure in people. I find people so rich with beauty, stories, and interesting things. So I spend a lot of time alone and spend a lot of time with people. I’d love to spend more time in nature.

What has been the most memorable experience of your career so far?

Getting my first US TV job (The Good Place) was very memorable. But right now Rhapsody of Love has been one of my favourite projects to work on – I got to work and play with so many amazingly beautiful people, and it is also the first time I got to lead a film – and that has been one of the most satisfying experiences.

Who have been the most interesting people you’ve met so far and what have you learned from the directors that you have worked with throughout your career?

Joy Hopwood, the director/producer for Rhapsody of Love has been one of the most interesting people I have met. Her tenacity and passion are on another level. Our producer, Ana Tiwary has both extraordinary kindness and as well as strength and vision- she is amazing at what she does. Jeneffa Soldatic, another amazing director and dramaturg has such a beautiful way of guiding actors into deep and open places and has done this for me. All these women have been so true to themselves, and I have seen the ripple positive effects it has on all those around them. It has shown me what one person can do.

If someone is going to make your life into a movie, who would play you?

Firstly, it would have to be an animation or a stop motion animation. I pretty much would like Rudolph the rednosed reindeer from the 80s Christmas stop motion to play me. If he’s unavailable then Emmett from The Lego Movie. And if he happens to be on the 6th Lego movie, then probably Emilia Clarke would be wonderful.

What are your future plans? Inside your career or out of it.

This morning I woke up thinking, “Let’s just live and love the heck out of life”. That’s my plan for now.

Rising Star To Watch Out For In 2021: Introducing Damien Sato

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Damien recently starred in the feature film ‘Rhapsody of Love’ with co-star Kathy Luu, in Australia’s first rom-com featuring two Asian leads. The film has gained wide interest and has been submitted to various film festivals including the prestigious Gold Coast Film Festival. He has also been involved with various productions including ‘Innocent Killer’ which won best feature film at the International Film & Entertainment Festival of Australia.

Damien is known as a multi-talented actor with a broad range of skills including but not limited to: languages (Mandarin, Cantonese, Japanese), martial arts (krav maga, weapons, boxing), presenting, and hosting.

He has also studied at various established institutions such as the Actor’s Centre of Australia, NIDA and Screenwise, Actors Pulse, and several of Australia’s top directors and casting directors. With a firm drive for constant self-improvement and growth, he is relentless in becoming a better actor and just an overall better human being. FilmCentral Magazine recently caught up with Damien to discuss his journey in the industry and here’s what went down:

Can you tell us more about yourself?

I would consider myself somewhere between a mad scientist and a Zen monk. I like to experiment with optimising my biology i.e. performance, whilst also remaining relatively unattached to anything worldly.

How did you get started in the entertainment industry?

I got started after seeing an advertisement for talent, with the key phrase “no experience necessary”. I was very shy and awkward in front of the camera, so it was a perfect career choice!

What do you like most about acting?

I consider acting a “meta career”, meaning that it is a career that involves learning about all other careers. I mean you could be playing a doctor or lawyer one day, and a serial killer the next (not like being a serial killer is a real career). Basically, you get to delve into the lives of many people and learn what it’s like to be someone else.

How different is it to act in a movie and to act in a TV series?

Well, I haven’t really acted in a TV series so I wouldn’t really know. I guess I’d prefer to act in a movie since you don’t get locked into playing one type of character.

What are your weak points when it comes to acting? How do you try to improve them?

Being inside my head. It’s all about being in the moment, and you can’t really be in the moment if you are thinking about the moment. I just really let go of the outcome or trying to act, and just be. Often, just listening produces the best acting.

What has been the most memorable experience of your career so far?

The whole thing has been a giant blur of goodness. I would say the best times I’ve had were being paid to travel the world whilst being able to work with awesome people.

What are your strong points as an actor?

I’m a very analytical person, which tends to keep me in my head, however, at the same time, it allows for me to break down and understand characters with great depth.

What have you learned from the directors that you have worked with throughout your career?

That every director has their own style and processes – It’s up to the actor to adapt to them, just as much as it is for the director to adapt to actors.

What are some of the difficulties of the acting business?

What’s not difficult? Seriously, there are too many to list (uncertain career path, don’t know when your next paycheque will be, dealing with egomaniacs, etc.), however, it’s the challenges that make it such a rewarding career path.

What’s challenging about bringing a script to life?

Really believing you are the character. Audiences can tell when you are being inauthentic or trying to act as if you are the character.

What do you do when you’re not filming?

Keeping my other assets working sharp, i.e. body, mind, and relationships. As an actor, you are the product, so you have to take care of all areas of your life to keep yourself going strong.

Who have been the most interesting people you’ve met so far?

Actors are an odd bunch, there’s always an interesting story behind each of them. No one really stands out when I think about it.

If someone is going to make your life into a movie, who would play you?

Someone devilishly handsome and charming… so myself (laughs). Kidding (or am I?). Truth be told, it would have to be Henry Golding, because lots of people say I look like him. It would be a good chance for people to say he looks like me!

What are your future plans? Inside your career or out of it.

Keep doing what I’m doing – putting myself out there and growing. I would love to have broken out to the U.S or international markets.

If there is anything else or interesting you can tell us

I plan to be single at this moment, there are simply too many things to do in life!

Meet The Woman Behind The Latest Issue Of FilmCentral Magazine: The Amazing Lili Liu

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A classically trained musician who happens to have a flair for theatrics is a killer combination. This combination resides in Lili Liu, an upcoming actress from Melbourne who plays an exciting role as the confident and ambitious young woman, Pinyuan Xue in her upcoming musical drama “Life as a Summer Flower,” which was originally written by her good friend, Xiaolin Shen.

Produced by Liu Entertainment (L Enter Pty Ltd), and starring Lili Liu, the musical comedy is centered during the Liang period of Wei Jing and Northern and Southern Dynasties (220-589) in ancient China. The family-oriented narrative of this series focuses on a heroine called Pingyuan Xue who originally hails from a peasant family but later emerges as a warrior who is determined to find her true love. After being overcome with a powerful vision, she becomes a legendary female warrior, meeting the Emperor whom she falls in love with, but then she eventually discovers she’s just being used for a different motive which leads her to go on a journey of discovering herself. While the series is supposed to be a musical comedy, at the heart of it is a message of determination and hope.

FilmCentral Magazine recently caught up with Lili Liu to discuss her journey in the entertainment industry and her latest project and here’s what went down:

Can you tell us more about yourself? How did you get started in the entertainment industry?

I’m a classically trained musician. I did my piano recital in Sydney Opera House and many other concert venues. But I have always wanted to write my own songs and share my love for storytelling. When my good friend Xiaolin Shen showed me her novel Life as a Summer Flower, I immediately felt I need to turn the story into a musical drama. It’s a story people need to see!

What do you like most about acting?

To become the other person. To think, act, and see the world from another person’s perspective allows me to see the world differently. When I act, I can give the voice to that character, that soul. To help that soul to express herself, to bring that soul to physical life is what I enjoy the most.

Can you tell us about your recent role in your drama series?

Pinyuan Xue is a very confident, independent, and ambitious young woman. She almost never doubts her own ability. She has lots of challenges in her life. She faced many setbacks. But she seems always to have the power to rise from the ashes, like a phoenix reborn from the ashes. I’m learning a lot from her, her brightness, positivity, and her ability to turn her vision into reality are very admirable.

What sort of person is going to relate to this character?

Everyone who begins with a humble beginning, and fights their way to achieve their dreams can relate to Pinyuan Xue. The scriptwriter Xiaolin Shen told me Pinyuan Xue is her ideal character. She is also my ideal. I hope I can be more and more like her.

How is this character like you? Different?

We both have big dreams and visions in life. We both do our best to achieve them. However, Pinyuan is more confident. She is almost always certain, and she doesn’t have many doubts. I have much more fear and doubts. I enjoy being her in the show, she taught me how to face challenges and fear, and how to win the battle fair and square.

Besides yourself, what celebrity would you like to see tackle this character?

I would like to think I’m the most suitable person for the role. I love this role. The role of Pinyuan Xue and her story really inspires me. It’s a story I have to tell. It took the scriptwriter Xiaolin Shen many years to write the story and develop the characters. I feel very blessed for the trust Xiaolin placed in me, and I will do my best to deliver a performance that even in many years’ time, I can still be proud of. Hopefully, the audience will feel inspired and entertained too.

What’s the biggest challenge to taking on this role?

Singing the monologues and act at the same time. Because it’s a musical, there are many dialogues we need to sing. When I sing and act alongside others, it’s much easier. There is a scene that I need to sing a monologue, like a self-reflection song by myself, I found it takes a lot of skills to make it natural and impactful. That’s something I’m working on at the moment.

Who have been the most interesting people you’ve met so far?

There are a lot of interesting people in my life. Lately, I’ve been thinking about my homestay mum a lot. When I come to Australia for high school, I had an Australian homestay mum, Daphne. Daphne encouraged me to be independent, self-reliant, and to pursue my piano dream! I stayed with her for two years and a half. She drove me to all piano lessons, introduced me to Thai food and Spaghetti Carbonara… Her love and support made the pursuit of my dream a much easier journey. I’m very grateful to her!

How active are you on social media?

Not very active… I try to keep my distance from social media. I use it mainly for work. I prefer spending time with real people. In-person.

What are your plans? Inside your career or out of it.

I want to inspire people to follow their passion and their highest calling. I believe when each of us finds and does what we truly love doing, the world will be a much happier place, we can all fulfill our missions here on earth. I have always been attracted to music, art, and storytelling, everything that beautifies the world, that allows me to express myself creatively. I will continue to create new works in the future. Both music and screen productions. I feel very alive when I’m in the creative process of bringing an idea to life. The creative energy is what drives me every day. My current plan is to do all I can, with my team to create Life as a Summer Flower one that we are truly proud of. Art and music have great powers to break barriers and enhance understanding between people – that’s what I want to do through music and storytelling, to open people’s hearts and create channels for understanding.

The ‘LIGHTNING FAST’ Round:

1. Last good movie I’ve seen: Howl’s Moving Castle by Hayao Miyazaki. “They say that the best blaze burns the brightest when circumstances are at their worst.” This is one of my favourite movie quotes of all time.

2. What do you consider beautiful and why? Helping others. I consider people helping each other, be kind and compassionate to each other to be the most beautiful act.

3. What haven’t you done yet that you wish you could? Start a family and have at least two children.

4. Complete this sentence: “If I had no fear, I’d….”

If I had no fear, I’d sit down and write out my life story. Then, I could understand how I have come to be who I am and where there is next for me to go with my career. I reflect on the events of my life often, and I would like to put them into a narrative structure.

5. What is the one “flaw” you wouldn’t change about yourself?

I always whole heartily go after what I want. I don’t have a backup plan. So when things don’t go the way I want, I can feel hurt and disappointed. But I like to stay this way. Because in order for me to go beyond myself, I need to give whatever I do my devotion, my 200% focus. As Rumi said “You have to keep breaking your heart until it opens”, I consider any setback or heartbreak on the way are opportunities for me to upgrade myself. So, I wouldn’t change that ‘flaw’ of myself.

“Life as a Summer Flower,” the musical series will be filming in Bendigo in July, so be sure to follow this space to find out more details about this amazing project.

PAW PATROL: THE MOVIE…Watch Your Favourite Heroic Pups In The Brand-New Trailer!

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L-R: Zuma (voiced by Shayle Simons), Rocky (voiced by Callum Shoniker), Skye (voiced by Lilly Bartlam), Chase (voiced by Iain Armitage), Marshall (voiced by Kingsley Marshall), and Rubble (voiced by Keegan Hedley) in PAW PATROL: THE MOVIE from Paramount Pictures. Photo Credit: Courtesy of Spin Master.

 

Paramount Pictures, Nickelodeon Movies, and Spin Master Entertainment Present

A Spin Master Entertainment Production.

Directed by: Cal Brunker

Screenplay by: Billy Frolick and Cal Brunker & Bob Barlen

Story by: Billy Frolick

Based on the television series created by Keith Chapman

Produced by: Jennifer Dodge, p.g.a.

Executive Producers: Ronnen Harary, Adam Beder, and Peter Schlessel

VOICE CAST:

Iain Armitage, Marsai Martin, Ron Pardo, Yara Shahidi, Kim Kardashian West, Randall Park, Dax Shepard with Tyler Perry and Jimmy Kimmel introducing Will Brisbin

SYNOPSIS:

The PAW Patrol is on a roll! When their biggest rival, Humdinger, becomes Mayor of nearby Adventure City and starts wreaking havoc, Ryder and everyone’s favourite heroic pups kick into high gear to face the challenge head-onf. While one pup must face his past in Adventure City, the team finds help from a new ally, the savvy dachshund Liberty. Together, armed with exciting new gadgets and gear, the PAW Patrol fights to save the citizens of Adventure City! Joining the PAW Patrol in their thrilling first big-screen adventure are members from the original series’ cast along with Iain Armitage, Marsai Martin, Yara Shahidi, Kim Kardashian West, Randall Park, Dax Shepard, with Tyler Perry and Jimmy Kimmel and introducing Will Brisbin.

The Verdict On The Courier: Is It Worth Your Time And Money??

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There are some actors who are so talented, they can make any bad movie or bad line come off as natural and impressive and it’s not a quality every actor possesses. Sometimes an actor can carry a whole movie on their own and even though you don’t want one person to carry the whole production, it’s nice knowing their talent can take you quite a bit of distance. Benedict Cumberbatch is definitely talented enough to carry a film by himself, I have never seen him give a bad performance before and today’s film is no exception. However, the entertainment and investment in a film also depend largely on how the rest of the content flows, and that brings us to the contradictory conundrum problem of how to view/rate a movie like “The Courier.”

Set during the upcoming threat of the Cuban Missile Crisis, in the shadow of the Cold War a letter from Oleg Penkovsky (Merab Ninidze) an agency of the Soviet Union received by M16 stating the concern of Penkovsky about world safety and his anxiety about nuclear war, So Emily Donovan (Rachel Brosnahan) a CIA Agent reached out to MI6 Agent Dickie Franks (Angus Wright), who recruited British salesman Greville Wynne (Benedict Cumberbatch) to be their spy and uncover information that can stop the Cuban Missile Crisis before it’s too late; based on a true story.

I’m always iffy about true story films and even more so about ones based on my least favorite genre of film: war stories. Granted, “The Courier” is a spy movie at heart and while all of its heavy-handed dialogue and dramatic political tension may engage others, it only served to alienate and bore me as the movie drudged on and on. I mean no disrespect to anyone who worked on this film or the real-life people and events it’s based on, but no matter how many dramatic music cues, close-ups or theatrical gestures the characters make; some things just aren’t that thrilling and don’t translate interestingly enough to film. At no point did I care much about what anyone was saying or doing. More than half the movie was just a bunch of shifty people walking in shadows in trench coats and having supposedly serious conversations in dramatic fashions.

I know very little about how authentic or accurate Cumberbatch’s portrayal of Greville Wynne was but I can certainly say he played the role with masterful effort and class. In a lot of ways, it felt like I was watching his character/role from “Black Mass” expanded into the leading role (even though they are obviously completely different roles.) The problem is, as great as he is, it wasn’t enough to alleviate the cloud of dull dust that had settled on every other minor and major supporting character. It looks beautiful, it’s shot very well and framed excellently…but it doesn’t help if everything that is being framed is exhaustingly boring. Nothing really happens, just a lot of deep conversations about being a spy, risks spies are exposed to and it just keeps dragging on and on with little variation.

I can’t help but feel if I would have understood things faster and clearer if I just read a history book and find out what happened in a condensed fashion instead of watching this. Least then it would have been over faster and I would have gotten the accurate story (not sure how accurate any of this film is.) I understand Hollywood’s need to spice things up with flare and all that, but there are only so many times you can have someone talk intensely about the same subject for 2 hours straight before it feels tiresome and you lost whatever fragment of interest you had left. I can’t even remember anything that really happened in the movie or anyone’s name outside of Cumberbatch. I remember it was shot well and I remember it was about the Cuban Missile Crisis but that’s about it.

Overall, “The Courier” just can’t keep up with the thematic edge it’s framing this information around; it’s just not that interesting. Cumberbatch is, as always, a delight to watch and the cinematography is admirably well done. But what good is a movie if you can’t remember it a few hours after seeing it? That’s the problem I have with “The Courier.” I remember the history and I remember Benedict Cumberbatch but anything and anyone else in the film quickly fades away into afterthoughts not worth revisiting. The star power of Cumberbatch cannot turn a boring film into an exciting one and I hope the portrayals here were accurate to real-life because otherwise, I honestly don’t know what else this movie has going for it.

Rating: I give “The Courier” 2 stars out of 4.

The Verdict On Wrath Of Man: Is It Worth Your Time And Money??

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Jason Statham has made a name for himself; well, two names actually. On the one hand, he’s a freshly bruised face to the action movie genre and knows how to put his physical skills to the test in explosion fashion (The Transporter trilogy, Safe). On the other hand, he’s also dabbled in the wackier, stranger side of action films that make little sense; except an excuse for him to do some crazy stuff on screen and somehow make it stupid and equally entertaining with ease (The Crank films, Hobbs and Shaw). “Wrath of Man” definitely skews more towards the former despite the flashy presentation and editing work (thanks to “Sherlock Holmes” director, Guy Ritchie). In some ways, it’s a typical Jason Statham movie and in some ways, it’s not typical at all…but in a good way.

Our story follows the mysterious one-man army known simply as H (Jason Statham). He’s recently started working as an armored car driver at a cash truck company in Los Angeles. His co-workers and would-be robbers learn painfully and quickly how dangerous H can be and that he is far more than a mere truck driver. H nearly died in a shootout years earlier that cost him the life of his son. Now he’s using the armored car job to lure criminals out in hopes of finding the people responsible for killing his son and making them pay with their lives.

Jason Statham has this habit of always playing himself (or an exaggerated badass version of himself) in all his movies; it’s the same role every time essentially. However, it’s a role he does well and there’s hardly been a single film he’s starred in that didn’t deliver on the action side of things. “Wrath of Man” is a different breed of film for Statham and his unique set of physical talents as it takes him on a much darker ride than most people are used to. Much like “Safe,” Statham is put into a harsher, more violent, and grim story/situation that kind of sucker punches you out of nowhere. To say too much more about the story would delve too deeply into spoiler territories and there is much within the plot that can be easily spoiled if one is not careful.

I think a lot of people write Statham off as a one-note action star that can’t branch out into many other fields/genres and I think that’s an unfair and inaccurate depiction. “Wrath of Man” proves he is capable of handling and taking on much more than people give him credit for. Guy Ritchie is known for this stylistic sense of flare and distinct action sequences; his work always carries that distinctive edge that makes a Guy Ritchie movie feel like a Guy Ritchie movie. The story here jumps around erratically; using a similar mixed-up narrative that Quentin Tarantino is known for. It works more than it fails in this film’s case but it does make you stop and wonder where this scene fits in the timeline if you’re seeing it for the first time.

The only downside with Ritchie’s narrative style here is that it ends up making the film feel longer than it actually is and that is not a good thing to have. Usually, the longer a film feels the worse the experience is even though that is not the case here. Perhaps if some cues or signs indicating when and where this scene was happening could have helped clear up a few of those misunderstandings, but these are minor gripes at best. There’s also a great yet underrated supporting cast to talk about with the likes of Josh Hartnett, Scott Eastwood, and Eddie Marsan filling in some deeply interesting supporting roles. Again, can’t say too much without giving away too much. Rest assured this is definitely not an action movie I would call predictable.

If anything comes from “Wrath of Man” beyond box office bucks, I hope this gives directors and producers a new sense of appreciation and foresight when hiring Jason Statham for roles meatier than just a generic bad-ass kicking guy with a new name/film/location, etc. This film clearly shows he can go dark and badass without missing a beat and is capable of much more with the right amount of artistic direction. “Wrath of Man” doesn’t always know what its timeline is or its tone but it knows how to make excellent use of Statham’s skills that other films have not and I hope this trend continues because this is a side of him I don’t think anyone can get sick of.

Rating: 2 ½ stars out of 4

The Verdict On Nobody: Is It Worth Your Time And Money??

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Many people remember Bob Odenkirk from his time on the hit AMC show “Better Call Saul.” Me, personally, I never saw that show or “Breaking Bad” and always remembered him as that voice in “Incredibles 2” and not much else. The idea of him as a badass action star didn’t carry much shock value to it so I didn’t have high or many expectations for this new action vehicle for him. Granted, I didn’t think Liam Neeson was much of an action star and he’s become one of today’s leading action stars ever since he starred in “Taken.” “Nobody” does for Odenkirk what “Taken” did for Neeson and it does so in spectacular fashion. This is more than just another action flick, this is something that takes you by surprise and blows you away.

Hutch Mansell (Bob Odenkirk) is an ordinary, everyday average guy who works a boring job, comes off as bland and dull to his family, and lives the same day over and over without complaining once. Things change when robbers break into his house. After failing to stop the robbery, he blows off steam beating on punks harassing a woman on a public bus. One of the punks is the younger brother of a crazed Russian mafia boss (Aleksey Serebryakov) who comes after Mansell for injuring his family. However, he learns the hard way that Mansell isn’t an ordinary guy. Mansell has a destructive set of lethal skills and the fighting awaken dark secrets and strengths Mansell hasn’t used in years; doing everything he can to protect his family.

There is something to be said about the fine art of simplicity. Not everything has to be excessively complicated, loaded with political stakes, or be a metaphor for some deep meaningful issue. Sometimes the simplest solution is the best one and that perfectly sums up “Nobody”, it may be simple but it’s the best at what it does. The story is a dime a dozen: an old retired badass cop/warrior/FBI agent etc. gets dragged back into the ghoulish game when something threatens his peaceful life and innocent family. What works so well here is the fact Odenkirk truly is cemented as nobody. The narrative hammers in his mundane, daily routines and low opinions from his family perfectly; so much so that you join the characters in the film in their collective surprise and gasp when he busts out the skills and fights through horde after horde of thugs.

“Nobody” is a gritty, very human, and family-themed action film that grounds its character and its fight scenes in reality. Never going too bombastic but never allowing any standoff to feel like it’s too low-key either. Every piece, performance, and executed sequence plays out perfectly; I never once felt an ounce of disappointment from start to finish. Odenkirk probably delivers the best performance of his career here. He truly embodies the character and his fighting skills feel perfectly natural for someone like him so every scene feels that much more sincere and genuinely intense. There’s a subtle, subdued sense of authority and power in his voice that makes his return to form feel that more natural when the fighting really starts.

This isn’t a cheese-fest like say “Commando” or “True Lies,” this is a gritty, bloody knuckled bullet fest that relies on authenticity and gravitas to compliment the violent shootouts; no cheesy one-liners required. I especially loved the supporting cast like Christopher Lloyd, RZA, Connie Nielson, and Michael Ironside. They didn’t feel like stand-ins, they knew how to be just as memorable and Lloyd is in one of my favorite scenes in the whole movie towards the end. The only thing that could have benefitted from a little additional polish was Odenkirk’s family. We see just enough of them to understand his awkward relationship with them but not enough to feel like they were worth giving up his old career/lifestyle. They weren’t badly written or portrayed; they just needed a tad bit more exposure to remind us what Odenkirk is fighting for.

Overall, “Nobody” is a crack shot of a film that hits nearly every mark and level with little to no difficulty. Odenkirk was born for this role and he’s created a new action hero icon that could deliver more top-notch films if he decided to run with it. The story is simple but powerfully effective, the action sequences are unforgettable and the supporting cast just rounds up every last bit of excellence and smashes it all together in flawless fashion. This is one of the best films I’ve seen this year and a must-own for me. I recommend a rental at the very least because this is the surprise hit you don’t want to miss out on.

Rating: 3 ½ stars out of 4

The Verdict On Godzilla vs. Kong: Is It Worth Your Time And Money??

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Decades ago, these two gigantic monstrous creatures battled it out in an epic crossover film and left fans starved for years and years to see them duke it out in an updated cinematic slugfest. Warner Bros had found new success by rebooting Godzilla and King Kong by starting their own cinematic monster universe. All the previous 3 films had built up to this moment when Kong and Godzilla would meet and fight and update the legendary clash of titans with today’s modern technology and effects. Despite speed bumps here and there and the last Godzilla film, “King of the Monsters” being the most financially disappointing; Warner Bros and horror director Adam Wingard brought their last hurrah to life and closed out their ‘Monsterverse’ with the grandest of grand finales in the Godzilla, long believed to be the protector of the human world, has been lashing out at a tech company and destroying anything and anyone in his way; seemingly without rhyme or reason. A researcher and a Titan expert (Alexander Skarsgård and Rebecca Hall) are tasked with bringing King Kong from Skull Island to the mainland in hopes of returning him home to the fabled home of the titans ‘Hidden earth’ before Godzilla finds him and starts an epic battle that will decimate everything. When the two titans clash, questions are answered and new mysteries discovered. A research team discovers a dark secret that could prove to be even worse than Godzilla or Kong and must be stopped before all of humanity falls to the Titan’s path of destruction.

I had high hopes for this battle. Crossover monster fight films are a rare genre but one that I enjoy when it comes up (Freddy vs. Jason, Alien vs. Predator, etc). However, I also had high hopes for the second r4eboot of Godzilla when Warner Bros first announced they were doing another American Godzilla film and in both cases, I was sorely disappointed. “Godzilla vs. Kong” is, in a way, everything you hoped from a film like this but it’s also everything that is horribly wrong with this whole ‘Monsterverse’ amplified over 9000. Make no mistake, this is a fight focused movie so you expect the fighting to be pretty epic and grandiose, and it is. When Godzilla and Kong do throw down it lives up to your expectations, the environment and creativity behind their bombastic brawling is a spectacle to enjoy on every possible level.

The trouble is, you still have to wade your way through some substandard human characters spouting jacked-up exposition gibberish as they gawk and watch the monsters fight. Everyone is here for the monsters, not the human characters, that is painfully clear from the beginning and it never gets any better. People don’t feel like people in this film, they act like 3rd rate clichés who serve no purpose except to explain what is happening or why it’s happening. There’s no depth or humanity to any one of these so-called characters. I don’t remember anyone’s name or what they were like or even what their motive was, nor do I care. It also doesn’t help that they are written in a way where they talk about such absurdly stupid concepts like having a dragon skull operate a robot or energy sources in hidden kingdoms inside of Earth in such a serious and dramatic way.

The film overcomplicates the simplest things, as if having two giant animals beat the crap out of each other wasn’t compelling enough. The original film from the 1970’s simplified things in such a way that it made sense but it also didn’t take itself too seriously and admitted how silly things could and should get. There was never a need to make Godzilla and Kong species natural rivals, the film just extends itself to create explanations that come off as stupid rather than logical. If there’s one thing the original monster movies got it’s that less is more. You don’t need epic reasons or anything sensible like that, just a decent, tolerable cast and two monsters fighting and boom: you got yourself a good time. But this, this failed attempt to replicate and escalate the magic of the original film just proves that you don’t always need everything explained. Sometimes you just want to see two monsters fight and sadly, “Godzilla vs. Kong” clearly never understood that.

Rating: 2 stars out of 4 

It’s Official: Buddy-Comedy ‘Carmen and Bolude’ Receives Development Funding

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“Best friends Carmen and Bolude travel from Harlem, NYC to Sydney, Australia, where they have ten days to collect 100 ‘welcomes’ so that Bolude’s traditional Nigerian father will agree to let her marry an Australian.”

‘Carmen & Bolude’ is not only relevant to the current public discourse on identity politics, it is also a hilariously entertaining story that showcases the unique gifts of multicultural Australia.

This might not be a biography, but it is most certainly based on true events. No doubt it was the authentic reflection of friendship and adventure that stole the hearts of Screen Australia’s decision-makers.

What makes the project even more powerful and compelling is the fact that the story is centered around how racial and cultural identity is affected by context, questions which the all-female, multicultural creative team has had to grapple with throughout their lives. The film will star Nigerian-Australian Bolude Watson and Latin American-Australian Michela Carattini, will be directed by Penelope Berkemeier and produced by Yolandi Franken and Michela Carattini.

“We’re excited because we know of no feature film which similarly represents mixed-race experiences, despite people with multiracial backgrounds making up a significant portion of the world’s population. To our knowledge, neither have the African female or Latina experiences been represented in an Australian feature,” says Carattini.

The film is fresh and funny, as it follows the two protagonists who, in the course of the film, learn to successfully integrate multiple cultural and race identities within themselves, their relationships and their intergenerational and international communities.

The screenplay for Carmen & Bolude was born when friends Carattini and Watson, an AACTA Award candidate and nominee respectively, teamed up to write their story which, shortly after, won the Mango Tree Story/Hubscript Live Read Session. Now having received Generate Development Funding from Screen Australia for the 2020/2021 round, the film is expected to go into production next year.

Not since ‘Bend It Like Beckham’ has there been a film which normalises close, contemporary relationships (“sisterhood”) between women of different races on equal footing, and not since ‘Crocodile Dundee’ has there been a film that geographically plays into the highly influential cultural relationship between America and Australia – but this time the experience is turned on its head through the perspectives of multicultural women. The film is fresh and funny, as it follows the two strong female protagonists who, in the course of the film, learn to successfully integrate multiple cultural and race identities within themselves, their relationships and their intergenerational and international communities.

While likely being Australia’s first film to incorporate Nollywood (Nigerian Hollywood) story concepts, this film does not whitewash the BIPOC experience, rather it integrates realism and empathy with comedy and adventure. The film responds to the current racially charged environment with the accessibility of ‘My Big Fat Greek Wedding’ and ‘The Bird Cage’. Furthermore, the film reflects Australia as it truly is, one of the most culturally diverse nations in the world, by way of a unique, story-driven tour of Sydney’s unseen geographies and ethnicities.

“The story of ‘Carmen & Bolude’, as well as the project itself, brings together all cultures and all races into one umbrella of humanity. It sets an example of equality and unity among us ALL. It is a story about what COULD and SHOULD happen in the middle, where all cultures come together,” says Franken.

Meet The Rising Stars Behind The Latest Issue Of FilmCentral Magazine: Winston and Sitara Vengapally

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Photo Credit: Alex Matt
MUAH & Stylist: Daniel Cartagena
Designer: Polo

Winston Vengapally is an up-and-coming actor as well as a comedian. He was recently seen in the movie: “Big Feat” as well as in the music video of “Be Legendary” as the lead singer’s child version. He is currently represented by multiple agents and managers around the world.

Sitara Vengapally is a 12-year-old actress, and one of the most sponsored kids on social media. She recently booked a guest star appearance on a Netflix hit series (name under NDA) which is scheduled to shoot in a few weeks. She also starred on Netflix’s “Magic for Humans” as well as in the movie: “Big Feat.” Sitara is represented in several markets around the globe and she’s also an Instagram star as well as a favourite to many famous brands. In fact, she has been sponsored by brands such as Chi Hair, Target, Shein, Pat Pat, Vtech, and many more.

FilmCentral Magazine recently did an exclusive interview with Winston and Sitara’s mother and “momager” Meeta Vengapally and here’s what went down:

Can you tell us more about yourself? How did your kids get started in the entertainment industry?

I am a businesswoman, influencer, writer, and I manage both of my kids: Winston and Sitara Vengapally. They actually got started by accident, I was invited to speak at a business panel at a convention center in a hotel and there was a Disney open call audition happening next door. I was there with my husband and both kids and we planned on spending the night there. As we checked into the hotel, the lady beside us happened to be a casting director and asked me if we were there for the Disney open call. I said no and told her we were there for the business convention. She said hello to the kids and wanted to know if they would like to attend the open call. Kids had a blast meeting everyone and with the entire experience. They caught the bug once they read the short script provided to them and wanted to explore the path. The rest is history.

What do they enjoy most about acting?

Their favorite is the experience of living the life of many different characters. In one project they are playing superheroes with special powers and in another, they are planning a mischievous escape from school. I think the variety of genres (comedy, drama, thriller) keeps their imaginations at their peak. As an actor, you never really know what role will get thrown at you and you just have to be ready for anything. This is one of the things I work with both kids on a daily basis, practicing and honing in on emotions including happiness, sorrow, anger, and how to cry on demand.

They also enjoy the journey wholeheartedly, they have met so many amazing people from famous A-list celebrities to famous producers and directors and then of course their fellow actors. They love to train together with their fellow actors.

What are their weak points when it comes to acting? How do they try to improve them?

I think one of the challenges for every actor is how to quickly change characters, as it requires an entire emotional shift and then finding that place where it feels true to be in the role. They work on this with their coach and by playing a wide range of roles. This is definitely a work in progress and with more experience they will improve their craft.

What are their strong points as an actor?

Winston and Sitara both are quick learners and take directions very well. I say this based on the feedback they’ve received from the directors, producers that have worked with them on different projects. Another strong trait that I think is really amazing is that they tackle every role, character, project, without losing their natural instinct. There are choices that actors have to make at any given moment and I admire how Winston and Sitara allow their intuition to guide them vs. faking something they are not.

What have they learned from the directors and industry experts that you have worked with throughout your career?

They were only 9 and 10 when they got started in this business, I think the key takeaways they have learned at such an early age is that politeness, kindness, and working hard takes you far. They have heard countless stories from famous directors and other industry experts on how they got started and it has a humbling factor on them to learn that everyone starts at ground level. It is so easy to get discouraged and disappointed in this business like you have your heart set on a project, and you work your butt off but you don’t book. One thing both kids have heard repeatedly from everyone they’ve had the honor to work with or meet in their journey is to keep going and not give up.

What are some of the difficulties of the acting business?

The biggest challenge of this business is that you can’t get your hopes up on any project. I continue to train my kids to put in their 1000% effort in each audition and as soon as that audition is over, forget about it. It is so easy to get tied up in thinking if you did well or not or if there was just feedback that can be provided. Unfortunately, in this industry, no news is bad news. You only hear back from casting or producers if they liked what they saw. However, in our case, these kids stay extremely busy. They sometimes get multiple auditions daily so it keeps them going. For us, the challenge is the juggling act, which I guess is a good problem to have.

What’s challenging about bringing a script to life?

For my kids, it is almost always finding a link/bridge to their personal life in one way or the other. Most of the time the scripts are relatable but occasionally they’ll get something completely out of the blue like the character is an orphan living in an orphanage and the script is surrounding those emotions. In such cases, whats helped them is to create a story in their personal life about something/someone similar and living through that. It always helps when they can visualize the character in real life and then work backward if you know what I mean.

What do they do when they are not on set?

These guys are always filming, seriously. They each have so much filming equipment at home. They are also Top Video Creators on IGTV, so they make content for Instagram regularly as well, including sponsored content. Aside from that, they both love to play competitive sports. Winston plays in a Basketball competition and Sitara is in a Soccer competition. When not on set, they are with their teams practicing and playing games. They also love to play with their friends (who they see occasionally, depending on their schedule). Biking, gaming, and just hanging out on the front porch with their pals is still a fav for both.

What has been the most memorable experience of their career so far?

The most memorable experience is definitely their first big booking. For Winston, it was a show for Comedy Central, and for Sitara, it was her project for a Netflix series. Winston met some amazing actors on set and they are good friends since then. For Sitara, it’s also the people she met but also the amazing wardrobe, jewelry, make-up, etc. She enjoyed every bit of it all.

How do you help your children plan for the future? Inside their acting career or out of it.

I love this question. The way I see their acting endeavor is equivalent to any sports kids play. The only difference is that they are working in this industry vs. if it were any other industry they don’t work till they are adults. I see it as they can get bored of this any day. Because they are in business and are learning what commitment, building relationships, and hard work look like I think it’s vital for them to receive ongoing training to stay solid. I have a simple strategy in place that I use with them daily. Each time they receive an audition, I offer them an out. This helps remove the pressure like feeling where they feel like that’s too much work and it also provides a reality check. It places the responsibility of all the work required to put onto them but also makes them think hard and reevaluate their commitment and intentions. Mind you, getting an audition is only half the equation, there is an insane amount of effort and work that goes into executing it successfully. By offering them an out it becomes evident how much their heart is into it. I have to say, I get stronger and more genuine performances since I started doing this.